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Title: Angel Island
Author: Gillmore, Inez Haynes, 1873-1970
Language: English
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By Inez Haynes Gillmore

Author of "Phoebe and Ernest," "Phoebe, Ernest, and Cupid," etc.


M. W. P.


It was the morning after the shipwreck. The five men still lay where
they had slept. A long time had passed since anybody had spoken. A long
time had passed since anybody had moved. Indeed, it, looked almost as if
they would never speak or move again. So bruised and bloodless of skin
were they, so bleak and sharp of feature, so stark and hollow of eye, so
rigid and moveless of limb that they might have been corpses. Mentally,
too, they were almost moribund. They stared vacantly, straight out to
sea. They stared with the unwinking fixedness of those whose gaze is
caught in hypnotic trance.

It was Frank Merrill who broke the silence finally. Merrill still looked
like a man of marble and his voice still kept its unnatural tone, level,
monotonous, metallic. "If I could only forget the scream that Norton kid
gave when he saw the big wave coming. It rings in my head. And the way
his mother pressed his head down on her breast--oh, my God!"

His listeners knew that he was going to say this. They knew the very
words in which he would put it. All through the night-watches he had
said the same thing at intervals. The effect always was of a red-hot
wire drawn down the frayed ends of their nerves. But again one by one
they themselves fell into line.

"It was that old woman I remember," said Honey Smith. There were
bruises, mottled blue and black, all over Honey's body. There was a
falsetto whistling to Honey's voice. "That Irish granny! She didn't say
a word. Her mouth just opened until her jaw fell. Then the wave struck!"
He paused. He tried to control the falsetto whistling. But it got away
from him. "God, I bet she was dead before it touched her!"

"That was the awful thing about it," Pete Murphy groaned. "It was
as inevitable now as an antiphonal chorus. Pete's little scarred,
scratched, bleeding body rocked back and forth. The women and children!
But it all came so quick. I was close beside 'the Newlyweds.' She put
her arms around his neck and said, 'Your face'll be the last I'll look
on in this life, dearest! 'And she stayed there looking into his eyes.
It was the last face she saw all right." Pete stopped and his brow
blackened. "While she was sick in her stateroom, he'd been looking into
a good many faces besides hers, the--"

"I don't seem to remember anything definite about it," Billy Fairfax
said. It was strange to hear that beating pulse of horror in Billy's
mild tones and to see that look of terror frozen on his mild face. "I
had the same feeling that I've had in nightmares lots of times--that
it was horrible--and--I didn't think I could stand it another
moment--but--of course it would soon end--like all nightmares and I'd
wake up."

Without reason, they fell again into silence.

They had passed through two distinct psychological changes since the sea
spewed them up. When consciousness returned, they gathered into a
little terror-stricken, gibbering group. At first they babbled. At first
inarticulate, confused, they dripped strings of mere words; expletives,
exclamations, detached phrases, broken clauses, sentences that started
with subjects and trailed, unpredicated, to stupid silence; sentences
beginning subjectless and hobbling to futile conclusion. It was as
though mentally they slavered. But every phrase, however confused and
inept, voiced their panic, voiced the long strain of their fearful
buffeting and their terrific final struggle. And every clause, whether
sentimental, sacrilegious, or profane, breathed their wonder, their
pathetic, poignant, horrified wonder, that such things could be. All
this was intensified by the anarchy of sea and air and sky, by the
incessant explosion of the waves, by the wind which seemed to sweep from
end to end of a liquefying universe, by a downpour which threatened to
beat their sodden bodies to pulp, by all the connotation of terror that
lay in the darkness and in their unguarded condition on a barbarous,
semi-tropical coast.

Then came the long, log-like stupor of their exhaustion.

With the day, vocabulary, grammar, logic returned. They still iterated
and reiterated their experiences, but with a coherence which gradually
grew to consistence. In between, however, came sudden, sinister attacks
of dumbness.

"I remember wondering," Billy Fairfax broke their last silence suddenly,
"what would become of the ship's cat."

This was typical of the astonishing fatuity which marked their comments.
Billy Fairfax had made the remark about the ship's cat a dozen times.
And a dozen times, it had elicited from the others a clamor of similar
chatter, of insignificant haphazard detail which began anywhere and
ended nowhere.

But this time it brought no comment. Perhaps it served to stir faintly
an atrophied analytic sense. No one of them had yet lost the shudder and
the thrill which lay in his own narrative. But the experiences of the
others had begun to bore and irritate.

There came after this one remark another half-hour of stupid and
readjusting silence.

The storm, which had seemed to worry the whole universe in its grip,
had died finally but it had died hard. On a quieted earth, the sea alone
showed signs of revolution. The waves, monstrous, towering, swollen,
were still marching on to the beach with a machine-like regularity
that was swift and ponderous at the same time. One on one, another
on another, they came, not an instant between. When they crested,
involuntarily the five men braced themselves as for a shock. When they
crashed, involuntarily the five men started as if a bomb had struck.
Beyond the wave-line, under a cover of foam, the jaded sea lay feebly
palpitant like an old man asleep. Not far off, sucked close to a ragged
reef, stretched the black bulk that had once been the Brian Boru.
Continually it leaped out of the water, threw itself like a live
creature, breast-forward on the rock, clawed furiously at it, retreated
a little more shattered, settled back in the trough, brooded an instant,
then with the courage of the tortured and the strength of the dying,
reared and sprang at the rock again.

Up and down the beach stretched an unbroken line of wreckage. Here and
there, things, humanly shaped, lay prone or supine or twisted into crazy
attitudes. Some had been flung far up the slope beyond the water-line.
Others, rolling back in the torrent of the tide, engaged in a ceaseless,
grotesque frolic with the foamy waters. Out of a mass of wood caught
between rocks and rising shoulder-high above it, a woman's head, livid,
rigid, stared with a fixed gaze out of her dead eyes straight at their
group. Her blonde hair had already dried; it hung in stiff, salt-clogged
masses that beat wildly about her face. Beyond something rocking between
two wedged sea-chests, but concealed by them, constantly kicked a sodden
foot into the air. Straight ahead, the naked body of a child flashed to
the crest of each wave.

All this destruction ran from north to south between two reefs of black
rock. It edged a broad bow-shaped expanse of sand, snowy, powdery,
hummocky, netted with wefts of black seaweed that had dried to a
rattling stiffness. To the east, this silvery crescent merged finally
with a furry band of vegetation which screened the whole foreground of
the island.

The day was perfect and the scene beautiful. They had watched the sun
come up over the trees at their back. And it was as if they had seen
a sunrise for the first time in their life. To them, it was neither
beautiful nor familiar; it was sinister and strange. A chill, that was
not of the dawn but of death itself, lay over everything. The morning
wind was the breath of the tomb, the smells that came to them from the
island bore the taint of mortality, the very sunshine seemed icy. They
suffered--the five survivors of the night's tragedy--with a scarifying
sense of disillusion with Nature. It was as though a beautiful, tender,
and fondly loved mother had turned murderously on her children, had
wounded them nearly to death, had then tried to woo them to her
breast again. The loveliness of her, the mindless, heartless, soulless
loveliness, as of a maniac tamed, mocked at their agonies, mocked with
her gentle indifference, mocked with her self-satisfied placidity,
mocked with her serenity and her peace. For them she was dead--dead like
those whom we no longer trust.

The sun was racing up a sky smooth and clear as gray glass. It dropped
on the torn green sea a shimmer that was almost dazzling; but ere was
something incongruous about that--as though Nature had covered her
victim with a spangled scarf. It brought out millions of sparkles in the
white sand; and there seemed something calculating about that--as though
she were bribing them with jewels to forget.

"Say, let's cut out this business of going, over and over it," said
Ralph Addington with a sudden burst of irritability. "I guess I could
give up the ship's cat in exchange for a girl or two." Addington's face
was livid; a muscular contraction kept pulling his lips away from his
white teeth; he had the look of a man who grins satanically at regular

By a titanic mental effort, the others connected this explosion with
Billy Fairfax's last remark. It was the first expression of an emotion
so small as ill-humor. It was, moreover, the first excursion out of the
beaten path of their egotisms. It cleared the atmosphere a little of
that murky cloud of horror which blurred the sunlight. Three of the
other four men--Honey Smith, Frank Merrill, Pete Murphy--actually turned
and looked at Ralph Addington. Perhaps that movement served to break the
hideous, hypnotic spell of the sea.

"Right-o!" Honey Smith agreed weakly. It was audible in his voice, the
effort to talk sanely of sane things, and in the slang of every day.
"Addington's on. Let's can it! Here we are and here we're likely to stay
for a few days. In the meantime we've got to live. How are we going to
pull it off?"

Everybody considered his brief harangue; for an instant, it looked
as though this consideration was taking them all back into aimless
meditation. Then, "That's right," Billy Fairfax took it up heroically.
"Say, Merrill," he added in almost a conversational tone, "what are our
chances? I mean how soon do we get off?"

This was the first question anybody had asked. It added its
infinitesimal weight to the wave of normality which was settling over
them all. Everybody visibly concentrated, listening for the answer.

It came after an instant, although Frank Merrill palpably pulled himself
together to attack the problem. "I was talking that matter over with
Miner just yesterday," he said. "Miner said God, I wonder where he is
now--and a dependent blind mother in Nebraska."

"Cut that out," Honey Smith ordered crisply.

"We--we--were trying to figure our chances in case of a wreck," Frank
Merrill continued slowly. "You see, we're out of the beaten path--way
out. Those days of drifting cooked our goose. You can never tell, of
course, what will happen in the Pacific where there are so many tramp
craft. On the other hand--" he paused and hesitated. It was evident, now
that he had something to expound, that Merrill had himself almost under
command, that his hesitation arose from another cause. "Well, we're all
men. I guess it's up to me to tell you the truth. The sooner you all
know the worst, the sooner you'll pull yourselves together. I shouldn't
be surprised if we didn't see a ship for several weeks--perhaps months."

Another of their mute intervals fell upon them. Dozens of waves flashed
and crashed their way up the beach; but now they trailed an iridescent
network of foam over the lilac-gray sand. The sun raced high; but now it
poured a flood of light on the green-gray water. The air grew bright
and brighter. The earth grew warm and warmer. Blue came into the sky,
deepened--and the sea reflected it, Suddenly the world was one huge
glittering bubble, half of which was the brilliant azure sky and half
the burnished azure sea. None of the five men looked at the sea and sky
now. The other four were considering Frank Merrill's words and he was
considering the other four.

"Lord, God!" Ralph Addington exclaimed suddenly. "Think of being in a
place like this six months or a year without a woman round! Why, we'll
be savages at the end of three months." He snarled his words. It was as
if a new aspect of the situation--an aspect more crucially alarming than
any other--had just struck him.

"Yes," said Frank Merrill. And for a moment, so much had he recovered
himself, he reverted to his academic type. "Aside from the regret and
horror and shame that I feel to have survived when every woman drowned,
I confess to that feeling too. Women keep up the standards of life. It
would have made a great difference with us if there were only one or two
women here."

"If there'd been five, you mean," Ralph Addington amended. A feeble,
white-toothed smile gleamed out of his dark beard. He, too, had pulled
himself together; this smile was not muscular contraction. "One or two,
and the fat would be in the fire."

Nobody added anything to this. But now the other three considered Ralph
Addington's words with the same effort towards concentration that they
had brought to Frank Merrill's. Somehow his smile--that flashing smile
which showed so many teeth against a background of dark beard--pointed
his words uncomfortably.

Of them all, Ralph Addington was perhaps, the least popular. This was
strange; for he was a thorough sport, a man of a wide experience. He was
salesman for a business concern that manufactured a white shoe-polish,
and he made the rounds of the Oriental countries every year. He was a
careful and intelligent observer both of men and things. He was widely
if not deeply read. He was an interesting talker. He could, for or
instance, meet each of the other four on some point of mental contact. A
superficial knowledge of sociology and a practical experience with
many races brought him and Frank Merrill into frequent discussion. His
interest in all athletic sports and his firsthand information in regard
to them made common ground between him and Billy Fairfax. With Honey
Smith, he talked business, adventure, and romance; with Pete Murphy,
German opera, French literature, American muckraking, and Japanese art.
The flaw which made him alien was not of personality but of character.

He presented the anomaly of a man scrupulously honorable in regard to
his own sex, and absolutely codeless in regard to the other. He was
what modern nomenclature calls a "contemporaneous varietist." He was,
in brief, an offensive type of libertine. Woman, first and foremost, was
his game. Every woman attracted him. No woman held him. Any new woman,
however plain, immediately eclipsed her predecessor, however beautiful.
The fact that amorous interests took precedence over all others was
quite enough to make him vaguely unpopular with men. But as in addition,
he was a physical type which many women find interesting, it is likely
that an instinctive sex-jealousy, unformulated but inevitable, biassed
their judgment. He was a typical business man; but in appearance
he represented the conventional idea of an artist. Tall, muscular,
graceful, hair thick and a little wavy, beard pointed and golden-brown,
eyes liquid and long-lashed, women called him "interesting." There was,
moreover, always a slight touch of the picturesque in his clothes; he
was master of the small amatory ruses which delight flirtatious women.

In brief, men were always divided in their own minds in regard to Ralph
Addington. They knew that, constantly, he broke every canon of that
mysterious flexible, half-developed code which governs their relations
with women. But no law of that code compelled them to punish him for
ungenerous treatment of somebody's else wife or sister. Had he been
dishonorable with them, had he once borrowed without paying, had he once
cheated at cards, they would have ostracized him forever. He had done
none of these things, of course.

"By jiminy!" exclaimed Honey Smith, "how I hate the unfamiliar air of
everything. I'd like to put my lamps on something I know. A ranch and a
round-up would look pretty good to me at this moment. Or a New England
farmhouse with the cows coming home. That would set me up quicker than a

"The University campus would seem like heaven to me," Frank Merrill
confessed drearily, "and I'd got so the very sight of it nearly drove me

"The Great White Way for mine," said Pete Murphy, "at night--all
the corset and whisky signs flashing, the streets jammed with
benzine-buggies, the sidewalks crowded with boobs, and every lobster
palace filled to the roof with chorus girls."

"Say," Billy Fairfax burst out suddenly; and for the first time since
the shipwreck a voice among them carried a clear business-like note of
curiosity. "You fellows troubled with your eyes? As sure as shooting,
I'm seeing things. Out in the west there--black spots--any of the rest
of you get them?"

One or two of the group glanced cursorily backwards. A pair of
perfunctory "Noes!" greeted Billy's inquiry.

"Well, I'm daffy then," Billy decided. He went on with a sudden abnormal
volubility. "Queer thing about it is I've been seeing them the whole
morning. I've just got back to that Point where I realized there was
something wrong. I've always had a remarkably far sight." He rushed
on at the same speed; but now he had the air of one who is trying to
reconcile puzzling phenomena with natural laws. "And it seems as if--but
there are no birds large enough--wish it would stop, though. Perhaps you
get a different angle of vision down in these parts. Did any of you ever
hear of that Russian peasant who could see the four moons of Jupiter
without a glass? The astronomers tell about him."

Nobody answered his question. But it seemed suddenly to bring them back
to the normal.

"See here, boys," Frank Merrill said, an unexpected note of authority in
his voice, "we can't sit here all the morning like this. We ought to rig
up a signal, in case any ship--. Moreover, we've got to get together and
save as much as we can. We'll be hungry in a little while. We can't lie
down on that job too long."

Honey Smith jumped to his feet. "Well, Lord knows, I want to get busy. I
don't want to do any more thinking, thank you. How I ache! Every muscle
in my body is raising particular Hades at this moment."

The others pulled themselves up, groaned, stretched, eased protesting
muscles. Suddenly Honey Smith pounded Billy Fairfax on the shoulder,
"You're it, Billy," he said and ran down the beach. In another instant
they were all playing tag. This changed after five minutes to baseball
with a lemon for a ball and a chair-leg for a bat. A mood of wild
exhilaration caught them. The inevitable psychological reaction had set
in. Their morbid horror of Nature vanished in its vitalizing flood like
a cobweb in a flame. Never had sea or sky or earth seemed more lovely,
more lusciously, voluptuously lovely. The sparkle of the salt wind
tingled through their bodies like an electric current. The warmth in the
air lapped them like a hot bath. Joy-in-life flared up in them to such a
height that it kept them running and leaping meaninglessly. They shouted
wild phrases to each other. They burst into song. At times they yelled
scraps of verse.

"We'll come across something to eat soon," said Frank Merrill, breathing
hard. "Then we'll be all right."

"I feel--better--for that run--already," panted Billy Fairfax. "Haven't
seen a black spot for five minutes."

Nobody paid any attention to him, and in a few minutes he was paying no
attention to himself. Their expedition was offering too many shocks of
horror and pathos. Fortunately the change in their mood held. It was,
indeed, as unnatural as their torpor, and must inevitably bring its
own reaction. But after each of these tragic encounters, they recovered
buoyancy, recovered it with a resiliency that had something almost
light-headed about it.

"We won't touch any of them now," Frank Merrill ordered peremptorily.
"We can attend to them later. They'll keep coming back. What we've got
to do is to think of the future. Get everything out of the water that
looks useful--immediately useful," he corrected himself. "Don't bother
about anything above high-water mark--that's there to stay. And work
like hell every one of you!"

Work they did for three hours, worked with a kind of frenzied delight
in action and pricked on by a ravenous hunger. In and out of the
combers they dashed, playing a desperate game of chance with Death.
Helter-skelter, hit-or-miss, in a blind orgy of rescue, at first they
pulled out everything they could reach. Repeatedly, Frank Merrill
stopped to lecture them on the foolish risks they were taking, on the
stupidity of such a waste of energy. "Save what we need!" he iterated
and reiterated, bellowing to make himself heard. "What we can use
now--canned stuff, tools, clothes! This lumber'll come back on the next

He seemed to keep a supervising eye on all of them; for his voice,
shouting individual orders, boomed constantly over the crash of the
waves. Realizing finally that he was the man of the hour, the others
ended by following his instructions blindly.

Merrill, himself, was no shirk. His strength seemed prodigious. When any
of the others attempted to land something too big to handle alone, he
was always near to help; and yet, unaided, he accomplished twice as much
as the busiest.

Frank Merrill, professor of a small university in the Middle West, was
the scholar of the group, a sociologist traveling in the Orient to study
conditions. He was not especially popular with his companions, although
they admired him and deferred to him. On the other hand, he was not
unpopular; it was more that they stood a little in awe of him.

On his mental side, he was a typical academic product. Normally his
conversation, both in subject-matter and in verbal form, bore towards
pedantry. It was one curious effect of this crisis that he had reverted
to the crisp Anglo-Saxon of his farm-nurtured youth.

On his moral side, he was a typical reformer, a man of impeccable
private character, solitary, a little austere. He had never married; he
had never sought the company of women, and in fact he knew nothing
about them. Women had had no more bearing on his life than the fourth

On his physical side he was a wonder.

Six feet four in height, two hundred and fifty pounds in weight, he
looked the viking. He had carried to the verge of middle age the habits
of an athletic youth. It was said that half his popularity in his
university world was due to the respect he commanded from the students
because of his extraordinary feats in walking and lifting. He was
impressive, almost handsome. For what of his face his ragged, rusty
beard left uncovered was regularly if coldly featured. He was ascetic in
type. Moreover, the look of the born disciplinarian lay on him. His blue
eyes carried a glacial gleam. Even through his thick mustache, the lines
of his mouth showed iron.

After a while, Honey Smith came across a water-tight tin of matches.
"Great Scott, fellows!" he exclaimed. "I'm hungry enough to drop. Let's
knock off for a while and feed our faces. How about mock turtle, chicken
livers, and red-headed duck?"

They built a fire, opened cans of soup and vegetables.

"The Waldorf has nothing on that," Pete Murphy said when they stopped,

"Say, remember to look for smokes, all of you," Ralph Addington
admonished them suddenly.

"You betchu!" groaned Honey Smith, and his look became lugubrious. But
his instinct to turn to the humorous side of things immediately crumpled
his brown face into its attractive smile. "Say, aren't we going to be
the immaculate little lads? I can't think of a single bad habit we can
acquire in this place. No smokes, no drinks, few if any eats--and not
a chorister in sight. Let's organize the Robinson Crusoe Purity League,
Parlor Number One."

"Oh, gee!" Pete Murphy burst out. "It's just struck me. The Wilmington
'Blue,' is lost forever--it must have gone down with everything else."

Nobody spoke. It was an interesting indication of how their sense of
values had already shifted that the loss to the world of one of its
biggest diamonds seemed the least of their minor disasters.

"Perhaps that's what hoodooed us," Pete went on. "You know they say the
Wilmington 'Blue' brought bad luck to everybody who owned it. Anyway,
battle, murder, adultery, rape, rapine, and sudden death have followed
it right along the line down through history. Oh, it's been a busy cake
of ice--take it from muh! Hope the mermaids fight shy of it."

"The Wilmington 'Blue' isn't alone in that," Ralph Addington said. "All
big diamonds have raised hell. You ought to hear some of the stories
they tell in India about the rajahs' treasures. Some of those
briolettes--you listen long enough and you come to the conclusion that
the sooner all the big stones are cut up, the better."

"I bet this one isn't gone," said Pete. "Anybody take me? That's the
contrariety of the beasts--they won't stay lost. We'll find that stone
yet--where among our loot. The first thing we know, we'll be all knifing
each other to get it."

"Time's up," called Frank Merrill. "Sorry to drive you, but we've got
to keep at it as long as the light lasts. After to-day, though, we need
work only at high water. Between times, we can explore the island--" He
spoke as if he were wheedling a group of boys with the promise of play.

"Select a site for our capital city"--Honey Smith helped him out
facetiously--"lay out streets--begin to excavate for the church,
town-hall, schoolhouse, and library."

"The first thing to do now," Frank Merrill went on, as usual, ignoring
all facetiousness, "is to put up a signal."

Under his direction, they nailed a pair of sheets, one at the southern,
the other at the northern reef, to saplings which they stripped of
branches. Then they went back to the struggle for salvage.

The fascination of work--and of such novel work--still held them. They
labored the rest of the morning, lay off for a brief lunch, went at
it again in the afternoon, paused for dinner, and worked far into the
evening. Once they stopped long enough to build a huge signal fire
on the each. When they turned in, not one of them but nursed torn and
blistered hands. Not one of them but fell asleep the instant he lay

They slept until long after sunrise.

It was Pete Murphy who waked them. "Say, who was it, yesterday, talked
about seeing black spots? I'm hanged if I'm not hipped, too. When I woke
just before sunrise, there were black things off there in the west. Of
course I was almost dead to the world but--"

"Like great birds?" Billy Fairfax asked with interest.


"Bats from your belfry," commented Ralph Addington. Because of his
constant globe-trotting, Addington's slang was often a half-decade
behind the times.

"Too much sunlight," Frank Merrill explained. "Lucky thing, we don't
any of us have to wear glasses. We'd certainly be up against it in this
double glare. Sand and sun both, you see! And you can thank whatever
instinct that's kept you all in training. This shipwreck is the most
perfect case I've ever seen of the survival of the fittest."

And in fact, they were all, except for Pete Murphy, big men, and all,
even he, active, strong-muscled, and in the pink of condition.

The huge tide had not entirely subsided, but there was a perceptible
diminution in the height of the waves. Up beyond the water-line lay a
fresh installment of jetsam. But, as before, they labored only to save
the flotsam. They worked all the morning.

In the afternoon, they dug a huge trench. Frank Merrill presiding, they
buried the dead with appropriate ceremony.

"Thank God, that's done," Ralph Addington said with a shudder. "I hate
death and everything to do with it."

"Yes, we'll all be more normal now they're gone," Frank Merrill added.
"And the sooner everything that reminds us of them is gone the better."

"Say," Honey Smith burst out the next morning. "Funny thing happened
to me in the middle the night. I woke out of a sound sleep--don't know
why--woke with a start as if somebody'd shaken me--felt something brush
me so close--well, it touched me. I was so dead that I had to work
like the merry Hades to open my eyes--seemed as if it was a full minute
before I could lift my eyelids. When I could make things out--damned
if there wasn't a bird--a big bird--the biggest bird I ever saw in my
life--three times as big as any eagle--flying over the water."

Nothing could better have indicated Honey's mental turmoil than the
fact that he talked in broken phrases rather than in his usual clear,
swift-footed curt sentences.

Nobody noticed this. Nobody offered comment. Nobody seemed surprised. In
fact, all the psychological areas which explode in surprise and wonder
were temporarily deadened.

"As sure as I live," Honey continued indignantly, "that bird's wings
must have extended twenty feet above its head."

"Oh, get out!" said Ralph Addington perfunctorily.

"As sure as I'm sitting here," Honey went on earnestly. "I heard a
woman's laugh. Any of you others get it?"

The sense of humor, it seemed, was not extinct. Honey's companions burst
into roars of laughter. For the rest of the morning, they joked Honey
about his hallucination. And Honey, who always responded in kind to any
badinage, received this in silence. In fact, wherever he could, a little
pointedly, he changed the subject.

Honey Smith was the type of man whom everybody jokes, partly because he
received it with such good humor, partly because he turned it back with
so ready and so charming a wit. Also it gave his fellow creatures a
gratifying sense of equality to pick humorous flaws in one so manifestly
a darling of the gods.

Honey Smith possessed not a trace of genius, not a suggestion of what is
popularly termed "temperament." He had no mind to speak of, and not more
than the usual amount of character. In fact, but for one thing, he was
an average person. That one thing was personality--and personality
he possessed to an extraordinary degree. Indeed, there seemed to be
something mysteriously compelling about this personality of Honey's.
The whole world of creatures felt its charm. Dumb beasts fawned on him.
Children clung to him. Old people lingered near as though they could
light dead fires in the blaze of his radiant youth. Men hob-nobbed
with him; his charm brushed off on to the dryest and dullest so that,
temporarily, they too bloomed with personality. As for women--His
appearance among them was the signal for a noiseless social cataclysm.
They slipped and slid in his direction as helplessly as if an inclined
plane had opened under their feet. They fluttered in circles about him
like birds around a light. If he had been allowed to follow the pull
of his inclination, they would have held a subsidiary place in his
existence. For he was practical, balanced, sane. He had, moreover, the
tendency towards temperance of the born athlete. Besides all this, his
main interests were man-interests. But women would not let him alone.
He had but to look and the thing was done. Wreaths hung on every balcony
for Honey Smith and, always at his approach, the door of the harem swung
wide. He was a little lazy, almost discourteously uninterested in his
attitude towards, the individual female; for he had never had to exert

It is likely that all this personal popularity would have been the
result of that trick of personality. But many good fairies had been
summoned to Honey's christening; he had good looks besides. He was
really tall, although his broad shoulders seemed to reduce him to medium
height. Brown-skinned, brown-eyed, brown-haired, his skin was as smooth
as satin, his eyes as clear as crystal, his hair as thick as fur. His
expression had tremendous sparkle. But his main physical charm was a
smile which crumpled his brown face into an engaging irregularity of
contour and lighted it with an expression brilliant with mirth and

He was a true soldier of fortune. In the ten years which his business
career covered be had engaged in a score of business ventures. He
had lost two fortunes. Born in the West, educated in the East, he had
flashed from coast to coast so often that he himself would have found it
hard to say where he belonged.

He was the admiration and the wonder and the paragon and the criterion
of his friend Billy Fairfax, who had trailed his meteoric course through
college and who, when the Brian Boru went down, was accompanying him on
his most recent adventure--a globe-trotting trip in the interests of a
moving-picture company. Socially they made an excellent team. For Billy
contributed money, birth, breeding, and position to augment Honey's
initiative, enterprise, audacity, and charm. Billy Fairfax offered other
contrasts quite as striking. On his physical side, he was shapelessly
strong and hopelessly ugly, a big, shock-headed blond. On his personal
side "mere mutt-man" was the way one girl put it, "too much of a damned
gentleman" Honey Smith said to him regularly.

Billy Fairfax was not, however, without charm of a certain shy, evasive,
slow-going kind; and he was not without his own distinction. His
huge fortune had permitted him to cultivate many expensive sports and
sporting tastes. His studs and kennels and strings of polo ponies were
famous. He was a polo-player well above the average and an aviator not
far below it.

Pete Murphy, the fifth of the group, was the delight of them all. The
carriage of a bantam rooster, the courage of a lion, more brain than he
could stagger under; a disposition fiery, mercurial, sanguine, witty;
he was made, according to Billy Fairfax's dictum, of "wire and brass
tacks," and he possessed what Honey Smith (who himself had no mean
gift in that direction) called "the gift of gab." He lived by writing
magazine articles. Also he wrote fiction, verse, and drama. Also he was
a painter. Also he was a musician. In short, he was an Irishman.

Artistically, he had all the perception of the Celt plus the acquired
sapience of the painter's training. If he could have existed in a
universe which consisted entirely of sound and color, a universe
inhabited only by disembodied spirits, he would have been its ablest
citizen; but he was utterly disqualified to live in a human world.
He was absolutely incapable of judging people. His tendency was to
underestimate men and to overestimate women. His life bore all the scars
inevitable to such an instinct. Women, in particular, had played ducks
and drakes with his career. Weakly chivalrous, mindlessly gallant, he
lacked the faculty of learning by experience--especially where the other
sex were concerned. "Predestined to be stung!" was, his first wife's
laconic comment on her ex-husband. She, for instance, was undoubtedly
the blameworthy one in their marital failure, but she had managed to
extract a ruinous alimony from him. Twice married and twice divorced,
he was traveled through the Orient to write a series of muck raking
articles and, incidentally if possible, to forget his last unhappy
matrimonial venture.

Physically, Pete was the black type of Celt. The wild thatch of his
scrubbing-brush hair shone purple in the light. Scrape his face as he
would, the purple shadow of his beard seemed ingrained in his white
white skin. Black-browed and black-lashed, he had the luminous
blue-gray-green eyes of the colleen. There was a curious untamable
quality in his look that was the mixture of two mad strains, the
aloofness of the Celt and the aloofness of the genius.

Three weeks passed. The clear, warm-cool, lucid, sunny weather kept up.
The ocean flattened, gradually. Twice every twenty-four hours the tide
brought treasure; but it brought less and less every day. Occasionally
came a stiffened human reminder of their great disaster. But calloused
as they were now to these experiences, the men buried it with hasty
ceremony and forgot.

By this time an incongruous collection stretched in parallel lines above
the high-water mark. "Something, anything, everything--and then some,"
remarked Honey Smith. Wood wreckage of all descriptions, acres of
furniture, broken, split, blistered, discolored, swollen; piles of
carpets, rugs, towels, bed-linen, stained, faded, shrunken, torn; files
of swollen mattresses, pillows, cushions, life-preservers; heaps of
table-silver and kitchen-ware tarnished and rusty; mounds of china and
glass; mountains of tinned goods, barrels boxes, books, suit-cases,
leather bags; trunks and trunks and more trunks and still more trunks;
for, mainly, the trunks had saved themselves.

Part of the time, in between tides, they tried to separate the grain
of this huge collection of lumber from the chaff; part of the time they
made exploring trips into the interior. At night they sat about their
huge fire and talked.

The island proved to be about twenty miles in length by seven in width.
It was uninhabited and there were no large animals on it. It was Frank
Merrill's theory that it was the exposed peak of a huge extinct volcano.
In the center, filling the crater, was a little fresh-water lake. The
island was heavily wooded; but in contour it presented only diminutive
contrasts of hill and valley. And except as the semi-tropical foliage
offered novelties of leaf and flower, the beauties of unfamiliar shapes
and colors, it did not seem particularly interesting. Ralph Addington
was the guide of these expeditions. From this tree, he pointed out,
the South Sea Islander manufactured the tappa cloth, from that the
poeepooee, from yonder the arva. Honey Smith used to say that the only
depressing thing about these trips was the utter silence of the gorgeous
birds which they saw on every side. On the other hand, they extracted
what comfort they could from Merrill's and Addington's assurance that,
should the ship's supply give out, they could live comfortably enough on
birds' eggs, fruit, and fish.

Sorting what Honey Smith called the "ship-duffle" was one prolonged
adventure. At first they made little progress; for all five of them
gathered over each important find, chattering like girls. Each man
followed the bent of his individual instinct for acquisitiveness. Frank
Merrill picked out books, paper, writing materials of every sort.
Ralph Addington ran to clothes. The habit of the man with whom it is a
business policy to appear well-dressed maintained itself; even in their
Eveless Eden, he presented a certain tailored smartness. Billy Fairfax
selected kitchen utensils and tools. Later, he came across a box filled
with tennis rackets, nets, and balls. The rackets' strings had snapped
and the balls were dead. He began immediately to restring the rackets,
to make new balls from twine, to lay out a court. Like true soldiers of
fortune, Honey Smith and Pete Murphy made no special collection; they
looted for mere loot's sake.

One day, in the midst of one of their raids, Honey Smith yelled a
surprised and triumphant, "By jiminy!" The others showed no signs, of
interest. Honey was an alarmist; the treasure of the moment might prove
to be a Japanese print or a corkscrew. But as nobody stirred or spoke,
he called, "The Wilmington 'Blue'!"

These words carried their inevitable magic. His companions dropped
everything; they swarmed about him.

Honey held on his palm what, in the brilliant sunlight looked like a
globe of blue fire, a fire that emitted rainbows instead of sparks.

He passed it from hand to hand. It seemed a miracle that the fingers
which touched it did not burst into flame. For a moment the five men
might have been five children.

"Well," said Pete Murphy, "according to all fiction precedent, the rest
of us ought to get together immediately, if not a little sooner, and
murder you, Honey."

"Go as far as you like," said Honey, dropping the stone into the pocket
of his flannel shirt. "Only if anybody really gets peeved about this
junk of carbon, I'll give it to him."

For a while life flowed wonderful. The men labored with a joy-in-work at
which they themselves marveled. Their out-of-doors existence showed its
effects in a condition of glowing health. Honey Smith changed first to
a brilliant red, then to a uniform coffee brown, and last to a shining
bronze which was the mixture of both these colors. Pete Murphy grew one
crop of freckles, then another and still another until Honey offered to
"excavate" his features. Ralph Addington developed a rich, subcutaneous,
golden-umber glow which made him seem, in connection with an occasional
unconventionality of costume, more than ever like the schoolgirl's
idea of an artist. Billy Fairfax's blond hair bleached to flaxen. His
complexion deepened in tone to a permanent pink. This, in contrast
with the deep clear blue of his eyes, gave him a kind of out-of-doors
comeliness. But Frank Merrill was the surprise of them all. He not only
grew handsomer, he grew younger; a magnificent, towering, copper-colored
monolith of a man, whose gray eyes were as clear as mountain springs,
whose white teeth turned his smile to a flash of light. Constantly they
patrolled the beach, pairs of them, studying the ocean for sight of a
distant sail, selecting at intervals a new spot on which at night to
start fires, or by day to erect signals. They bubbled with spirits.
They laughed and talked without cessation. The condition which Ralph
Addington had deplored, the absence of women, made first for social
relaxation, for psychological rest.

"Lord, I never noticed before--until I got this chance to get off and
think of it--what a damned bother women are," Honey Smith said one day.
"Of all the sexes that roam the earth, as George Ade says, I like
them least. What a mess they make of your time and your work, always
requiring so much attention, always having to be waited on, always
dropping things, always so much foolish fuss and ceremony, always asking
such footless questions and never hearing you when you answer them.
Never really knowing anything or saying anything. They're a different
kind of critter, that's all there is to it; they're amateurs at life.
They're a failure as a sex and an outworn convention anyway. Myself, I'm
for sending them to the scrap-heap. Votes for men!"

And with this, according to the divagations of their temperaments and
characters, the others strenuously concurred.

Their days, crowded to the brim with work, passed so swiftly that they
scarcely noticed their flight. Their nights, filled with a sleep that
was twin brother to Death, seemed not to exist at all.

Their evenings were lively with the most brilliant kind of man-talk.
To it, Frank Merrill brought his encyclopedic book knowledge, his
insatiable curiosity about life; Ralph Addington all the garnered
richness of his acute observation; Billy Fairfax his acquaintance with
the elect of the society or of the art world, his quiet, deferential
attitude of listener. But the events of these conversational orgies were
Honey Smith's adventures and Pete Murphy's romances. Honey's narrative
was crisp, clear, quick, straight from the shoulder, colloquial, slangy.
He dealt often in the first person and the present tense. He told a
plain tale from its simple beginning to its simple end. But Pete--. His
language had all Honey's simplicity lined terseness and, in addition,
he had the literary touch, both the dramatist's instinct and the
fictionist's insight. His stories always ran up to a psychological
climax; but this was always disguised by the best narratory tricks. He
was one of those men of whom people always say, "if he could only write
as he talks." In point of fact, he wrote much better than he talked--but
he talked better than any one else. The unanalytic never allowed in
him for the spell of the spoken word, nor for the fiery quality of his

As time went on, their talks grew more and ore confidential. Women's
faces began to gleam here and there in narrative. They began to indulge
in long discussions of the despised sex; at times they ran into fierce
controversy. Occasionally Honey Smith re-told a story which, from
the introduction of a shadowy girl-figure, became mysteriously more
interesting and compelling. Once or twice they nearly went over the
border-line of legitimate confidence, so intimate had their talk
become--muffled as it was by the velvety, star-sown dark and interrupted
only by the unheeded thunders of the surf. They were always pulling
themselves up to debate openly whether they should go farther,
always, on consideration, turning narrative into a channel much less
confidential and much less, interesting, or as openly plugging straight
ahead, carefully disguising names and places.

After a week or two, the first fine careless rapture of their escape
from death disappeared. The lure of loot evaporated. They did not stop
their work on "the ship-duffle," but it became aimless and undirected.
Their trips into the island seemed a little purposeless. Frank Merrill
had to scourge them to patrol the beach, to keep their signal sheets
flying, their signal fires burning. The effect upon their mental
condition of this loss of animus was immediate. They became perceptibly
more serious. Their first camp--it consisted only of five haphazard
piles of bedding--satisfied superficially the shiftless habits of
their womanless group; subconsciously, however, they all fell under
the depression of its discomfort and disorder. They bathed in the ocean
regularly but they did not shave. Their clothes grew ragged and torn,
and although there were scores of trunks packed with wearing apparel,
they did not bother to change them. Subconsciously they all responded to
these irregularities by a sudden change in spirit.

In the place of the gay talk-fests that filled their evenings, they
began to hold long pessimistic discussions about their future on the
island in case rescue were indefinitely delayed. Taciturn periods
fell upon them. Frank Merrill showed only a slight seriousness. Billy
Fairfax, however, wore a look permanently sobered. Pete Murphy became
subject at regular intervals to wild rhapsodical seizures when he raved,
almost in impromptu verse, about the beauty of sea and sky. These were
followed by periods of an intense, bitter, black, Celtic melancholy.
Ralph Addington degenerated into what Honey described as "the human
sourball." He spoke as seldom as possible and then only to snarl. He
showed a tendency to disobey the few orders that Frank Merrill, who
still held his position of leader, laid upon them. Once or twice he
grazed a quarrel with Merrill. Honey Smith developed an abnormality
equal to Ralph Addington's, but in the opposite direction. His spirits
never flagged; he brimmed with joy-in-life, vitality, and optimism. It
was as if he had some secret mental solace.

"Damn you and your sunny-side-up dope!" Ralph Addington growled at him
again and again. "Shut up, will you!"

One day Frank Merrill proposed a hike across the island. Billy Fairfax
who, at the head, had set a brisk pace for the file, suddenly dropped
back to the rear and accosted Honey Smith who had lagged behind. Honey
was skipping stones over the lake from a pocketful of flat pebbles.

"Say, Honey," Billy began. The other four men were far ahead, but Billy
kept his voice low. Do you remember that dream you had about the big
bird--the time we joshed you so?

"Sure do I," Honey said cheerfully. "Only remember one thing, Billy.
That wasn't a dream any more than this is."

"All right," Billy exclaimed. "You don't have to show me. A funny
thing happened to me last night. I'm not telling the others. They won't
believe it and--well, my nerves are all on end. I know I'd get mad if
they began to jolly. I was sleeping like the dickens--a sure-for-certain
Rip Van Winkle--when all of a sudden--Did you ever have a pet cat,


"Well, I've had lots of them. I like cats. I had one once that used to
wake me up at two minutes past seven every morning as regularly as two
minutes past seven came--not an instant before, not an instant after. He
turned the trick by jumping up on the bed and looking steadily into my
face. Never touched me, you understand. Well, I waked this morning just
after sunrise with a feeling that Kilo was there staring at me. Somebody
was--" Billy paused. He swallowed rapidly and wet his lips. "But it
wasn't Kilo." Billy paused again.

"I'm listening, bo," said Honey, shying another stone.

"It was a girl looking at me," Billy said, simply as though it were
something to be expected. He paused. Then, "Get that? A girl! She was
bending over me--pretty close--I could almost touch her. I can see her
now as plainly as I see you. She was blonde. One of those pale-gold
blondes with hair like honey and features cut with a chisel. You know
the type. Some people think it's cold. It's a kind of beauty that's
always appealed to me, though." He stopped.

"Well," Honey prodded him with a kind of non-committal calm, "what

"Nothing. If you can believe me--nothing. I stared--oh, I guess I stared
for a quarter of a minute straight up into the most beautiful pair of
eyes that I ever saw in my life. I stared straight up into them and I
stared straight down into them. They were as deep as a well and as gray
as a cloud and as cold as ice. And they had lashes--" For a moment the
quiet directness of Billy's narrative was disturbed by a whiff of inner
tumult. "Whew! what eyelashes! Honey, did you ever come across a lonely
mountain lake with high reeds growing around the edge? You know how pure
and unspoiled and virginal it seems. That was her eyes. They sort of
hypnotized me. My eyes closed and--when I awoke it was broad daylight.
What do you think?"

"Well," said Honey judicially, "I know just how you feel. I could have
killed the boys for joshing me the way they did. I was sure. I was
certain I heard a woman laugh that night. And, by God, I did hear it.
Whenever I contradict myself, something rises up and tells me I lie.
But--." His radiant brown smile crumpled his brown face. "Of course, I
didn't hear it. I couldn't have heard it. And so I guess you didn't see
the peroxide you speak of. And yet if you Punch me in the jaw, I'll know
exactly how you feel." His face uncrumpled, smoothed itself out to his
rare look of seriousness. "The point of it is that we're all a little
touched in the bean. I figure that you and I are alike in some things.
That's why we've always hung together. And all this queer stuff takes
us two the same way. Remember that psychology dope old Rand used to pump
into us at college? Well, our psychologies have got all twisted up by
a recent event in nautical circles and we're seeing things that aren't
there and not seeing things that are there."

"Honey," said Billy, "that's all right. But I want you to understand me
and I don't want you, to make any mistake. I saw a girl."

"And don't forget this," answered Honey. "I heard one."

Billy made no allusion to any of this with the other three men. But for
the rest of the day, he had a return of his gentle good humor. Honey's
spirits fairly sizzled.

That night Frank Merrill suddenly started out of sleep with a yelled,
"What was that?"

"What was what?" everybody demanded, waking immediately to the panic in
his voice.

"That cry," he explained breathlessly, "didn't you hear it?" Frank's
eyes were brilliant with excitement; he was pale.

Nobody had heard it. And Ralph Addington and Pete Murphy, cursing
lustily, turned over and promptly fell asleep again. But Billy Fairfax
grew rapidly more and more awake. "What sort of a cry?" he asked. Honey
Smith said nothing, but he stirred the fire into a blaze in preparation
for a talk.

"The strangest cry I ever heard, long-drawn-out, wild--eerie's the word
for it, I guess," Frank Merrill said. As he spoke, he peered off into
the darkness. "If it were possible, I should say it was a woman's

The three men walked away from the camp, looked off into every direction
of the starlit night. Nowhere was there sign or sound of life.

"It must have been gulls," said Honey Smith.

"It didn't sound like gulls," answered Frank Merrill. For an instant he
fell into meditation so deep that he virtually forgot the presence
of the other two. "I don't know what it was," he said finally in an
exasperated tone. "I'm going to sleep."

They walked back to camp. Frank Merrill rolled himself up in a blanket,
lay down. Soon there came from his direction only the sound of regular,
deep breathing.

"Well, Honey," Billy Fairfax asked, a note of triumph in his voice, "how
about it?"

"Well, Billy," Honey Smith said in a baffled tone, "when you get the
answer, give it to me."

Nobody mentioned the night's experience the next day. But a dozen times
Frank Merrill stopped his work to gaze out to sea, an expression of
perplexity on his face.

The next night, however, they were all waked again, waked twice. It was
Ralph Addington who spoke first; a kind of hoarse grunt and a "What the
devil was that?"

"What?" the others called.

"Damned if I know," Ralph answered. "If you wouldn't think I was off my
conch, I'd say it was a gang of women laughing."

Pete Murphy, who always woke in high spirits, began to joke Ralph
Addington. The other three were silent. In fifteen minutes they were all
asleep; sixty, they were all awake again.

It was Pete Murphy who sounded the alarm this time. "Say, something
spoke to me," he said. "Or else I'm a nut. Or else I have had the most
vivid dream I've ever had." Evidently he did not believe that it was a
dream. He sat up and listened; the others listened, too. There was no
sound in the soft, still night, however. They talked for a little while,
a strangely subdued quintette. It was as though they were all trying to
comment on these experiences without saying anything about them.

They slept through the next night undisturbed until just before sunrise.
Then Honey Smith woke them. It was still dark, but a fine dawn-glow
had begun faintly to silver the east. "Say, you fellows," he exclaimed.
"Wake up!" His voice vibrated with excitement, although he seemed to try
to keep it low. "There are strange critters round here. No mistake this
time. Woke with a start, feeling that something had brushed over me--saw
a great bird--a gigantic thing--flying off heard one woman's laugh--then

It was significant that nobody joked Honey this time. "Say, this
island'll be a nut-house if this keeps up," Pete Murphy said irritably.
"Let's go to sleep again."

"No, you don't!" said Honey. "Not one of you is going to sleep. You're
all going to sit up with me until the blasted sun comes up."

People always hastened to accommodate Honey. In spite of the hour,
they began to rake the fire, to prepare breakfast. The others became
preoccupied gradually, but Honey still sat with his face towards the
water, watching.

It grew brighter.

"It's time we started to build a camp, boys," Frank Merrill said,
withdrawing momentarily from deep reflection. "We'll go crazy doing
nothing all the time. We'll--."

"Great God," Honey interrupted. "Look!"

Far out to sea and high in the air, birds were flying. There were
five of them and they were enormous. They flew with amazing strength,
swiftness, and grace; but for the most part they about a fixed area like
bees at a honey-pot. It was a limited area, but within it they dipped,
dropped, curved, wove in and out.

"Well, I'll be--."

"They're those black spots we saw the first day, Pete," Billy Fairfax
said breathlessly. "We thought it was the sun."

"That's what I heard in the night," Frank Merrill gasped to Ralph

"But what are they?" asked Honey Smith in a voice that had a falsetto
note of wonder. "They laugh like a woman--take it from me."

"Eagles--buzzards--vultures--condors--rocs--phoenixes," Pete Murphy
recited his list in an or of imaginative conjecture.

"They're some lost species--something left over from a prehistoric era,"
Frank Merrill explained, shaking with excitement. "No vulture or eagle
or condor could be as big as that at this distance. At least I think
so." He paused here, as one studying the problem in the scientific
spirit. "Often in the Rockies I've confused a nearby chicken-hawk,
at first, with a far eagle. But the human eye has its own system of
triangulation. Those are not little birds nearby, but big birds far off.
See how heavily they soar. Do you realize what's happened? We've made
a discovery that will shake the whole scientific world. There, there,
they're going!"

"My God, look at them beat it!" said Honey; and there was awe in his

"Why, they're monster size," Frank Merrill went on, and his voice had
grown almost hysterical. "They could carry one of us off. We're not
safe. We must take measures at once to protect ourselves. Why, at
night--We must make traps. If we can capture one, or, better, a pair,
we're famous. We're a part of history now."

They watched the strange birds disappear over the water. For more than
an hour, the men sat still, waiting for them to return. They did not
come back, however. The men hung about camp all day long, talking of
nothing else. Night came at last, but sleep was not in them. The dark
seemed to give a fresh impulse to conversation. Conjecture battled with
theory and fact jousted with fancy. But one conclusion was as futile as

Frank Merrill tried to make them devise some system of defense or
concealment, but the others laughed at him. Talk as he would, he could
not seem to convince them of their danger. Indeed, their state of
mind was entirely different from his. Mentally he seemed to boil
with interest and curiosity, but it was the sane, calm, open-minded
excitement of the scientist. The others were alert and preoccupied in
turn, but there was an element of reserve in their attitude. Their eyes
kept going off into space, fixing there until their look became one
brooding question. They avoided conversation. They avoided each other's

Gradually they drew off from the fire, settled themselves to rest, fell
into the splendid sleep that followed their long out-of-doors days.

In the middle of the night, Billy Fairfax came out of a dream to the
knowledge that somebody was shaking him gently, firmly, furtively.
"Don't move!" Honey Smith's voice whispered; "keep quiet till I wake the

It was a still and moon-lighted world. Billy Fairfax lay quiet, his
wide-open eyes fixed on the luminous sky. The sense of drowse was being
brushed out of his brain as though by a mighty whirlwind, and in
its place came a vague sensation of confusion, of excitement, of a
miraculous abnormality. He heard Honey Smith crawl slowly from man to
man, heard him whisper his adjuration once, twice, three times. "Now,"
Honey called finally.

The men looked seawards. Then, simultaneously they leaped to their feet.

The semi-tropical moon was at its full. Huge, white, embossed, cut out,
it did not shine--it glared from the sky. It made a melted moonstone of
the atmosphere. It faded the few clouds to a sapphire-gray, just touched
here and there with the chalky dot of a star. It slashed a silver trail
across a sea jet-black except where the waves rimmed it with snow. Up in
the white enchantment, but not far above them, the strange air-creatures
were flying. They were not birds; they were winged women!

Darting, diving, glancing, curving, wheeling, they interwove in what
seemed the premeditated figures of an aerial dance. If they were
conscious of the group of men on the beach, they did not show it; they
seemed entirely absorbed in their flying. Their wings, like enormous
scimitars, caught the moonlight, flashed it back. For an interval, they
played close in a group inextricably intertwined, a revolving ball of
vivid color. Then, as if seized by a common impulse, they stretched,
hand in hand, in a line across the sky-drifted. The moonlight flooded
them full, caught glitter and gleam from wing-sockets, shot shimmer
and sheen from wing-tips, sent cataracts of iridescent color pulsing
between. Snow-silver one, brilliant green and gold another, dazzling
blue the next, luminous orange a fourth, flaming flamingo scarlet the
last, their colors seemed half liquid, half light. One moment the whole
figure would flare into a splendid blaze, as if an inner mechanism had
suddenly turned on all the electricity; the next, the blaze died down to
the fairy glisten given by the moonlight.

As if by one impulse, they began finally to fly upward. Higher and
higher they rose, still hand in hand. Detail of color and movement
vanished. The connotation of the sexed creature, of the human thing,
evaporated. One instant, relaxed, they seemed tiny galleons, all sails
set, that floated lazily, the sport of an aerial sea; another, supple
and sinuous, they seemed monstrous fish whose fins triumphantly clove
the air, monarchs of that aerial sea.

A little of this and then came another impulse. The great wings furled
close like blades leaping back to scabbard; the flying-girls dropped
sheer in a dizzying fall. Half-way to the ground, they stopped
simultaneously as if caught by some invisible air plateau. The great
feathery fans opened--and this time the men got the whipping whirr of
them--spread high, palpitated with color. From this lower level, the
girls began to fall again, but gently, like dropping clouds.

Nearer they came to the petrified group on the beach, nearer and nearer.
Undoubtedly they had known all the time that an audience was there;
undoubtedly they had planned this; they looked down and smiled.

And now the men had every detail of them--the brown seaweeds and green
sea-grasses that swathed them, their bodies just short of heroic size,
deep-bosomed, broad-waisted, long-limbed; their arms round like a
woman's and strong like a man's; their hair that fell, a braid over
each ear, twined with brilliant flowers and green vines; their faces
super-humanly beautiful, though elvish; the gaminerie in their laughing
eyes, which sparkled through half-closed, thick-lashed lids, the
gaminerie in their smiling mouths, which showed twin rows of pearl
gleaming in tricksy mirth; their big, strong-looking, long-fingered
hands; their slimly smooth, exquisitely shaped, too-tiny, transparent
feet; their strong wrists; their stem-like, breakable ankles. Closer and
closer and closer they came. And now the men could almost touch
them. They paused an instant and fluttered--fluttered like a swarm of
butterflies undecided where to fly. As though choosing to rest, they
hovered-hovered with a gentle, slow, seductive undulation of wings, of
hands, of feet.

Then another impulse took them.

They broke handclasps and up they went, like arrows straight
up--up--up--up. Then they turned out to sea, streaming through the air
in line still, but one behind the other. And for the first time, sound
came from them; they threw off peals of girl-laughter that fell like
handfuls of diamonds. Their mirth ended in a long, eerie cry. Then
straight out to the eastern horizon they went and away and off.

They were dwindling rapidly.

They were spots.

They were specks.

They were nothing.


Silence, profound, portentous, protracted, followed.

Finally, Honey Smith absently stooped and picked up a pebble. He threw
it over the silver ring of the flat, foam-edged, low-tide waves. It
curved downwards, hissed across a surface of water smooth as jade,
skipped four times, and dropped.

The men strained their eyes to follow the progress of this tangible

"Where do you suppose they've gone?" Honey said as unexcitedly as one
might inquire directions from a stranger.

"When do you suppose they'll come back?" Billy Fairfax added as casually
as one might ask the time.

"Did you notice the red-headed one?" asked Pete Murphy. "My first girl
had red hair. I always jump when I see a carrot-top." He made this
intimate revelation simply, as if the time for a conventional reticence
had passed.

"They were lookers all right," Ralph Addington went on. "I'd pick
the golden blonde, the second from the right." He, too, spoke in a
matter-of-fact tone, as though he were selecting a favorite from the
front row in the chorus.

"It must have happened if we saw it," Frank Merrill said. There was in
his voice a note of petulance, almost childish. "But we ought not to
have seen it. It has no right to be. It upsets things so."

"What are we all standing up like gawks for?" Pete Murphy demanded with
a sudden irritability.

"Sit down!"

Everybody dropped. They all sat as they fell. They sat motionless. They
sat silent.

"The name of this place is 'Angel Island,'" announced Billy Fairfax
after a long time. His tone was that of a man whose thoughts, swirling
in phantasmagoria, seek anchorage in fact.

They did not sleep that night.

When Frank Merrill arose the next morning, Ralph Addington was just
returning from a stroll down the beach. Ralph looked at the same time
exhausted and recuperated. He was white, tense, wild-eyed, but recently
aroused interior fires glowed through his skin, made up for his lost
color and energy. Frank also had a different look. His eyes had kindled,
his face had become noticeably more alive. But it was the fire of the
intellect that had produced this frigid glow.

"Seen anything?" Frank Merrill inquired.

"Not a thing."

"You don't think they're frightened enough not to come back?"

The gleam in Ralph Addington's eye changed to flame. "I don't think
they're frightened at all. They'll come back all right. There's only one
thing that you can depend on in women; and that is that you can't lose

"I can scarcely wait to see them again," Frank exclaimed eagerly.
"Addington, I can write a monograph on those flying-maidens that will
make the whole world gasp. This is the greatest discovery of modern
times. Man alive, don't you itch to get to paper and pencil?"

"Not so I've noticed it," Ralph replied with contemptuous emphasis. "I
shall lie awake nights, just the same though."

"Say, fellers, we didn't dream that, did we?" Billy Fairfax called
suddenly, rolling out of the sleep that had followed their all-night

"Well, I reckon if it wasn't for the other four, no one of us would
trust his own senses," Frank Merrill said dryly.

"If you'd listened to me in the beginning," Honey Smith remarked in
a drowsy voice, not bothering to open his, eyes, "I wouldn't be the
I-told-you-so kid now."

"Well, if you'd listened to me and Pete!" said Billy Fairfax; "didn't we
think, way back there that first day, that our lamps were on the blink
because we saw black spots? Great Scott, what dreams I've had," he
went on, "a mixture of 'Arabian Nights,' 'Gulliver's Travels,' 'Peter
Wilkins,' 'Peter Pan,' 'Goosie,' Jules, Verne, H. G. Wells, and every
dime novel I've ever read. Do you suppose they'll come back?"

"I've just talked that over with Ralph," Frank Merrill answered him.
"If we've frightened them away forever, it will be a terrible loss to

Ralph Addington emitted one of his cackling, ironic laughs. "I guess I'm
not worrying as much about science as I might. But as to their coming
back--why, it stands to reason that they'll have just as much curiosity
about us as we have about them. Curiosity's a woman's strong point, you
know. Oh, they'll come back all right! The only question is, How soon?"

"It made me dream of music--of Siegfried." It was Pete Murphy who spoke
and he seemed to plump from sleep straight into the conversation. "What
a theme for grand opera. Women with wings! Flying-girls! Will you tell
me what the Hippodrome! has on Angel Island?"

"Nothing," said Honey Smith, "except this--you can get acquainted with a
Hippodrome girl--how long is it going to take us to get acquainted with
these angels?"

"Not any longer than usual," said Ralph Addington with an expressive
wink. "Leave that to me. I'm going now to see what I can see." He
walked rapidly down the beach, scaled the southern reef, and stood there
studying the horizon.

The others remained sitting on the sand. For a while they watched Ralph.
Then they talked the whole thing over with as much interest as if they
had not yet discussed it. Ralph rejoined them and they went through it
again. It was as though by some miracle of mind-transference, they
had all dreamed the same dream; as though, by some miracle of
sight-transference they had all seen the same vision; as though, by
some miracle of space-transference, they had all stepped into the
fourth dimension. Their comment was ever of the wonder of their strange
adventure, the beauty, the thrill, the romance of it. It had brought
out in them every instinct of chivalry and kindness, it had developed in
them every tendency towards high-mindedness and idealism. Angel Island
would be an Atlantis, an Eden, an Arden, an Arcadia, a Utopia, a
Milleamours, a Paradise, the Garden of Hesperides. Into it the Golden
Age would come again. They drew glowing pictures of the wonderful
friendships that would grow up on Angel Island between them and their
beautiful visitors. These poetic considerations gave way finally to a
discussion of ways and means. They agreed that they must get to work
at once on some sort of shelter for their guests, in case the weather
should turn bad. They even discussed at length the best methods of
teaching the English language. They talked the whole morning, going over
the same things again and again, questioning each other eagerly without
listening for an answer, interrupting ruthlessly, and then adding

The day passed without event. At the slightest sound they all jumped.
Their sleeplessness was beginning to tell on them and their nerves were
still obsessed by the unnaturalness of their experience. It was a
long time before they quieted down, but the night passed without
interruption. So did the next day. Another day went by and another, and
during this time they did little but sit about and talk.

"See here, boys," Ralph Addington said one morning. "I say we get
together and build some cabins. There's no calculating how long this
grand weather'll keep up. The first thing we know we'll be up against a
rainy season. Isn't that right, Professor?"

On most practical matters Ralph treated Frank Merrill's opinion with
a contempt that was offensively obvious to the others. In questions
of theory or of abstruse information, he was foolishly deferential. At
those times, he always gave Frank his title of Professor.

"I hardly think so," Frank Merrill answered. "I think we'll have an
equable, semi-tropical climate all the year round--about like Honolulu."

"Well, anyway," Ralph Addington went on, "it's barbarous living like
this. And we want to be prepared for anything." His gaze left Frank
Merrill's face and traveled with a growing significance to each of the
other three. "Anything," he repeated with emphasis. "We've got enough
truck here to make a young Buckingham Palace. And we'll go mad sitting
round waiting for those air-queens to pay us a visit. How about it?"

"It's an excellent idea," Frank Merrill said heartily. "I have been on
the point of proposing it many times myself."

However, they seemed unable to pull themselves together; they did
nothing that day. But the next morning, urged back to work by the
harrying monotony of waiting, they began to clear a space among the
trees close to the beach. Two of them had a little practical building
knowledge: Ralph Addington who had roughed it in many strange countries;
Billy Fairfax who, in the San Francisco earthquake, had on a wager built
himself a house. They worked with all their initial energy. They worked
with the impetus that comes from capable supervision. And they worked as
if under the impulse of some unformulated motive. As usual, Honey Smith
bubbled with spirits. Billy Fairfax and Pete Murphy hardly spoke, so
close was their concentration. Ralph Addington worked longer and harder
than anybody, and even Honey was not more gay; he whistled and sang
constantly. Frank Merrill showed no real interest in these proceedings.
He did his fair share of the work, but obviously without a driving
motive. He had reverted utterly to type. He spent his leisure writing
a monograph. When inspiration ran low, he occupied himself doctoring
books. Eternally, he hunted for the flat stones between which he pressed
their swollen bulks back to shape. Eternally he puttered about, mending
and patching them. He used to sit for hours at a desk which he had
rescued from the ship's furniture. The others never became accustomed
to the comic incongruity of this picture--especially when, later, he
virtually boxed himself in with a trio of book-cases.

"Wouldn't you think he was sitting in an office?" Ralph Addington said.

"Curious about Merrill," Honey Smith answered, indulging in one of his
sudden, off-hand characterizations, bull's-eye shots every one of
them. "He's a good man, ruined by culturine. He's the bucko-mate type
translated into the language of the academic world. Three centuries
ago he'd have been a Drake or a Frobisher. And to-day, even, if he'd
followed the lead of his real ability, he'd have made a great financier,
a captain of industry or a party boss. But, you see, he was brought up
to think that book-education was the whole cheese. The only ambition he
knows is to make good in the university world. How I hated that college
atmosphere and its insistence on culture! That was what riled me most
about it. As a general thing, I detest a professor. Can't help liking
old Frank, though."

The four men virtually took no time off from work; or at least
the change of work that stood for leisure was all in the line of
home-making. Eternally, they joked each other about these womanish
occupations; but they all kept steadily to it. Ralph Addington and Honey
Smith put the furniture into shape, repairing and polishing it. Billy
Fairfax sorted out the glass, china, tools, household utensils of every

Pete Murphy went through the trunks with his art side uppermost. He
collected all kinds of Oriental bric-a-brac, pictures and draperies. He
actually mended and pressed things; he had all the artist's capability
in these various feminine lines. When the others joked him about his
exotic and impracticable tastes, he said that, before he left, he
intended to establish a museum of fine arts, on Angel Island.

Hard as the men worked, they had always the appearance of those who
await the expected. But the expected did not occur; and gradually the
sharp edge of anticipation wore dull. Emotionally they calmed. Their
nerves settled to a normal condition. The sudden whirr of a bird's
flight attracted only a casual glance. In Ralph Addington alone,
expectation maintained itself at the boiling point. He trained himself
to work with one eye searching the horizon. One afternoon, when they had
scattered for a siesta, his hoarse cry brought them running to the beach
from all directions.

So suddenly had the girls appeared that they might have materialized
from the air. This time they had not come from the sea. When Ralph
discovered them, they were hovering back of them above the trees that
banded the beach. The sun was setting, blood-red; the whole western
sky had broken away. The girls seemed to be floating in a sea of
crimson-amber ether. Its light brought lustre to every feather; it
turned the edges of their wings to flame; it changed their smoothly
piled hair to helmets of burnished metal.

The men tore from the beach to the trees at full speed. For a moment the
violence of this action threw the girls into a panic. They fluttered,
broke lines, flew high, circled. And all the time, they uttered shrill
cries of distress.

"They're frightened," Billy Fairfax said. "Keep quiet, boys."

The men stopped running, stood stock-still.

Gradually the girls calmed, sank, took up the interweaving figures of
their air-dance. If at their first appearance they seemed creatures of
the sea, this time they were as distinctively of the forest. They looked
like spirits of the trees over which they hovered. Indeed, but for their
wings they might have been dryads. Wreaths of green encircled their
heads and waists. Long leafy streamers trailed from their shoulders.
Often in the course of their aerial play, they plunged down into the
feathery tree-tops.

Once, the blonde with the blue wings sailed out of the group and
balanced herself for a toppling second on a long, outstretching bough.

"Good Lord, what a picture!" Pete Murphy said.

As if she understood, she repeated her performance. She cast a glance
over her shoulder at them--unmistakably noting the effect.

"Hates herself, doesn't she?" commented Honey Smith. "They're talking!"
he added after an interval of silence. "Some one of them is giving
directions--I can tell by the tone of her voice. Can't make out which
one it is though. Thank God, they can talk!"

"It's the quiet one--the blonde--the one with the white wings,"
Billy Fairfax explained. "She's captain. Some bean on her, too; she
straightened them out a moment ago when they got so frightened."

"I now officially file my claim," said Ralph Addington, "to that peachy
one--the golden blonde--the one with the blue wings, the one who tried
to stand on the bough. That girl's a corker. I can tell her kind of
pirate craft as far as I see it."

"Me for the thin one!" said Pete Murphy. "She's a pippin, if you please.
Quick as a cat! Graceful as they make them. And look at that mop of red
hair! Isn't that a holocaust? I bet she's a shrew."

"You win, all right," agreed Ralph Addington. "I'd like nothing better
than the job of taming her, too."

"See here, Ralph," bantered Pete, "I've copped Brick-top for myself. You
keep off the grass. See!"

"All right," Ralph answered. "Katherine for yours, Petruchio. The golden
blonde for mine!" He smiled for the first time in days. In fact, at
sight of the flying-girls he had begun to beam with fatuous good nature.

"Two blondes, two brunettes, and a red-top" said Honey Smith, summing
them up practically. "One of those brunettes, the brown one, must be a
Kanaka. The other's prettier--she looks like a Spanish woman. There's
something rather taking about the plain one, though. Pretty snappy--if
anybody should fly up in a biplane and ask you!"

"It's curious," Frank Merrill said with his most academic manner, "it
has not yet occurred to me to consider those young women from the point
of view of their physical pulchritude. I'm interested only in their
ability to fly. The one with the silver-white wings, the one Billy calls
the 'quiet one,' flies better than any of the others, The dark one on
the end, the one who looks like a Spaniard, flies least well. It is
rather disturbing, but I can think of them only as birds. I have to keep
recalling to myself that they're women. I can't realize it."

"Well, don't worry," Ralph Addington said with the contemptuous accent
with which latterly he answered all Frank Merrill's remarks. "You will."

The others laughed, but Frank turned on them a look of severe reproof.

"Oh, hell!" Honey Smith exclaimed in a regretful tone; "they're beating
it again. I say, girls," he called at the top of his lungs, "don't go!
Stay a little longer and we'll buy you a dinner and a taxicab."

Apparently the flying-girls realized that he was addressing them. For
a hair's breadth of a second they paused. Then, with a speed that had
a suggestion of panic in it, they flew out to sea. And again a flood of
girl-laughter fell in bubbles upon them.

"They distrust muh!" Honey commented. But he smiled with the indolent
amusement of the man who has always held the master-hand with women.

"Must have come from the east, this time," he said as they filed soberly
back to camp. "But where in thunder do they start from?"

They had, of course, discussed this question as they had discussed a
hundred other obvious ones. "I'm wondering now," Frank Merrill answered,
"if there are islands both to the east and the west. But, after all, I'm
more interested to know if there are any more of these winged women, and
if there are any males."

Again they talked far into the night. And as before their comment was
of the wonder, the romance, the poetry of their strange situation. And
again they drew imaginary pictures of what Honey Smith called "the young
Golden Age" that they would soon institute on Angel Island.

"Say," Honey remarked facetiously when at length they started to run
down, "what happens to a man if he marries an angel? Does he become
angel-consort or one of those seraphim arrangements?"

Ralph Addington laughed. But Billy Fairfax and Pete Murphy frowned.
Frank Merrill did not seem to hear him. He was taking notes by the

The men continued to work at the high rate of speed that, since the
appearance of the women, they had set for themselves. But whatever form
their labor took, their talk was ever of the flying-girls. They referred
to them individually now as the "dark one," the "plain one," the "thin
one," the "quiet one," and the "peachy one." They theorized eternally
about them. It was a long time, however, before they saw them again,
so long that they had begun to get impatient. In Ralph Addington this
uneasiness took the form of irritation. "If I'd had a gun," he snarled
more than once, "by the Lord Harry, I'd have winged one of them." He
sat far into the night and waited. He arose early in the morning and
watched. He went for long, slow, solitary, silent, prowling hikes into
the interior. His eyes began to look strained from so minute a study of
the horizon-line. He grew haggard. His attitude in the matter annoyed
Pete Murphy, who maintained that he had no right to spy on women.
Argument broke out between them, waxing hot, waned to silence, broke out
again and with increased fury. Frank Merrill and Billy Fairfax listened
to all this, occasionally smoothing things over between the disputants.
But Honey Smith, who seemed more amused than bothered, deftly fed the
flame of controversy by agreeing first with one and then with the other.

Late one afternoon, just as the evening star flashed the signal of
twilight, the girls came streaming over the sea toward the island.

At the first far-away glimpse, the men dropped their tools and ran to
the water's edge. Honey Smith waded out, waist-deep.

"Well, what do you know about that?" he called out. "Pipe the

They came massed vertically. In the distance they might have been a
rainbow torn from its moorings, borne violently forward on a high wind.
The rainbow broke in spots, fluttered, and then came together again. It
vibrated with color. It pulsed with iridescence.

"How the thunder--" Addington began and stopped. "Well, can you beat
it?" he concluded.

The human column was so arranged that the wings of one of the air-girls
concealed the body of another just above her.

The "dark one" led, flying low, her scarlet pinions beating slowly back
and forth about her head.

Just above, near enough for her body to be concealed by the scarlet
wings of the "dark one," but high enough for her pointed brown face to
peer between their curves, came the "plain one."

Higher flew the "thin one." Her body was entirely covered by the orange
wings of the "plain one," but her copper-colored hair made a gleamy spot
in their vase-shaped opening.

Still higher appeared the "peachy one." She seemed to be holding her
lustrous blonde head carefully centered in the oval between the "thin
one's" green-and-yellow plumage. She looked like a portrait in a frame.

Highest of them all, floating upright, a Winged Victory of the air, her
silver wings towering straight above her head, the cameo face of the
"quiet one" looked level into the distance.

Their wings moved in rotation, and with machine-like regularity. First
one pair flashed up, swept back and down, then another, and another. As
they neared, the color seemed the least wonderful detail of the picture.
For it changed in effect from a column of glittering wings to a column
of girl-faces, a column that floated light as thistle-down, a column
that divided, parted, opened, closed again.

The background of all this was a veil of dark gauze at the horizon-line,
its foil a golden, virgin moon, dangling a single brilliant star.

"They're talking!" Honey Smith exclaimed. "And they're leaving!"

The girls did not pause once. They flew in a straight line over the
island to the west, always maintaining their columnar formation. At
first the men thought that they were making for the trees. They ran
after them. The speed of their running had no effect this time on their
visitors, who continued to sail eastward. The men called on them to
stay. They called repeatedly, singly and in chorus. They called in every
tone of humble masculine entreaty and of arrogant masculine command. But
their cries might have fallen on marble ears. The girls neither turned
nor paused. They disappeared.

"Females are certainly alike under their skins, whether they're angels
or Hottentots," Ralph Addington commented. "That tableau appearance was
all cooked up for us. They must have practised it for hours."

"It has the rose-carnival at Tetaluma, Cal., faded," remarked Honey

"The 'quiet one' was giving the orders for that wing-movement," said
Billy Fairfax. "She whispered them, but I heard her. She engineered the
whole thing. She seems to be their leader."

"I got their voices this time," said Pete Murphy. "Beautiful, all of
them. Soprano, high and clear. They've got a language, all right, too.
What did you think of it, Frank?"

"Most interesting," replied Frank Merrill, "most interesting. A
preponderance of consonants. Never guttural in effect, and as you say,
beautiful voices, very high and clear."

"I don't see why they don't stop and play," complained Honey. His tone
was the petulant one of a spoiled child. It is likely that during
the whole course of his woman-petted existence, he had never been so
completely ignored. "If I only knew their lingo, I could convince them
in five minutes that we wouldn't hurt them."

"If we could only signal," said Billy Fairfax, "that if they'd only come
down to earth, we wouldn't go any nearer than they wanted. But the deuce
of it is proving to them that we don't bite."

"It is probably that they have known only males of a more primitive
type," Frank Merrill explained. "Possibly they are accustomed to
marriage by capture."

"That would be a very lucky thing," Ralph explained in an aside to
Honey. "Marriage by capture isn't such a foolish proposition, after all.
Look at the Sabine women. I never heard tell that there was any kick
coming from them. It all depends on the men."

"Oh, Lord, Ralph, marriage by capture isn't a sporting proposition,"
said Honey in a disgusted tone. "I'm not for it. A man doesn't get a run
for his money. It's too much like shooting trapped game."

"Well, I will admit that there's more fun in the chase," Ralph answered.

"Oh, well, if the little darlings are not accustomed to chivalry from
men," Pete Murphy was in the meantime saying, "that explains why they
stand us off."

It was typical of Pete to refer to the flying-girls as "little
darlings." The shortest among them was, of course, taller than he. But
to Pete any woman was "little one," no matter what her stature, as any
woman was "pure as the driven snow" until she proved the contrary. This
impregnable simplicity explained much of the disaster of his married

"I am convinced," Frank Merrill said meditatively, "we must go about
winning their confidence with the utmost care. One false step might be
fatal. I know what your impatience is though--for I can hardly school
myself to wait--that extraordinary phenomenon of the wings interests me
so much. The great question in my mind is their position biologically
and sociologically."

"The only thing that bothers me," Honey contributed solemnly, "is
whether or not they're our social equals."

Even Frank Merrill laughed. "I mean, are they birds," he went on
still in a puzzled tone, "free creatures of the air, or, women, bound
creatures of the earth? And what should be our attitude toward them?
Have we the right to capture them as ornithological specimens, or is it
our duty to respect their liberty as independent human beings?

"They're neither birds nor women," Pete Murphy burst out impetuously.
"They're angels. Our duty is to fall down and worship them."

"They're women," said Billy Fairfax earnestly. "Our duty is to cherish
and protect them."

"They're girls," Honey insisted jovially, "our duty is to josh and jolly
them, to buy them taxicabs, theater-tickets, late suppers, candy, and

"They're females," said Ralph Addington contemptuously. "Our duty is to
tame, subjugate, infatuate, and control them."

Frank Merrill listened to each with the look on his face, half
perplexity, half irritation, which always came when the conversation
took a humorous turn. "I am myself inclined to look upon them as an
entirely new race of beings, requiring new laws," he said thoughtfully.

Although the quick appearance and the quick departure of the girls had
upset the men temporarily, they went back to work at once. And as though
inspired by their appearance, they worked like tigers. As before, they
talked constantly of them, piling mountains of conjecture on molehills
of fact. But now their talk was less of the wonder and the romance of
the situation and more of the irritation of it. Ralph Addington's unease
seemed to have infected them all. Frank Merrill had actually to coax
them to keep at their duty of patrolling the beach. They were constantly
studying the horizon for a glimpse of their strange visitors. Every
morning they said, "I hope they'll come to-day"; every night, "Perhaps
they'll come to-morrow." And always, "They won't put it over on us this
time when we're not looking."

But in point of fact, the next visit of the flying girls came when they
least expected it--late in the evening.

It had been damp and dull all day. A high fog was gradually melting out
of the air. Back of it a misty moon, more mature now, gleamed like a
flask of honey in a golden veil. A few stars glimmered, placid, pale,
and big. Suddenly between fog and earth--and they seemed to emerge
from the mist like dreams from sleep--appeared the five dazzling

The fog had blurred the vividness of their plumage. The color no longer
throbbed from wing-sockets to wing-tips; light no longer pulsated there.
But great scintillating beads of fog-dew outlined the long curves of
the wings, accentuated the long curves of the body. Hair, brows, lashes
glittered as if threaded with diamonds. Their cheeks and lips actually
glowed, luscious as ripe fruit.

"My God!" groaned Pete Murphy; "how beautiful and inaccessible! But
women should be inaccessible," he ended with a sigh.

"Not so inaccessible as they were, though," Ralph Addington said. Again
the appearance of the women had transformed him physically and mentally.
He moved with the nervous activity of a man strung on wires. His brown
eyes showed yellow gleams like a cat's. "They're flying lower and slower

It did seem as though the fog, light as it was, definitely impeded their
wings. It gave to their movements a little languor that had a plaintive
appealing quality. Perhaps they realized this themselves. In the midst
of their aerial evolutions suddenly--and apparently without cause--they
developed panic, turned seawards. Their audience, taken by surprise,
burst into shouts of remonstrance, ran after them. The clamor and the
motion seemed only to add to the girls' alarm. Their retreating speed
was almost frenzied.

"What the--what's frightened them?" Honey Smith asked. Honey's brows had
come together in an unaccustomed scowl. He bit his lips.

"Give it up," Billy Fairfax answered, and his tone boiled with
exasperation. "I hope they haven't been frightened away for good."

"I think every time it's the last," exclaimed Pete Murphy, "but they
keep coming back."

"Son," said Ralph Addington, and there was a perceptible element of
patronage in his tone, "I'll tell you the exact order of events. It
threw a scare into the girls to-night that they couldn't fly so well.
But in an hour's time, they'll be sore because they didn't put up a
good exhibition. Now, if I know anything at all about women--and maybe
I flatter myself, but I think I know a lot--they'll be back the first
thing to-morrow to prove to us that their bad flying was not our effect
on them but the weather's."

Whether Ralph's theory was correct could not, of course, be ascertained.
But in the matter of prophecy, he was absolutely vindicated. About
half-way through the morning five black spots appeared in the west.
They grew gradually to bewildering shapes and colors, for the girls came
dressed in gowns woven of brilliant flowers. And the torrents of their
beautiful hair floated loose. This time they held themselves grouped
close; they kept themselves aloof, high. But again came the sinuous
interplay of flower-clad bodies, the flashing evolution of rainbow
wings, the dazzling interweaving of snowy arms and legs. It held the men

"They're like goldfish in a bowl," Billy Fairfax said. "I never saw such
suppleness. You wouldn't think they had a bone in their systems."

"I bet they're as strong as tigers, though," commented Addington. "I
wouldn't want to handle more than one of them at once."

"I think I could handle two," remarked Frank Merrill. He said this, not
boastfully, but as one who states an interesting fact. And he spoke as
impersonally as though the girls were machines.

Ralph Addington studied Frank Merrill's gigantic copper-colored bulk
enviously. "I guess you could," he agreed.

"Fortunately," Frank went on, "it would be impossible for such a
situation to arise. Men don't war on women."

"On the contrary," Ralph disagreed, "men always war on women, and women
on men. Why, Merrill," he added with his inevitable tone of patronage,
"aren't you wise to the fact that the war between the sexes is in
reality more bitter and bloody than any war between the races?"

But Frank did not answer. He only stared.

"Did you notice," Pete Murphy asked, "what wonderful hair they had?
Loose like that--they looked more than ever like Valkyries."

"Yes, I got that," Ralph answered. He smiled until all his white teeth
showed. "And take it from me, that's a point gained. When a woman begins
to let her hair down, she's interested."

"Well," said Honey Smith, "their game may be the same as every other
woman's you've known, but it takes a damned long time to come down to
cases. What I want to know is how many months more will have to pass
before we speak when we pass by."

"That matter'll take care of itself," Ralph reassured him. "You leave it
to natural selection."

"Well, it's a deuce of a slow process," Honey grumbled.

What hitherto had been devotion to their work grew almost to mania. It
increased their interest that the little settlement of five cabins was
fast taking shape. The men slept in beds now; for they had furnished
their rooms. They had begun to decorate the walls. They re-opened the
trunks and made another careful division of spoils. They were even
experimenting with razors and quarreling amicably over their merits. At
night, when their work was done, they actually changed their clothes.

"One week more of this," commented Honey Smith, "and we'll be serving
meals in courses. I hope that our lady-friends will call sometime when
we're dressed for dinner. I've tried several flossy effects in
ties without results. But I expect to lay them out cold with these

Nevertheless many days passed and the flying-girls continued not to

"I don't believe they're ever coming again," Pete Murphy said one day in
a tone of despair.

"Oh, they'll come," Ralph Addington insisted. "They think themselves
that they're not coming again, after having proved to us that they could
fly just as well as ever. But they'll appear sometime when we least
expect it. There's something pulling them over here that's stronger than
anything they've ever come up against. They don't know what it is, but
we do--Mr. G. Bernard Shaw's life-force. They haven't realized yet what
put the spoke in their wheel, but it will bring them here in the end."

But days and days went by. The men worked hard, in the main
good-naturedly, but with occasional outbreaks of discontent and
irritation. "How about that proposition of the life-force?" they asked
Ralph Addington again and again. "You wait!" was all he ever answered.

One day, Honey Smith, who had gone off for a solitary walk, came running
back to camp. "What do you think?" he burst out when he got within
earshot. "I've seen one of them, the little brunette, the one with the
orange wings, the 'plain one.' She was flying on the other side of the
island all by her lonesome. She saw me first, and as sure as I stand
here, she called to me--a regular bird-call. I whistled and she came
flying over in my direction. Blamed if she didn't keep right over my
head for the whole trip."

"Low?" Ralph questioned eagerly.

"Yes," Honey answered succinctly, "but not low enough. I couldn't touch
her, of course. If I stopped for a while and kept quiet as the
dead, she'd come much closer. But the instant I made a move
towards--bing!--she hit the welkin. But the way she rubbered. And, Lord,
how easy scared. Once I waved my handkerchief--she nearly threw a fit.
Strangest sensation I've ever had in my life to be walking calmly along
like that with a girl beside me--flying. She isn't so plain when you get
close--she does look like a Kanaka, though." He stopped and burst out
laughing. "Funny thing! I kept calling her Lulu. After a while, she got
it that that was her tag. She didn't exactly come closer when I said
'Lulu,' but she'd turn her head over her shoulder and look at me."

"Well, damn you and your beaux yeux!" said Ralph. There was a real
chagrin behind the amusement in his voice.

"Did you notice the muscular development of her back and shoulders?"
Frank Merrill asked eagerly.

"No," said Honey regretfully, "I don't seem to remember anything but her

The next morning when they were working, Pete Murphy suddenly yelled in
an excited voice, "Here comes one of them!"

Everybody turned. There, heading straight towards them, an unbelievable
orange patch sailing through the blue sky, flew the "plain one."

"Lulu! Lulu! Here I am, Lulu," Honey called in his most coaxing tone and
with his most radiant smile. Lulu did not descend, but, involuntarily it
seemed, she turned her course a little nearer to Honey. She fluttered an
instant over his head, then flew straight as an arrow eastward.

"She's a looker, all right, all right," Ralph Addington said, gazing
as long as she was in sight. "I guess I'll trade my blonde for your
brunette, Honey."

"I bet you won't," answered Honey. "I've got Lulu half-tamed. She'll be
eating out of my hand in another week."

They found this incident exciting enough to justify them in laying off
from work the rest of the afternoon. But they had to get accustomed to
it in the week that followed. Thereafter, some time during the day,
the cry would ring out, "Here's your girl, Honey!" And Honey, not even
dropping his tools, would smile over his shoulder at the approaching

As time went by, she ventured nearer and nearer, stayed longer and
longer. Honey, calmly driving nails, addressed to her an endless,
chaffing monologue. At first, it was apparent she was as much repelled
by the tools as she was fascinated by Honey. For him to throw a nail to
the ground was the signal for her to speed to the zenith. But gradually,
in spite of the noise they made, she came to accept them as dumb,
inanimate, harmless. And one day, when Honey, working on the roof,
dropped a screw-driver, she flew down, picked it up, flew back, and
placed it within reach of his hand. She would hover over him for hours,
helping in many small ways. This only, however, when the other men were
sufficiently far away and only when Honey's two hands were occupied. If
any one of them--Honey and the rest--made the most casual of accidental
moves in her direction, her flight was that of an arrow. But nobody
could have been more careful than they not to frighten her.

They always stopped, however, to watch her approach and her departure.
There was something irresistibly feminine about Lulu's flight. She
herself seemed to appreciate this. If anybody looked at her, she
exhibited her accomplishments with an eagerness that had a charming
touch of naivete. She dipped and dove endlessly. She dealt in little
darts and rushes, bird-like in their speed and grace. She never flew
high, but, on her level, her activity was marvelous.

"The supermanning little imp!" Pete Murphy said again and again. "The
vain little devil," Ralph Addington would add, chuckling.

"How the thunder did we ever start to call her the 'plain one'?" Honey
was always asking in an injured tone.

Lulu was far from plain. She was, however, one of those girls who start
by being "ugly" or "queer-looking," or downright "homely," and end by
becoming "interesting" or "picturesque" or "fascinating," according
to the divagations of the individual vocabulary. She had the beaute
troublante. At first sight, you might have called her gipsy, Indian,
Kanaka, Chinese, Japanese, Korean--any exotic type that you had not
seen. Which is to say that she had the look of the primitive woman and
the foreign woman. Superficially, her beauty of irregularity was of all
beauty the most perturbing and provocative. Eyes, skin, hair, she was
all copper-browns and crimson-bronzes, all the high gloss of satiny
surfaces. Every shape and contour was a variant from the regular. Her
eyes took a bewildering slant. Her face showed a little piquant stress
on the cheekbones. Her hair banded in a long, solid, club-like braid. In
repose she bore a look a little sullen, a little heavy. When she smiled,
it seemed as if her whole face waked up; but it was only the glitter of
white teeth in the slit of her scarlet mouth.

Lulu always dressed in browns and greens; leaves, mosses, grasses made
a dim-colored, velvety fabric that contrasted richly with her coppery
satin surfaces and her brilliant orange wings.

The excitement of this had hardly died down when Frank Merrill brought
the tale of another adventure to camp. He had fallen into the habit of
withdrawing late in the afternoon to one of the reefs, far enough away
to read and to write quietly. One day, just as he had gone deep into his
book, a shadow fell across it. Startled, he looked up. Directly over his
head, pasted on the sky like a scarlet V, hovered the "dark one." After
his first instant of surprise and a second interval of perplexity, he
put his book down, settled himself back quietly, and watched. Conscious
of his espionage apparently, she flew away, floated, flew back, floated,
flew up, flew down, floated--always within a little distance. After half
an hour of this aerial irresolution, she sailed off. She repeated her
performance the next afternoon and the next, and the next, staying
longer each time. By the end of the week she was spending whole
afternoons there. She, too, became a regular visitor.

She never spoke. And she scarcely moved. She waved her great scarlet
wings only fast enough to hold herself beyond Frank's reach. But
from that distance she watched his movements, watched closely and
unceasingly, watched with the interest of a child at a moving-picture
show. Her surveillance of him was so intense it seemed impossible that
she could see anything else. But if one of the other four men started
to join them, she became a flash of scarlet lightning that tore the

Frank, of course, found this interesting. Every day he made voluminous
notes of his observations. Every night be embodied these notes in his

"What does she look like close to?" the others asked him again and

"Really, I've hardly had a chance to notice yet," was Frank's invariable
answer. "She's a comely young person, I should say, and, as you can
easily see, of the brunette coloring. I'm so much more interested in her
flying than in her appearance that I've never really taken a good look
at her. Unfortunately she flies less well than the others. I wish I
could get a chance to study all of them--the 'quiet one' in particular;
she flies so much faster. On the other hand, this one seems able to hold
herself motionless in the air longer than they."

"She's lazy," Honey Smith said decisively. "I got that right off. She
looks like a Spanish woman and she is a good deal like one in her ways."

Honey was right; the "dark one" was lazy. Alone she always flew low, and
at no time, even in company, did she dare great altitudes. She seemed
to love to float, wings outspread and eyes half closed, on one of those
tranquil air-plateaux that lie between drifting air-currents. She was
an adept, apparently, at finding the little nodule of quiet space that
forms the center of every windstorm. Standing upright in it, flaming
wings erect, she would whirl through space like an autumn leaf.
Gradually, she became less suspicious of the other men. She often passed
in their direction on the way to her afternoon vigil with Frank.

"She certainly is one peach of a female," said Ralph Addington. "I don't
know but what she's prettier than my blonde. Too bad she's stuck on that
stiff of a Merrill. I suppose he'd sit there every afternoon for a year
and just look at her."

"I should think she came from Andalusia," Honey answered, watching the
long, low sweep of her scarlet flight. "She's got to have a Spanish
name. Say we call her Chiquita."

And Chiquita she became.

Chiquita was beautiful. Her beauty had a highwayman quality of violence;
it struck quick and full in the face. She was the darkest of all the
girls, a raven black. As Lulu was all coppery shine and shimmer, all
satiny gloss and gleam, so Chiquita was all dusk in the coloring,
all velvet in the surfaces. Her great heavy-lidded eyes were dusk and
velvet, with depth on depth of an unmeaning dreaminess. Her hair, brows,
lashes were dusk and velvet; and there was no light in them. Her skin,
a dusky cream on which velvety shade accented velvety shadow, was
colorless except where her lips, cupped like a flower, offered a splash
of crimson. Yet, in spite of the violence of her beauty, her expression
held a tropical languor. Indeed, had not her flying compelled a
superficial vigor from her, she would have seemed voluptuous.

Chiquita wore scarlet always, the exact scarlet of her wings, a clinging
mass of tropical bloom; huge star-shaped or lilly-like flowers whose
brilliant lustre accentuated her dusky coloring.

They had no sooner accustomed themselves to the incongruity of Frank
Merrill's conquest of this big, gorgeous creature than Pete Murphy
developed what Honey called "a case." It was scarcely a question
of development; for with Pete it had been the "thin one" from the
beginning. Following an inexplicable masculine vagary, he christened
her Clara--and Clara she ultimately became. Among themselves, the men
employed other names for her; with them she was not so popular as with
Pete. To Ralph she was "the cat"; to Billy, "the poser"; to Honey,

Clara appeared first with Lulu. She did not stay long on her initial
visit. But afterwards she always accompanied her friend, always stayed
as late as she.

"I'd pick those two for running-mates anywhere," Ralph said in private
to Honey. "I wish I had a dollar bill for every time I've met up with
that combination, one simple, devoted, self-sacrificing, the other
selfish, calculating, catty."

Clara was not exactly beautiful, although she had many points of beauty.
Her straight red hair clung to her head like a close-fitting helmet of
copper. Her skin balanced delicately between a brown pallor and a golden
sallowness. Her long, black lashes paled her gray eyes slightly; her
snub nose made charming havoc of what, without it, would have been a
conventional regularity of profile. She was really no more slender than
the normal woman, but, compared with her mates, she seemed of elfin
slimness; she was shapely in a supple, long-limbed way. There was
something a little exotic about her. Her green and gold plumage gave
her a touch of the fantastic and the bizarre. Prevailingly, she arrayed
herself in flowers that ran all the shades from cream and lemon to
yellow and orange. She was like a parrot among more uniformly feathered

Clara never flew high. It was apparent, however, that if she made a
tremendous effort, she could take any height. On the other hand, she
flew more swiftly than either Lulu or Chiquita. She seemed to keep by
preference to the middle altitudes. She hated wind and fog; she
appeared only in calm and dry weather. Perhaps this was because the wind
interfered with her histrionics, the fog with the wavy complications
of her red hair. For she postured as she moved; whatever her hurry,
she presented a picture, absolutely composed. And her hair was always
intricately arranged, always decked with leaves and flowers.

"By jiminy, I'd make my everlasting fortune off you," Honey Smith
once addressed her, as she flew over his head, "selling you to the
moving-picture people."

Wings straight up, legs straight out, arms straight ahead, delicately
slender feet, and strong-looking hands dropping like flowers, her only
answer to this remark was an enigmatic closing of her thick-lashed lids,
a twist into a pose even more sensuously beautiful.

"Say, I'm tired waiting," Ralph Addington growled one day, when the
lovely trio flew over his head in a group. "Why doesn't that blonde of
mine put in an appearance? Oh, Clara, Lulu, Chiquita," he called, "won't
you bring your peachy friend the next time you call?"

It was a long time, however, before the "peachy one" appeared. Then
suddenly one day a great jagged shadow enveloped them in its purple
coolness. The men looked up, startled. She must have come upon them
slowly and quietly, for she was close. Her mischievous face smiled
alluringly down at them from the wide triangle of her blue wings.

Followed an exhibition of flying which outdid all the others.

Dropping like a star from the zenith and dropping so close and so
swiftly that the men involuntarily scattered to give her landing-room,
she caught herself up within two feet of their heads and bounded
straight up to the zenith again. Up she went, and up and up until she
was only a blue shimmer; and up and up and up until she was only a dark
dot. Then, without warning, again she dropped, gradually this time,
head-foremost like' a diver, down and down and down until her body was
perfectly outlined, down and down and down until she floated just above
their heads.

Coming thus slowly upon them, she gave, for the first time, a close view
of her wonderful blondeness. It was a sheer golden blondeness, not a
hint of tow, or flaxen, or yellow; not a touch of silver, or honey, or
auburn. It was half her charm that the extraordinary strength and
vigor of her contours contrasted with the delicacy and dewiness of her
coloring, that from one aspect, she seemed as frail as a flower, from
another as hard as a crystal. She had, at the same time, the untouched,
unstained beauty of the virgin girl, and the hard, muscular strength of
the virgin boy. Her skin, white as a lily-petal and as thick and smooth,
had been deepened by a single drop of amber to cream. Her eyes, of which
the sculpturesque lids drooped a little, flashed a blue as limpid as the
sky. Teeth, set as close as seed-pearls, gleamed between lips which were
the pink of the faded rose. The sunlight turned her golden hair to spun
glass, melted it to light itself. The shadow thickened it to fluid,
hardened it to massy gold again. The details of her face came out only
as the result of determined study. Her chief beauty--and it amounted
to witchery, to enchantment--lay in a constant and a constantly subtle
change of expression.

During this exhibition the men stood frozen in the exact attitudes in
which she found them. Ralph Addington alone remained master of himself.
He stood quiet, every nerve tense, every muscle alert, the expression on
his face that of a cat watching a bird. At her second dip downward, he
suddenly jumped into the air, jumped so high that his clutching fingers
grazed her finger-tips.

That frightened her.

Her upward flight was of a terrific speed--she leaped into the sky. But
once beyond the danger-line her composure came back. She dropped on them
a coil of laughter, clear as running water, contemptuous, mischievous.
Still laughing, she sank again, almost as near. Her mirth brought her
lids close together. Her eyes, sparkling between thick files of golden
lash, had almost a cruel sweetness.

She immediately flew away, departing over the water. Ralph cursed
himself for the rest of the day. She returned before the week was out,
however, and, after that, she continued to visit them at intervals of
a few days. The sudden note of blue, even in the distance it seemed
to connote coquetry, was the signal for all the men to stop work. They
could not think clearly or consecutively when she was about. She was one
of those women whose presence creates disturbance, perturbation, unrest.
The very sunshine seemed alive, the very air seemed vibrant with her.
Even when she flew high, her shadow came between them and their work.

"She sure qualifies when it comes to fancy flying," said Honey Smith.
"She's in a class all by herself."

Her flying was daring, eccentric, temperamental, the apotheosis of
brilliancy--genius. The sudden dart up, the terrifying drop down seemed
her main accomplishment. The wonder of it was that the men could never
tell where she would land. Did it seem that she was aiming near, a
sudden swoop would bring her to rest on a far-away spot. Was it certain
that she was making for a distant tree-top, an unexpected drop would
land her a few feet from their group. She was the only one of the
flying-girls who touched the earth. And she always led up to this feat
as to the climax of what Honey called her "act." She would drop to the
very ground, pose there, wavering like an enormous butterfly, her great
wings opening and shutting. Sometimes, tempted by her actual nearness
and fooled by her apparent weakness, the five men would make a rush
in her direction. She would stand waiting and drooping until they were
almost on her. Then in a flash came the tremendous whirr of her start,
the violent beat of her whipping progress--she had become a blue speck.

She wore always what seemed to be gossamer, rose-color in one light,
sky-color in another; a flexible film that one moment defined the long
slim lines of her body and the next concealed them completely. Near, it
could be seen that this drapery was woven of tiny buds, pink and blue;
afar she seemed to float in a shimmering opalescent mist.

She teased them all, but it was evident from the beginning that she had
picked Ralph to tease most. After a long while, the others learned to
ignore, or to pretend to ignore, her tantalizing overtures. But Ralph
could look at nothing else while she was about. She loved to lead him in
a long, wild-goose chase across the island, dipping almost within reach
one moment, losing herself at the zenith in another, alighting here
and there with a will-o'-the-wisp capriciousness. Sometimes Ralph would
return in such an exhausted condition that he dropped to sleep while he
ate. At such times his mood was far from agreeable. His companions soon
learned not to address him after these expeditions.

One afternoon, exercising heroic resolution, Ralph allowed Peachy to
fly, apparently unnoticed, over his head, let her make an unaccompanied
way half across the island. But when she had passed out of earshot he
watched her carefully.

"Say, Honey," he said after half an hour's fidgeting, "Peachy's settled
down somewhere on the island. I should say on the near shore of the
lake. I don't know that anything's happened--probably nothing. But I
hope to God," he added savagely, "she's broken a wing. Come on and find
out what she's up to, will you?"

"Sure!" Honey agreed cheerfully. "All's fair in love and war. And this
seems to be both love and war."

They walked slowly, and without talking, across the beach. When they
reached the trail they dropped on all fours and pulled themselves
noiselessly along. The slightest sound, the snapping of a twig, the
flutter of a bird, brought them to quiet. An hour, they searched

Then suddenly they got sound of her, the languid slap of great wings
opening and shutting. She had not gone to the lake. Instead, she had
chosen for her resting-place one of the tiny pools which, like pendants
of a necklace, partially encircled the main body. She was sitting on
a flat stone that projected into the water. Her drooped blue wings,
glittering with moisture, had finally come to rest; they trailed behind
her over the gray boulder and into a mass of vivid green water-grasses.
One bare shoulder had broken through her rose-and-blue drapery. The odor
of flowers, came from her. Her hair, a braid over each breast, oozed
like ropes of melted gold to her knees. A hand held each of these
braids. She was evidently preoccupied. Her eyelids were down. Absently
she dabbled her white feet in the water. The noise of her splashing
covered their approach. The two men signaled their plans, separated.

Five minutes went by, and ten and fifteen and twenty. Peachy still sat
silent, moveless, meditative. Not once did she lift her eyelids.

Then Addington leaped like a cat from the bushes at her right.
Simultaneously Honey pounced in her direction from the left.

But--whir-r-r-r--it was like the beating of a tremendous drum. Straight
across the pond she went, her toes shirring the water, and up and up
and up--then off. And all the time she laughed, a delicious, rippling
laughter which seemed to climb every scale that could carry coquetry.

The two men stood impotently watching her for a moment. Then Honey broke
into roars of delight. "Oh, you kid!" he called appreciatively to her.
"She had her nerve with her to sit still all the time, knowing that we
were creeping up on her, didn't she?" He turned to Ralph.

But Ralph did not answer, did not hear. His face was black with rage. He
shook his fist in Peachy's direction.

Of the flying-girls, there remained now only one who held herself aloof,
the "quiet one." It was many weeks before she visited the island. Then
she came often, though always alone. There was something in her attitude
that marked her off from the others.

"She doesn't come because she wants to," Billy Fairfax explained. "She
comes because she's lonely."

The "quiet one" habitually flew high and kept high, so high indeed that,
after the first excitement of her tardy appearance, none but Billy gave
her more than passing attention. Up to that time Billy had been a hard,
a steady worker. But now he seemed unable to concentrate on anything.
It was doubtless an extra exasperation that the "quiet one" puzzled him.
Her flying seemed to be more than a haphazard way of passing the time.
It seemed to have a meaning; it was almost as if she were trying to
accomplish something by it; and ever she perfected the figure that
her flight drew on the sky. If she soared and dropped, she dropped and
soared. If she curved and floated, she floated and curved. If she dipped
and leaped, she leaped and dipped. All this he could see. But there were
scores of minor evolutions that appeared to him only as confused motion.

One thing he caught immediately. Those lonely gyrations were not the
exercise of the elusive coquetry which distinguished Peachy. It was
more that the "quiet one" was pushed on by some intellectual or artistic
impulse, that she expressed by the symbols, of her complicated flight
some theory, some philosophy of life, that she traced out some artless
design, some primary pattern of beauty.

Julia always seemed to shine; she wore garments of gleamy-petalled,
white flowers, silvery seaweeds, pellucid marsh-grasses, vines, golden
or purple, that covered her with a delicate lustre. Her wings were
different from the others; theirs flashed color, but hers gave light;
and that light seemed to have run down on her flesh.

"What the thunder is she trying to do up there?" Ralph asked one day,
stopping at Billy's side. Ralph's question was not in reality begotten
so much of curiosity as of irritation. From the beginning the "quiet
one" had interested him least of any of the flying-girls as, from the
beginning, Peachy had interested him most.

"I don't know, of course." Billy spoke with reluctance. It was evident
that he did not enjoy discussing the "quiet one" with Ralph. "At first
my theory was that flying was to her what dancing is to most girls. But,
somehow, it seems to go deeper than that--as if it were art, or even
creation. Anyway, there's a kind of bi-lateral symmetry about everything
she does."

Billy fell into the habit, each afternoon, of strolling away from the
rest, out of sound of their chaff. On the grassy top of one of the
reefs, he found a spot where he could lie comfortably and watch the
"quiet one." He used to spin long day-dreams there. She looked so remote
far up in the boiling blue, and so strange, that he had an inexplicable
sensation of reverence.

Now it was as though, in watching that aerial weaving and interweaving,
he were assisting at a religious rite. He liked it best when the white
day-moon was afloat. If he half-shut his eyes, it seemed to him that
she and the moon made twin crescents of foaming silver, twin bubbles of
white fire, twin films of fairy gossamer, twin vials that held the very
essence of poetry. Somehow he had always connected her with the moon.
Indeed, in her whiteness, her coldness, her aloofness, she seemed the
very sublimation of virginity. His first secret names for her were Diana
and Cynthia. But there was another quality in her that those names did
not include--intellectuality. His favorite heroes were Julius Caesar and
Edwin Booth--a quaint pair, taken in combination. In the long imaginary
conversations which he held with her he addressed her as Julia or

Days and days went by and he could discover no sign that she had noticed
him. It was typical of the "damned gentleman" side of Billy that he
did not try to attract her attention. Indeed, his efforts were ever to
efface himself.

One afternoon, after a long vigil in which, unaccountably, Julia had
not appeared, he started to return to camp. It was a late twilight and
a black, velvety one. The trees against a darkening curtain of sky had
turned to bunches of tangled shadow, the reefs and rocks against the
papery white of the sand to smutches and blobs of soot. Suddenly--and
his heart pounded at the sound--the air began to vibrate and thrill.

He stopped short. He waited. His breath came fast; the vibration and
thrill were coming closer.

He crystallized where he stood. It scarcely seemed that he breathed. And

Something white and nebulous came floating out of the dusk towards
him. It became a silver cloud, a white sculptured spirit of the air. It
became an angel, a fairy, a woman--Julia. She flew not far off, level
with his eyes and, as she approached, she slowed her stately flight.
Billy made no movement. He only stood and waited and watched. But
perhaps never before in his life had his eyes become so transparently
the windows of his soul. Quite as intently, Julia's eyes, big, gray, and
dark-lashed, considered him. It seemed to Billy that he had never seen
in any face so virginally young such a tragic seriousness, nor in any
eyes, superficially so calm, such a troubled wonder.

He did not stir until she had drifted out of earshot, had become again a
nebulous silver cloud drifting into the dusk, had merged with that dusk.

"What makes your eyes shine so?" said Honey, examining him keenly when
he reached camp.

It was the first time Billy had known Julia to fly low. But he
discovered gradually that only in the sunlight did she haunt the zenith.
At twilight she always kept close to the earth. Billy took to haunting
the reefs at dusk.

Again and again, the same thing happened.

Suddenly--and it was as if successive waves of electricity charged
through his body--the quiet air began to purr and vibrate and drum. Out
of the star-shot dusk emerged the speeding whiteness of Julia. Always,
as she approached, she slowed her flight. Always as she passed, her
sorrowing gray eyes would seek his burning blue ones. Billy could bring
himself to speak of this strange experience to nobody, not even to
Honey. For there was in it something untellable, unsharable, the wonder
of the vision and the dream, the unreality of the apparition.

The excitement of these happenings kept the men entertained, but it also
kept them keyed up to high tension. For a while they did not notice
this themselves. But when they attempted to go back to their interrupted
work, they found it hard to concentrate upon it. Frank Merrill had
given up trying to make them patrol the beach. Unaided, day and night he
attended to their signals.

"Well," said Honey Smith one day and, for the first time, there was a
peevish note in his voice, "that 'natural selection' theory of yours,
Ralph, seems to have worked out to some extent--but not enough. We seem
to be comfortably divided, all ten of us, into happy couples, but hanged
if I'm strong for this long-distance acquaintance."

"You're right there," Ralph Addington admitted; "we don't seem to be
getting any forwarder."

"It's all very pretty and romantic to have these girls flying about,"
Honey continued in a grumbling tone, "but it's too much like flirting
with a canary-bird. Damn it all, I want to talk with them."

Ralph made a hopeless gesture. "It is a deadlock, I admit. I'm at my
wits' end."

Perhaps Honey expressed what the others felt. At any rate, a sudden
irascibility broke out among them. They were good-natured enough while
the girls were about, but over their work and during their leisure, they
developed what Honey described as every kind of blue-bean, sourball,
katzenjammer and grouch. They fought heroically against it--and their
method of fighting took various forms, according to the nature of the
four men. Frank Merrill lost himself in his books. Pete Murphy began the
score of an opera vaguely heroic in theme; he wrote every spare moment.
Billy Fairfax worked so hard that he grew thin. Honey Smith went off on
long, solitary walks. Ralph Addington, as usual, showed an exasperating
tendency towards contradiction, an unvarying contentiousness.

And then, without warning, all the girls ceased to come to the island.
Three days went by, five, a week, ten days. One morning they all passed
over the island, one by one, an hour or two between flights; but they
flew high and fast, and they did not stop.

Ralph Addington had become more and more irascible. That day the others
maintained peace only by ignoring him.

"By the gods!" he snarled at night as they all sat dull and dumb about
the fire. "Something's got to happen to change our way of living or
murder'll break out in this community. And we'd better begin pretty
quick to do something about it. What I'd like to know is," and he
slapped his hand smartly against a flat rock, "coming down to cases--as
we must sooner or later--what is our right in regard to these women."


"I don't exactly like your use of the word right, Ralph," said Billy.
"You mean duty, don't you?"

"And he'd better change that to privilege," put in Pete Murphy,

"Shut up, you mick," Honey interposed, flicking Pete on the ear with a
pebble. "What do you know about machinery?"

Pete grinned and subsided for a moment. Honey could always placate him
by calling him a mick.

"No," Ralph went on obstinately, addressing himself this time to Billy,
"I mean right. Of course, I mean right," he went on with one of his,
gusty bursts of, irritation. "For God's sake, don't be so high-brow and

"How about it, Frank?" Billy said, turning to Merrill.

"Well," said Frank slowly, "I don't exactly know how to answer that
question. I don't know what you mean by the word--right. I take it
that you mean what our right would be if these flying-maidens permitted
themselves to become our friends. I would say, that, in such a case,
you would have the only right that any man ever has, as far as women are
concerned--the right to woo. If he wins, all well and good. If he loses,
he must abide by the consequences."

"You're on, Frank," said Billy Fairfax.

"You've said the last word."

"In normal condition, I'd agree with you," Ralph said. "But in these
conditions I disagree utterly."

"How?" Frank asked. "Why?" He turned to Ralph with the instinctive
equability that he always presented to an opponent in argument.

"Well, in the first place, we find ourselves in a situation
unparalleled in the world's history." Ralph had the air of one who is
saying aloud for the first time what he has said to himself many
times. At any rate, he proceeded with an unusual fluency and glibness.
"Circumstances alter cases. We can't handle this situation by any of the
standards we have formerly known. In fact, we've got to throw all our
former standards overboard. There are five of these girls. There are
five of us. Voila! Following the laws of nature we have selected each
of us the mates we prefer. Or, following the law that Bernard Shaw
discovered, the ladies have selected, each of them, the mates that they
prefer. They are now turning themselves inside out to prove to us that
we selected them. Voila! The rest is obvious. If they come to terms, all
right! If they don't--" He paused. "I repeat that we are placed in,
a situation new in the history of the world. I repeat the
bromidion--circumstances alter cases. We may have to stay on this island
as long as we live. I am perfectly willing to confess that just now I'd
rather not be rescued. But it's over our months that we've been here. We
must think of the future. The future justifies anything. If these girls
don't come to terms, they must be made to come to terms. You'll find I'm

"Right!" exclaimed Billy hotly. "What are you talking about? Those are
the principles of an Apache or a Hottentot."

"Or a cave-man," Pete added.

"Well, what are we under our skins but Hottentots and Apaches and
cave-men?" said Ralph. "Now, I leave it to you. Look facts in the face.
Use your common sense. Count out civilization and all its artificial
rules. Think of our situation on this island, if we don't capture these
women soon. We can't tell when they'll stop coming. We don't know
what the conditions of their life may be. The caprice may strike them
to-morrow to cut us out for good. Maybe their men will discover it--and
prevent them from coming. A lot of things may happen to keep them away.
What's to become of us in that case? We'll go mad, five men alone here.
It isn't as though we could tame them by any gentle methods. You can't
catch eagles by putting salt on their tails. In the first place, we
can't get close enough to them, because of their accursed wings, to
prove that we wouldn't harm them. They've sent us a challenge--it's
a magnificent one. They've thrown down the gage. And how have we
responded? I bet they think we're a precious lot of molly-coddles! I bet
they're laughing in their sleeves all the time. I'd hate to hear what
they say about us. But the point I'm trying to make is not that. It's
this: we can't afford to lose them. This place is a prison now. It will
be worse than that if this keeps up--it'll be a madhouse."

"Do you mean to tell me that you're advocating marriage by capture?"
Billy asked in an incredulous voice.

"I mean to tell you I'm arguing capture," Ralph said with emphasis.
"After that, you, can trust the marriage question to take care of

Argument broke out hydra-headed. They wrangled the whole evening. Theory
at first guided them. In the beginning, names like Plato, Nietzsche,
Schopenhauer preceded quotation; then, came Shaw, Havelock-Ellis,
Kraft-Ebing, Weininger. Sleep deadened their discussion temporarily
but it burst out at intervals all the next day. In fact, it seemed to
possess eternal vitality, eternal fascination. Leaving theory, they went
for parallels of their strange situation, to history, to the Scriptures,
to fiction, to drama, to poetry.

Honey ended every discussion with a philosophic, "Aside from the
question of brutality, this marriage by capture isn't a sporting
proposition. It's like jacking deer. I'm not for it. And, O Lord, what's
the use of chewing the rag so much about it? Wait a while. We'll get
them yet, I betchu!"

All of Honey's sex-pride flared in this buoyant assurance. It had
apparently not yet occurred to him that he would not conquer Lulu in the
end and conquer her by merely submitting to her wooing of him.

And in the meantime, the voiceless tete-a-teteing of the five couples

"Say, Ralph," Honey said one day in a calm interval, "it's just occurred
to me that we haven't seen those girls, flying in a bunch for quite some
time. Don't suppose they've quarrelled, do you?"

Everybody stopped work to stare at him. "I bet that's the answer,"
Ralph exclaimed. His voice held the note of one for whom a private
mystification has at last broken.

"But what do you suppose they've quarrelled about?" Pete Murphy asked.

"Me," Honey said promptly.

Ralph laughed absent-mindedly. "It's a hundred to one shot that they're
quarrelling about us, though," he said. For some mysterious reason this
theory raised his spirits perceptibly.

"But--to get down to brass tacks," Pete asked in a puzzled tone, "what
have we done to make them quarrel?"

"Oh, we've done nothing," Ralph answered with one of his lordly
assumptions of a special knowledge. "It's just the disorganization
that always falls on women when men appear on their horizon. They're
absolutely without sex-loyalty, you know. They seem to have principle
enough in regard to some things, a few things. But the moment a man
appears, it's all off. West of Suez, they'll lie and steal; east of
Suez, they'll betray and murder as easy as breathe."

"Cut that out, Addington," Pete Murphy commanded in a dangerous voice.
"I won't stand for that kind of talk."

Ralph glared. "Won't stand for it?" he repeated. "I'd like to know how
the hell you're going to help yourself?"

"I'll find a way, and pretty damned quick," Pete retorted.

It was the closest approach to a quarrel that had yet occurred. The
other three men hastily threw themselves into the breach. "Shut up, you
mick," Honey called to Pete. "Remember you came over in the steerage."

Pete grinned and subsided.

"As sure as shooting," Honey said, "those girls have quarrelled. I bet
we never see them again."

It was a long time before they saw any of them; but, curiously enough,
the next time the flying-girls visited the island they came in a group.

It had been sultry, the first of a long series of sticky, muggy days.
What threatened to be a thunderstorm and then, as Honey said, failed
to "make good," came up in the afternoon. Just as the sky was at its
blackest, Honey called, "Hurroo! Here they come!"

The effect of the approach of the flying-maidens was so strange as to
make them unfamiliar. There was no sun to pour a liquid iridescence
through their wings. All the high lights of their plumage had dulled.
Painted in flat primary colors, they looked like paper dolls pasted on
the inky thundercloud. As usual, when they came in a group, they wove in
and out in a limited spherical area, achieving extraordinary effects in
close wheeling.

As the girls made for the island, a new impulse seized Honey. He ran
down the beach, dashed into the water, swam out to meet them.

"Come back, you fool!" Frank yelled.

There may be sharks in that water.

But Honey only laughed. He was a magnificent swimmer. He seemed
determined to give, in an alien element, an exhibition which would equal
that of the flying-girls. The effect on them was immediate; they broke
ranks and floated, watching every move.

To hold their interest, Honey nearly turned himself inside out.

At first he tore the water white with the vigor of his trudgeon-stroke.
Then turning from left to right, he employed the side-stroke. From that,
he went to the breast-stroke. Last of all, he floated, dove, swam under
water so long that the girls began uneasily to fly back and forth, to
twitter with alarm.

Finally he emerged and floated again.

"He swims like a motor-boat!" said Ralph admiringly.

Suddenly Lulu fluttered away from her companions, dropped so low that
she could have touched Honey with her hand, and flew protectingly above

The men on the beach watched these proceedings with a gradual diminution
of their alarm, with the admiration that Honey in the water always
excited, with the amusement that Lulu's fearless display of infatuation
always developed.

"Oh, my God!" Frank called suddenly. "There's a shark!"

Simultaneously, the others saw what he saw--a sinister black triangle
swiftly shearing the water. They ran, yelling, down to the water's edge
and stood there trying to shout a warning over the noise of the surf.

Honey did not get it at once. He was still floating, his smiling,
up-turned face looking into Lulu's smiling, down-turned one. Then,
rolling over, he apparently caught a glimpse of the black fin bearing so
steadily on him. He made immediately for the shore but he had swum far
and fast.

Lulu was slower even than he in realizing the situation. For a moment,
obviously piqued at his action, she dropped and hung in the rear.
Perhaps her mates signaled to her, perhaps her intuition flashed the
warning. Suddenly she looked back. The scream which she emitted was as
shrill with terror as any wingless woman's. Swooping down like an eagle,
she seized Honey under the shoulders, lifted him out of the water. His
weight crippled her. For though the first impulse of her terror carried
her high, she sank at once until Honey hung just above the water.

And continuously she screamed.

The other girls realized her plight in an instant. They dropped like
stones to her side, eased her partially of Honey's weight. Julia alone
did not touch him. She floated above, calling directions. The group of
girls arose gradually, flew swiftly over the water toward the beach. The
men ran to meet them.

"Don't go any further," Billy commanded in a peremptory voice unusual
with him. "They'll not put him down if we come too near."

The men hesitated, stopped.

Immediately the girls deposited Honey on the sand.

"Did you notice the cleverness of that breakaway?" said Pete. "He
couldn't have got a clinch in anywhere."

But to do Honey justice, he attempted nothing of the sort. He lay flat
and still until his rescuers were at a safe height. Then he sat up and
smiled radiantly at them. "Ladies, I thank you," he said.

"And I'll see that you get a Carnegie medal if it takes the rest of my
life. I guess," he remarked unabashed, as his companions joined him, "it
will be fresh-water swimming for your little friend hereafter."

Nobody spoke for a while. His companions were still white and Billy
Fairfax even shook.

"You looked like an engraving that used to hang over my bed when I was a
child," said Ralph, with an attempt at humor that had, coming from him,
a touching quality, "a bunch of, angels lugging a dead man to heaven.
You'd have been a ringer for it if you'd had a shave."

"Well, the next time the girls come, I'm going to swim out among the
pretty sharks," said Pete, obviously trying to echo Ralph's light note.
"By Jove, hear them chatter up there. They're talking all at once and at
the top of their lungs just like your sisters and your cousins and your

"They're as pale as death, too," observed Billy. "Look at that!"

The flying-maidens had come together in a compact circular group, hands
over each other's shoulders, wings faintly fluttering. Perceptibly they
clung to each other for support. Their faces had turned chalky; their
heads drooped. Intertwined thus, they drifted out of sight.

"Lord, they are beautiful, close-to!" Honey said. "You never saw such
complexions! Or such eyes and teeth! And--and--by George, such an effect
of purity and stainlessness. I feel like a--and yet, by--." He fell
into an abstraction so deep that it was as though he had forgotten his

For several days, the girls did not appear on Angel Island. All
that time, the capture argument lay in abeyance. Even Ralph, who had
introduced the project, seemed touched by the gallantry of Honey's
rescue. Honey, himself, was strangely subdued; his eternal monologue
had dried up; he seemed preoccupied. Nevertheless, it was he, who, one
night, reopened the discussion with a defiant flat: "Well, boys, I might
as well tell you, I've swung over to Ralph's side. I'm for the capture
of those girls, and capture as soon as we can make it."

"Well, I'll be--" said Billy. "After they saved your life! Honey, I
guess I don't know you any more."

"What's changed you?" Pete asked in amazement.

"Can't tell you why--don't know myself why when you get the answer tell
me. Only in the ten minutes that those girls packed me through the air,
I did some quick thinking, I can't explain to you why we've got the
right to capture them. But we have. That's all there is to it."

War broke out with a new animosity; for they had, of course, now
definitely divided into sides. Their conversation always turned into
argument now, no matter how peaceably and innocently it began.

The girls had begun to visit the island again, singly now, singly
always. Discussion died down temporarily and the wordless tete-a-teteing
began again. Lulu hovered ever at Honey's shoulder. Clara postured
always within Pete's vision. Chiquita took up her eternal vigil on
Frank's reef. Peachy discovered new wonders of what Honey called "trick
flying." Julia became a fixed white star in their blue noon sky.

A day or two or three of this long-distance wooing, and argument
exploded more vehemently than ever. Honey and Ralph still maintained
that, as the ruling sex of a man-managed world, they had the right of
discovery to these women. Frank still maintained that, as a supra-human
race, the flying-girls were subject to supra-human laws. Billy and Pete
still maintained that, as the development not only of the race but of
the individual depended on the treatment of the female by the male, the
capture of these independent beings at this stage of civilization would
be a return to barbarism.

After one night of wrangling, they came to the agreement that no one of
them would take steps towards capture until all five had consented to
it. They drew up a paper to this effect and signed it.

Their cabins were nearly completed now. Boundless leisure threatened to
open before them. More and more in the time which they were alone they
fell into the habits which their individual tastes developed. Frank
still worked on his library. He had transferred the desk and the
bookcases to the interior of his hut. He spent all his spare time there
arranging, classifying, and cataloguing his books. Billy fell into an
orgy of furniture-making and repairing. Addington began, unaided, to
build a huge cabin, bigger than the others, and separated a little
distance from them. Nobody asked him what it was for. Honey took long
solitary walks into the interior of the island. He returned with great
bunches of uprooted flowers which he planted against the cabin-walls.
Pete dragged out from an unexplored trunk a box of water-colors, a
block of paper. Now, when he was not working on a symphonic poem, he was
coping with the wonders of the semi-tropical coloring. His companions
rallied and harried him, especially about the poem; but he could always
silence them with a threat to read it aloud. All the Celt in him had
come to the surface. They heard him chanting his numbers in the depths
of the forest; sometimes he intoned them, swinging on the branch of a
high tree. He even wandered over the reefs, reciting them to the waves.

One day, late in the afternoon, Billy lay on his favorite spot on the
southern reef, dreaming. High up in the air, Julia flashed and gyrated,
revolved and spun. It seemed to Billy that he had never seen her go
so high. She looked like a silver feather. But as he looked, she went
higher and higher, so high that she disappeared vertically.

A strange sense of loneliness fell on Billy. This was the first time
since she had begun to come regularly to the island that she had cut
their tryst short. He waited. She did not appear. A minute went by.
Another and another and another. His sense of loneliness deepened to
uneasiness. Still there was no sign of Julia. Uneasiness became alarm.
Ah, there she was at last--a speck, a dot, a spot, a splotch. How she
was flying! How--.

Like a bullet the conviction struck him.

She was falling!

Memories of certain biplanic explorations surged into his mind. "She's
frozen," he thought to himself. "She can't move her wings!" Terror
paralyzed him; horror bound him. He stood still-numb, dumb, helpless.

Down she came like an arrow. Her wings kept straight above her head,
moveless, still. He could see her breast and shoulders heave and twist,
and contort in a fury of effort. Underneath her were the trees. He had
a sudden, lightning-swift vision of a falling aviator that he had once
seen. The horror of what was coming turned his blood to ice. But he
could not move; nor could he close his eyes.

"Oh, God! Oh, God! Oh, God!" he groaned. And, finally, "Oh, thank God!"

Julia's wings were moving. But apparently she still had little control
of them. They flapped frantically a half-minute; but they had arrested
her fall; they held her up. They continued to support her, although she
beat about in jagged circles. Alternately floating and fluttering, she
caught on an air-current, hurled herself on it, floated; then, as
though she were sliding through some gigantic pillar of quiet air, sank
earthwards. She seized the topmost bough of one of the high trees,
threw her arms across it and hung limp. She panted; it seemed as if her
breasts must burst. Her eyes closed; but the tears streamed from under
her eyelids.

Billy ran close. He made no attempt to climb the tree to which she
clung, so weakly accessible. But he called up to her broken words of
assurance, broken phrases of comfort that ended in a wild harangue of
love and entreaty.

After a while her breath came back. She pulled herself up on the bough
and sat huddled there, her eyelids down, her silvery fans drooping, the
great mass of her honey-colored hair drifting over the green branches,
her drapery of white lilies, slashed and hanging in tatters, the tears
still streaming. Except for its ghastly whiteness, her face showed no
change of expression. She did not sob or moan, she did not even speak;
she sat relaxed. The tears stopped flowing gradually. Her eyelids
lifted. Her eyes, stark and dark in her white face, gazed straight down
into Billy's eyes.

And then Billy knew.

He stood moveless staring up at her; never, perhaps, had human eyes
asked so definite a question or begged so definite a boon.

She sat moveless, staring straight down at him. But her eyes continued
to withhold all answer, all reassurance.

After a while, she stirred and the spell broke. She opened and shut her
wings, half a dozen times before she ventured to leave her perch. But
once, in the air, all her strength, physical and mental, seemed to
come back. She shook the hair out of her eyes. She pulled her drapery
together. For a moment, she lingered near, floating, almost moveless,
white, shining, carved, chiseled: like a marvelous piece of aerial
sculpture. Then a flush of a delicate dawn-pink came into her white
face. She caught the great tumbled mass of hair in both hands, tied
it about her head. Swift as a flash of lightning, she turned, wheeled,
soared, dipped. And for the first time, Billy heard her laugh. Her
laughter was like a child's--gleeful. But each musical ripple thrust
like a knife into his heart.

He watched her cleave the distance, watched her disappear. Then,
suddenly, a curious weakness came over him. His head swam and he could
not see distinctly. Every bone in his body seemed to repudiate its
function; his flexed muscles slid him gently to the earth. Time passed.
After a while consciousness came back. His dizziness ceased. But he lay
for a long while, face downward, his forehead against the cool moss.
Again and again that awful picture came, the long, white, girl-shape
shooting earthwards, the ghastly, tortured face, the frenzied, heaving
shoulders. It was to come again many times in the next week, that
picture, and for years to make recurrent horror in his sleep.

He returned to the camp white, wrung, and weak. Apparently his
companions had been busy at their various occupations. Nobody had seen
Julia's fall; at least nobody mentioned it. After dinner, when the
nightly argument broke into its first round, he was silent for a while.
Then, "Oh, I might as well tell you, Frank, and you, Pete," he said
abruptly, "that I've gone over to the other side. I'm for capture,
friendship by capture, marriage by capture--whatever you choose to call
it--but capture."

The other four stared at him. "What's happened to you and Ju--" Honey
began. But he stopped, flushing.

Billy paid no attention to the bitten-off end of Honey's question.
"Nothing's happened to me," he lied simply and directly. "I don't know
why I've changed, but I have. I think this is a case where the end
justifies the means. Women don't know what's best for them. We do.
Unguided, they take the awful risks of their awful ignorance. Moreover,
they are the conservative sex. They have no conscious initiative. These
flying-women, for instance, have plenty of physical courage but no
mental or moral courage. They hold the whip-hand, of course, now.
Anything might happen to them. This situation will prolong itself
indefinitely unless--unless we beat their cunning by our strategy." He
paused. "I don't think they're competent to take care of themselves.
I think it's our duty to take care of them. I think the sooner--." He
paused again. "At the same time, I'm prepared to keep to our agreement.
I won't take a step in this matter until we've all come round to it."

"If it wasn't for their wings," Honey said.

Billy shuddered violently. "If it wasn't for their wings," he agreed.

Frank bore Billy's defection in the spirit of classic calm with which he
accepted everything. But Pete could not seem to reconcile himself to it.
He was constantly trying to draw Billy into debate.

"I won't argue the matter, Pete," Billy said again and again. "I can't
argue it. I don't pretend even to myself that I'm reasonable or logical,
or just or ethical. It's only a feeling or an instinct. But it's too
strong for me. I can't fight it. It's as if I'd taken a journey drugged
and blindfolded. I don't know how I got on this side--but I'm here."

The effect of this was to weaken a little the friendship that had grown
between Billy and Pete. Also Honey pulled a little way from Ralph and
slipped nearer to his old place in Billy's regard.

But now there were three warring elements in camp. Honey, Ralph, and
Billy hobnobbed constantly. Frank more than ever devoted himself to his
reading. Pete kept away from them all, writing furiously most of the

"We're going to have a harder time with him than with Frank," Billy
remarked once.

"I guess we can leave that matter to take care of itself," Ralph said
with one of his irritating superior smiles. "How about it, Honey?"

"Surest thing you know," Honey answered reassuringly. "All you've got to
do is wait--believe muh!"

"It does seem as if we'd waited pretty long," Honey himself fumed two
weeks later, "I say we three get together and repudiate that agreement."

"That would be dishonorable," Billy said, "and foolish. You can see for
yourself that we cannot stir a step in this matter without co-operation.
As opponents, Pete and Frank could warn the girls off faster than we
could lure them on."

"That's right, too," agreed Honey. "But I'm damned tired of this," he
added drearily. "Not more tired than we are," said Billy.

An incident that varied the monotony of the deadlock occurred the next
day. Pete Murphy packed up food and writing materials and, without
a word, decamped into the interior. He did not return that day, that
night, or the next day, or the next night.

"Say, don't you think we ought to go after him," Billy said again and
again, "something may have happened."

And, "No!" Honey always answered. "Trust that Dogan to take care of
himself. You can't kill him."

Pete worked gradually across the island to the other side. There the
beach was slashed by many black, saw-toothed reefs. The sea leaped up
upon them on one side and the trees bore down upon them on the other.
The air was filled with tumult, the hollow roar of the waves, the
strident hum of the pines. For the first day, Pete entertained himself
with exploration, clambering from one reef to another, pausing only
to look listlessly off at the horizon, climbing a pine here and there,
swinging on a bough while he stared absently back over the island. But
although his look fixed on the restless peacock glitter of the sea, or
the moveless green cushions that the massed trees made, it was evident
that it took no account of them; they served only the more closely to
set his mental gaze on its half-seen vision.

The second morning, he arose, bathed, breakfasted, lay for an hour in
the sun; then drew pencil and paper from his pack. He wrote furiously.
If he looked up at all, it was only to gaze the more fixedly inwards.
But mainly his head hung over his work.

In the midst of one of these periods of absorption, a flower fell out of
the air on his paper. It was a brilliant, orange-colored tropical bloom,
so big and so freshly plucked that it dashed his verse with dew. For an
instant he stared stupidly at it. Then he looked up.

Just above him, not very high, her green-and-gold wings spread broad
like a butterfly's, floated Clara. Her body was sheathed in green
vines, delicately shining. Her hair was wreathed in fluttering yellow
orchid-like flowers, her arms and legs wound with them. She was flying
lower than usual. And, under her wreath of flowers, her eyes looked
straight into his.

Pete stared at her stupidly as he had stared at the flower. Then he
frowned. Deliberately he dropped his eyes. Deliberately he went on

Whir-r-r-r-r! Pete looked up again. Clara was beating back over the
island, a tempest of green-and-gold.

Again, he concentrated on his work.

Pete wrote all the rest of the day and by firelight far into the
night. He wrote all the next morning. In the middle of the afternoon, a
seashell struck his paper, glanced off.

It was Clara again.

This time, apparently, she had come from the ocean. Sea-kelp, still
glistening with brine, encased her close as with armor. A little pointed
cap of kelp covered her tawny hair as with a helmet. That gave her a
piquant quality of boyishness. She was flying lower than he had ever
seen her, and as Pete's eyelids came up she dropped nearer, threw
herself into one of her sinuous poses, arms and legs outstretched close,
hands and feet cupped, wrists, ankles, hips, shoulders all moving. She
looked straight down into Pete's eyes; and this time she smiled.

Pete stared for another long moment. Then as though summoning all
his resolution, he withdrew his eyes, nailed them to his paper. Clara
peppered him with shells and pebbles; but he continued to ignore her. He
did not look up again until a whir-r-r-r-r--loud at first but steadily
diminishing--apprised him of her flight.

Pete again wrote the rest of the day and by firelight far into the
night. In the middle of the morning he stopped suddenly, weighted his
paper down with a stone, rolled over on to the pine-needles, and fell
immediately into a deep sleep. He lay for hours, his face down, resting
on his arm.


Pete awoke with a start. His manuscript was gone. He leaped to his feet,
stared wildly about. Not far off Clara was flying, almost on the ground.
As he watched, she ascended swiftly. She held his poem in her hands. She
studied it, her head bent. She did not once look up or back; her eyes
still jealously glued to the pencil-scratchings, she drifted out to sea,

Pete did not move. He watched Clara intently until she melted into the
sky. But as he watched, his creative mood broke and evaporated. And
suddenly another emotion, none the less fiercely ravaging, sluiced the
blood into his face, filled his eyes with glitter, shook him as though
a high wind were blowing, sent him finally speeding at a maniacal pace
over the reefs.

"Say, do you think we'd better organize a search-party?" Honey asked

"Not yet," said Ralph, "here he comes."

Pete was running down the trail like a deer.

"I've finished my poem," he yelled jubilantly.

"Every last word of it. And now, boys," he added briskly before they
could recover their breath, "I'm with you on this capture question."

For an instant, the others stared and blinked. "What do you mean, Pete?"
Honey asked stupidly, after an instant.

"Well, I'm prepared to go as far as you like."

"But what changed you?" Honey persisted.

"Oh, hang it all," Pete said and never had his little black, fiery Irish
face so twisted with irritation, so flamed with spirit, "a poet's so
constituted that he's got to have a woman round to read his verse to. I
want to teach Clara English so she can hear that poem."

There was a half-minute of silence. Then his listeners broke into roars.
"You damned little mick you!" Honey said. He laughed at intervals for an

They immediately broke the news of Pete's desertion to Merrill. Frank
received it without any appearance of surprise. But he announced, with a
sudden boom of authority in his big voice, that he expected them all to
stand by their agreement. Billy answered for the rest that they had no
intention of doing anything else. But the four were now in high spirits.
Among themselves, they no longer said, "If we capture them," but "When
we capture them."

The stress of the situation at once pulled Frank away from his books.
Again he took complete charge of the little group. He was a natural
disciplinarian, as they had learned at the time of the wreck. Now his
sense of responsibility developed a severity that was almost austerity.
He kept them constantly at work. In private the others chafed at his
tone of authority. But in his presence they never failed of respect.
Besides, his remarkable unselfishness compelled their esteem, a shy
vein of innocent, humorless sweetness their affection. "Old Frank" they
always called him.

One afternoon, Frank started on one of the long walks which latterly he
had abandoned. He left three of his underlings behind. Pete painted a
water-color; Clara, weaving back and forth, watched his progress. Ralph
worked on the big cabin--they called it the Clubhouse--Peachy whirling
back and forth in wonderful air-patterns for his benefit. A distant
speck of silver indicated Julia; Billy must be on the reef. Honey had
left camp fifteen minutes before for the solitary afternoon tramp that
had become a daily habit with him.

Frank's path lay part-way through the jungle. For half an hour he walked
so sunk in thought that he glanced neither to the right nor the left.
Then he stopped suddenly, held by some invisible, intangible, impalpable
force. He listened. The air hummed delicately, hummed with an alien
element, hummed with something that was neither the susurrus of insects
nor the music of birds. He moved onward slowly and quietly. The hum grew
and strengthened. It became a sound. It divided into component parts,
whistlings, trillings, twitterings, callings. Bird-like they were--but
they could come only from the human throat. Impersonal they were--and
yet they were sexed, female and male. Frank looked about him carefully.
A little distance away, the trail sent off a tiny feeler into the
jungle. It dipped into one of the pretty glades which diversified the
flatness of the island. Creeping slowly, Frank followed the sound.

Half-way down the slope, Honey Smith was standing, staring upwards.
In his virile, bronzed semi-nudity, he might have been a god who had
emerged for the first time into the air from the woods at his back. His
lips were open and from them came sound.

Above him, almost within reach, Lulu floated, gazing downward. She had
a listening look; and she listened fascinated. She seemed to lie
motionless on the air. It was the first time that Merrill had seen Lulu
so close. But in some mysterious way he knew that there was something
abnormal about her. Her piquant Kanaka face shone with a strange
emotion. Her narrow eyes were big with wonder; her blood-red lips had
trembled open. She stared at Honey as if she were seeing him from a new
angle. She stared, but sound came from her parted lips.

It was Honey who whistled and called. It was Lulu who twittered
and trilled. No mating male bird could have put more of entreating
tenderness into his voice. No mating female bird could have answered
with more perplexity of abandon.

For a moment Frank stared. Then, with a sudden sense of eavesdropping,
he moved noiselessly back until he struck the main trail.

He kept on until he came to the shady side of his favorite reef. He
took from his pocket a book and began to read. To his surprise and
discomfort, he could not get into it. Something psychological kept
coming between him and the printed page. He tried to concentrate on a
paragraph, a sentence, a phrase. It was like eating granite. It was like
drinking dust. He stared at the words, but they seemed to float off the

That, then, was what all the other four men were doing while he was
reading and writing, or while, with narrowed, scrutinizing eyes, he
followed Chiquita's languid flight. He had not seen Chiquita for a week;
he had been so busy getting the first part of his monograph into shape
that he had not come to the reef. And all that week, the other men
had been--. A word from the university slang came into his
mind--twosing--came into it with a new significance. How descriptive
that word was! How concrete! Twosing!

He took up his book again. He glued his eyes to the print. Five minutes
passed; he was gazing at the same words. But now instead of floating off
the page, they engaged in little dances, dizzyingly concentric. Suddenly
something that was not of the mind interposed another obstacle to
concentration, a jagged, purple shadow.

It was Chiquita.

Frank leaped to his feet and stood staring. The quickness of his
movement--ordinarily he moved measuredly--frightened her. She fluttered,
drifted away, paused. Frank stiffened. His immobility reassured her. She
drifted nearer. Something impelled Frank to hold his rigid pose. But,
for some unaccustomed reason, his hand trembled. His book dropped
noiselessly on to the soft grass.

Chiquita floated down, closer than ever before.

She had undoubtedly just waked up. The dew of dreams still lay on
her luscious lips and in her great black eyes. Scarlet flowers,
flat-petaled, black-stamened, wreathed her dusky hair. Scarlet bands
outlined her dusky shoulders. Scarlet streamers trailed in her wake.
Never had she seemed more lazy and languid, more velvety and voluptuous,
more colorful and sumptuous.

Frank stared and stared. Then, following an inexplicable impulse, he
whistled as he had heard Honey whistle; and called as he had heard Honey
call, the plaintive, entreating note of the mating male bird.

The same look which had come into Lulu's face came into Chiquita's, a
look of wonder and alarm and--. She trembled, but she sank slowly, head
foremost like a diver.

Frank continued softly to call and whistle. After an interval, another
mysterious instinct impelled him to stop. Chiquita's lips moved;
from them came answering sound, faint, breathy, scarcely voiced but
exquisitely musical, exquisitely feminine, the call of the mating female

When she stopped, Frank took it up. He raised his hand to her gently. As
if that gave her confidence, she floated nearer, so close that he could
have touched her. But some new wisdom taught him not to do that.
She sank lower and lower until she was just above him. Frank did not
move--nor speak now. She fluttered and continued to sink. Now he could
look straight into her eyes. Frank had never really looked into a
woman's eyes before. The depth of Chiquita's was immeasurable. There
were dreams on the surface. But his gaze pierced through the dreams,
through layer on layer of purple black, to where stars lay. Some emotion
that constantly grew in her seemed to melt and fuse all these layers;
but the stars still held their shine.

Slowly still, but as though at the urge of a compelled abandon, Chiquita
sank lower and lower. Nearer she came and nearer. The pollen from the
flowers at her breast sifted on to his face. Now their eyes were level.
And now--.

She kissed him.

Billy, Ralph, and Pete sat on the sand bantering Honey, who had returned
in radiant spirits from his walk.

"Here comes old Frank," Billy said. "He's running. But he's staggering.
By George, I should think he was drunk."

Frank was drunk, but not with wine. When he came nearer, they saw that
his face was white.

"You're right boys," he said quietly, "and I'm wrong." For a moment, he
added nothing; but they knew what he meant. "A situation like this is
special; it requires special laws. It's the masculine right of eminent
domain. I give my consent--I--I--I--I agree to anything you want to do."


"The question before the house now is," said Ralph, "how are we going
to do it? Myself, I'd be strong for winging them sometime when they're
flying low."

The other four men burst into shocked remonstrance.

"Well, don't go up in the air," Ralph said in an amused voice. "It
wouldn't hurt them any. And it seems to me if we've definitely made up
our minds to capture them, the best way is the swiftest and surest."

"But to shoot a woman!" Pete exclaimed.

"Well, don't worry," Ralph answered him, "we haven't any guns. I did
think of bows and arrows, though." He said this in the tone of one who
throws out a suggestion and he stopped to study the faces of his fellow
conspirators. Equally they expressed horror and disgust. "All right,"
he said with equanimity. "I see you're like all human nature. You're
determined to pull off this caveman stunt, but you want to do it with
every appearance of chivalry and generosity. You're saving face. All
right! I'm agreeable--although personally I think the quickest way the
most merciful. Has anybody a better plan?"

Nobody had. It was obvious, though, from the talk that followed, that
they had all been secretly considering the matter.

"The only thing for us to do," Honey said at once, "is to lie in wait.
Conceal ourselves in the bushes and leap out on them."

"That sounds easy," Ralph said. "But has it occurred to you that these
girls have the ears of wild animals? Has it occurred to you that they
have all the instincts and cunning of the animal and all the intuition
and prescience of the woman? Has it occurred to you that they always
approach from above?"

"The only thing I can think of," said Billy, "is to lasso them. Only
we've got to get them to alight and walk round first. But either they
can't walk or they don't like to walk. We must off offer them some bait.
Now, what in thunder would tempt a creature that's one-third woman,
one-third bird, and one-third angel to come down to earth?"

For a moment they were all silent considering this question. "By Jove,"
Ralph burst out finally, "what are we all sitting here like dopes for?
Those trunks are full of women's clothes. Did you ever see a woman yet
who wouldn't fall for ribbons and laces?"

"Good shot!" exclaimed Honey. "Let's go through the women-truck
to-morrow and pick out some things that would please a girl. We'll put
them on the beach a good distance off from us, so they'll not think it's
a trap. If we do that every day for a week or two they'll get accustomed
to walking round while we're working. It's our play to take no notice of
them whatever."

"That's the answer," Ralph said in a tone of satisfaction.

Immediately after breakfast, the next morning, they made for the file of
trunks so contemptuously rejected the first week of their stay. Honey,
who was always head and shoulders in front of the others, broke open the
first one.

"By jiminy, boys!" he shouted, seizing something that lay on top and
waving it over his head, "we've got them on the go-off. By George," he
went on, lowering his voice, "I bet that belonged to some darned pretty

The men crowded about him; and, as they examined his find, their faces
softened. Nothing could more subtly have emanated femininity. It was a
hand-mirror of silver. Two carved Cupids held the glass between them.
Their long wings made the handle.

"Put it down there on the hard sand," Ralph said, "where they can't fail
to see it."

"Hold!" exclaimed Honey in a tone of burlesque warning. "There must be
five mirrors. He knows nothing of women who thinks that one mirror may
be divided among five girls. I hope Lulu cops this one."

His companions did not laugh. Apparently they were impressed with the
sapience of his remark. They searched the trunks until they had gathered
the five that Honey demanded. They placed them in a row just above the
high-water line. The mirrors caught the sunlight, reflected it.

"They won't do a thing to those girls," said Honey. There was the glee
in his voice of a little boy who is playing a practical joke.

The girls came in a group in the middle of the afternoon.

"They've spotted them already," said Honey.

"Trust a woman and a looking-glass."

The discovery ruined discipline; it broke ranks; the five girls flew
high, flew low, flew separated, flew grouped, crowded about Julia,
obviously asking her advice. Obviously she gave it; for following her
quick, clear tones of advice came a confused chattering--remonstrance.
Then Peachy, Clara, Chiquita, and Lulu dropped a little. Julia alone
came no nearer. She alone showed no excitement.

The men meantime watched. They could not, as they had so loftily
resolved, pretend to ignore the situation. But they kept silent and
still. Once or twice the girls glanced curiously in their direction.
But in the main they ignored them. Descending in big, slow, cautious,
sliding curves, they circled nearer and nearer the sand.

Suddenly Lulu screamed. Still screaming, she bounded--it was almost that
she bounced--straight up. The others streamed to the zenith in the
wake of her panic, caught up, closed about her. There floated down the
shrillness of agitated question and answer.

"What the Hades--" Ralph said in a mystified tone.

"I've got it," said Honey. "She caught a look at herself in one of
the mirrors and she's scared. Don't be afraid, Lulu," he called in a
reassuring tone; "it won't hurt you."

Lulu evidently got what he intended to convey. Again she sank slowly,
hovered an instant close to the sand, brought her face near to a mirror,
bounced up, dipped down, brought her face nearer, fluttered, put out one
hand, withdrew it, put out the other, withdrew it, put out both, seized
a mirror firmly, darted to the zenith.

"Well, what do you know about that!" said Billy. And, "Oh, the angels!"
exclaimed Pete. Ralph's face opened in the fatuous grin which always
meant satisfaction with him. Honey turned somersaults of delight. Even
Frank twinkled.

For, high up in the heaven, five heads positively bumped over the meager
oval of silver.

Lulu finally pulled out of the crowd and flew away. But all the time
she held the mirror straight before her, clasped tightly in two hands,
ecstatically "eating herself up" as Honey described it.

The men continued to watch.

Gradually, one after another, the other four girls fell under the lure
of their vanity and their acquisitiveness.

Clara dove first, clutched a long-handled oval of yellow celluloid.
Next Chiquita swam lazily downward, made a brief scarlet flutter on
the beach, seized an elaborate double mirror set in gilded wood. Peachy
followed; she chose a heart-shaped glass, ebony-framed. Last of all,
Julia came floating slowly down. She took the only one that was left: it
was, of course, the smallest; it was framed in carved ivory.

For the next ten minutes, the sky presented a picture of five winged
women, stationed at various points of the compass, ecstatically studying
their own beautiful faces in mirrors held in their white, strong-looking

Then, flying together again, they discovered that the mirrors reflected.
At first, this created panic, then amusement. Ensued a delicious
girl-frolic. Darting through the air, laughing, jabbering, they played
tag, throwing the light into each other's eyes. A little later Peachy
gathered them into a bunch and whispered instructions. Immediately
they began flashing the mirrors into the men's faces. To escape this
bombardment, their victims had finally to throw themselves face downward
on the sand.

In the midst of this excitement came disaster.

Lulu dropped her mirror.

It hit square and shattered on the sand to many brilliant splinters.
Lulu fell like a stone, seized the empty frame, gazed into it for a
heart-broken second, burst into tears.

It was the first time that the men as a group had ever seen in the
flying-girls an exhibition of this feminine faculty. For a moment, they
watched her, deeply interested, as though confronted by an unfamiliar
phenomenon. Then Billy wriggled.

"Say, stop her, somebody," he begged, "I hate to hear a woman cry."

"So do I," said Peter, his face twisted into creases of discomfort.
"She's your girl, Honey. Stop her, for God's sake."

"How's he going to stop her, I'd like to know?" demanded Ralph. "We
don't converse very fluently yet, you know."

"Well, I know how to stop her," said Honey, leaping up. "I say, Lulu,"
he called. "Stop that crying, that's a good girl. It makes us all sick.
I'll find you another mirror in a moment."

Lulu did not stop crying. Perhaps she was not too primitive to realize
that tears are the argument a woman negotiates best. She wailed and wept

Honey, in the meantime, flew to the trunks. He dumped one after another;
clothes flew from either energetic hand like gravel from a shovel.
Suddenly he gave a yell of triumph and brandished--. It was cheap and
brass-bound, but it reflected the sunlight as well as though it had been
framed in massy gold.

"Here you are, Lulu!" he called. He ran down the beach and held it up
to her. Lulu caught the reflection. She dropped sheer. In her eagerness,
she took it from Honey's very hand. And as she seized it, a tear dropped
on his upturned cheek. And as the tear dropped, her face broke into

"Well," exclaimed Ralph an instant later, "if I'd had any idea that they
were angels and not females, this would settle the question for me. Good
Lord! Well, you have got a temper, my lady."

It was of Julia he spoke.

For, descending slowly and deliberately, Julia hovered an instant above
a big rock. Then, with a tremendous slashing impulse of a powerful arm,
she hurled her mirror on it. She flew in a very frenzy of haste into the

The girls returned the next morning early.

"After the graft," Ralph commented cynically.

Honey had been rifling the trunks again. He walked down to the beach
with an armful of fans, piled them there, returned to camp. The girls
descended, eyed them, ascended, gathered together, talked, descended,
ascended again.

"What's the row?" Billy asked.

"They don't know what they're for," said Pete. He ran down on to the
beach, seized a fan of feathers, opened it, and stood fanning himself.
Then he put it down and ran back.

He had hardly returned to the group of men when Chiquita swooped down
and seized the fan that he had dropped. The feathers were the exact
scarlet of her wings. She floated about, fanning herself slowly, her
teeth flashing white in her dusky face.

"By jiminy, if she only had a mantilla, she'd be a Spanish angel," Billy
commented whimsically.

The other girls dropped down after a while and seized a fan, or in
Clara's case two, and Peachy's three. They sailed off into the west,
fanning themselves slowly.

"Say, we've got to have our ammunition all ready the next time they
come," said Ralph. "I bet they're here this afternoon. They've never
had any of these lover-like little attentions, apparently. And they're
falling for them so quick that it's fairly embarrassing. Pete, you'll
have to be muckraking this island before we get through."

In their search for what Honey called "bait," they came across a trunk
filled with scarfs of various descriptions; gauze, satin, chiffon;
embroidered, sequined, fringed; every color, fabric, and decoration;
every shape and size. "Drummers' samples!" Honey commented.

"I tell you what we'll do now," Ralph suggested. "Put the first five
scarfs on the beach where they can get them. But if they want any more,
make them take them from our hands. Be careful, though, not to frighten
them. One move in their direction and we'll undo everything we've

As Ralph prophesied, the girls came again that day, but they waited
until after sunset. It was full-moon night, however; the island was as
white as day. They must have seen the gay-colored heaps from a distance;
they pounced on them at once. The air resounded with cooings of delight.
There was no doubt of it; the scarfs pleased them almost as much as the
mirrors. Before the first flush of their delight had passed, Honey ran
down the beach, bearing aloft a long, shimmering, white streamer. Ralph
followed with a scarf of black and gold. Billy, Pete, and Frank joined
them, each fluttering a brilliant silk gonfalon.

The girls drew away in alarm at first. Then they drew together for
counsel. All the time the men stood quiet, waving their delicately
hued spoils. One by one--Clara first, then Chiquita, Lulu, Peachy,
Julia--they succumbed; they sank slowly. Even then they floated for a
long while, visibly swinging between the desire for possession and the
instinct of caution. But in the end each one of them took from her mate
the scarf he held up to her. Followed the prettiest exhibition of flying
that Angel Island had yet seen. The girls fastened the long gauzes to
their heads and shoulders. They flicked and flitted and flittered, they
danced and pirouetted and spun through the air, trailing what in the
aqueous moonlight looked like mist, irradiated, star-sown.

"Well," said Ralph that night after the girls had vanished, "I don't see
that this business of handing out loot is getting us anywhere. We can
keep this up until we've given those harpies every blessed thing in the
trunks. Then where are we? They'll have everything we have to give, and
we'll be no nearer acquainted. We've got to do something else."

"If we could only get them down to earth--if we could only accustom them
to walking about," Honey declared, "I'm sure we could rig up some kind
of trap."

"But you can't get them to do that," Billy said. "And the answer's
obvious. They can't walk. You see how tiny, and useless-looking their
feet are. They're no good to them, because they've never used them. It
never occurs to them apparently even to try to walk."

"Well, who would walk if he could fly?" demanded Pete pugnaciously.

"Well said, son," agreed Ralph, "but what are we going to do about it?"

"I'll tell you what we can do about it," said Frank quietly, "if you'll
listen to me." The others turned to him. Their faces expressed varying
emotions--surprise, doubt, incredulity, a great deal of amusement. But
they waited courteously.

"The trouble has been heretofore," Frank went on in his best academic
manner, "that you've gone at this problem in too obvious a way. You've
appealed to only one motive--acquisitiveness. There's a stronger one
than that--curiosity."

The look of politely veiled amusement on the four faces began to give
way to credulity. "But how, Frank?" asked Billy.

"I'll show you how," said Frank. "I've been thinking it out by myself
for over a week now."

There was an air of quiet certainty about Frank. His companions looked
furtively at each other. The credulity in their faces changed to
interest. "Go on, Frank," Billy said. They listened closely to his

"What ever gave you the idea, Frank?" Billy asked at the end.

"The fact that I found a Yale spring-lock the other day," Frank answered

The next morning, the men arose at sunrise and went at once to work.
They worked together on the big cabin--the Clubhouse--and they dug and
hammered without intermission all day long. Halfway through the morning,
the girls came flying in a group to the beach. The men paid no attention
to them. Many times their visitors flew up and down the length of the
crescent of white, sparkling sand, each time dropping lower, obviously
examining it for loot. Finding none, they flew in a body over the roof
of the Clubhouse, each face turned disdainfully away. The men took no
notice even of this. The girls gathered together in a quiet group and
obviously discussed the situation. After a little parley, they flew off.
Later in the afternoon came Lulu alone. She hovered at Honey's shoulder,
displaying all her little tricks of graceful flying; but Honey was
obdurate. Apparently he did not see her. Came Chiquita, floating lazily
back and forth over Frank's head like a monstrous, deeply colored
tropical bloom borne toward him on a breeze. She swam down close,
floated softly, but Frank did not even look in her direction. Came
Peachy with such marvels of flying, such diving and soaring, such
gyrating and flashing, that it took superhuman self-control not to drop
everything and stare. But nobody looked or paused. Came Clara, posturing
almost at their elbows. Came all save Julia, but the men ignored them

"Gee," said Honey, after they had all disappeared, "that took the last
drop of resolution in me. By Jove, you don't suppose they'll get sore
and stay away for good?"

Frank shook his head.

Day by day the men worked on the Clubhouse; they worked their hardest
from the moment of sunrise to the instant of sunset. It was a square
building, big compared with the little cabins. They made a wide, heavy
door at one end and long windows with shutters on both sides. These were
kept closed.

"Only one more day's work," Frank said at the end of a fortnight, "and

They finished the Clubhouse, as he prophesied, the next day.

"Now to furnish it," Frank said.

They put up rough shelves and dressing-tables. They put in chairs and
hammocks. Then, working secretly at night when the moon was full, or
in the morning just after sunrise--at any time during the day when the
girls were not in sight--they transferred the contents of a half a dozen
women's trunks to the Clubhouse. They hung the clothes conspicuously in
sight; they piled many small toilet articles on tables and shelves; they
placed dozens of mirrors about.

"It looks like a sale at the Waldorf," Honey said as they stood
surveying the effect. "Tomorrow, we begin our psychological siege. Is
that right, Frank?"

"Psychological siege is right," answered Frank with an unaccustomed
gayety and an unaccustomed touch of slang.

In the meantime the girls had shown their pique at this treatment in
a variety of small ways. Peachy and Clara made long detours around the
island in the effort not to pass near the camp. Chiquita and Lulu flew
overhead, but only in order to throw pebbles and sand down on the men
while they were working.

Julia alone took no part in this feud. If she was visible at all, it was
only as a glittering speck in the far-off reaches of the blue sky.

The next time the four girls approached the island, the men arose
immediately from their work. With an ostentatious carelessness, they
went into the Clubhouse. With an ostentatious carefulness, they closed
the door. They stayed there for three hours.

Outside, the girls watched this maneuver in visible astonishment. They
drew together and talked it over, flew down close to the Clubhouse, flew
about it in circles, examined it on every side, made even one perilous
trip across the roof, the tips of their feet tapping it in vicious
little dabs. But flutter as they would, jabber as they would, the
Clubhouse preserved a tomb-like silence. After a while they banged on
the shutters and knocked against the door; but not a sound or movement
manifested itself inside.

They flew away finally.

The next day the same thing happened--and the next--and the next.

But on the fourth day, something quite different occurred.

The instant the men saw the girls approaching, they carefully closed the
door and windows of the Clubhouse, and then marched into the interior
of the island. Close by the lake, there was a thick jungle of trees--a
place where the branches matted together, in a roof-like structure,
leaving a cleared space below. The men crawled into this shelter on
their hands and knees for an eighth of a mile. They stayed there three

The girls had followed this procession in an air-course that exactly
paralleled the trail. When the men disappeared under the trees, they
came together in a chattering group, obviously astonished, obviously
irritated. Hours went by. Not a thing stirred in the jungle; not a sound
came from it. The girls hovered and floated, dipped, dove, flew along
the edge of the lake close to the water, tried by looking under the
trees, to get what was going on. It was useless. Then they alighted on
the tree-tops and swung themselves down from branch to branch until they
were as near earth as they dared to come. Again they peered and peeped.
And again it was useless. In the end, flying and floating with the
disconsolate air of those who kill time, they frankly waited until the
men emerged from the jungle. Then, again the girls took up the airy
course that paralleled the trail to the camp.

For two weeks the men rigidly followed a program. Alternately they shut
themselves inside the Clubhouse and concealed themselves in the forest.
They stayed the same length of time in both places--never less than
three hours.

For two weeks, the girls rigidly followed a program. When the men
retired to the Clubhouse, they spent the three hours hovering over
it, sometimes banging viciously with feet and hands against the walls,
sometimes dropping stones on the roof. When the men retired to the
jungle, they spent the three hours beating about the branches of the
trees, dipping lower and lower into the underbrush, taking, as time
went on, greater and greater risks. But, as in both cases, the men were
screened from observation, all their efforts were useless.

Finally came a day with a difference. The men retired to the forest
as usual but, by an apparent inadvertence, they left the door of the
Clubhouse open a crack.

As usual the girls followed the men to the lake, but this time there was
a different air about them; they seemed to bubble with excitement.
The men crawled under the underbrush and waited. The girls made a
perfunctory search of the jungle and then, as at a concerted signal,
they darted like bolts of lightning back in the direction of the camp.

"I think we've got them, boys," said Frank. There was a kind of
Berserker excitement about him, a wild note of triumph in his voice and
a white flare of triumph in his face. His breath came in excited gusts
and his nostrils dilated under the strain.

"I'm sure of it," agreed Ralph. "And, by Jove, I'm glad. I've never had
anything so get on my nerves as this chase." Ralph did, indeed, look
worn. Haggard and wild-eyed, he was shaking under the strain.

"Lord, I'm glad--but, Lord, it's some responsibility," said Honey Smith.
Honey was not white or drawn. He did not shake. But he had changed.
Still radiantly youthful, there was a new look in his face--resolution.

"I feel like a mucker," groaned Billy. He lay face down on a heap of
vines, his forehead pressed against the cool leaves. "But it is right,"
he added as one arguing fiercely with himself. "It is right. There's no
other way."

"I feel like a white slaver," said Pete. He was unshaven and the black
shadow of his beard contrasted sharply with the white set look in his
face. "It's hell to live, isn't it? But the worst of it is, we must

"Time's up." Frank breathed these words on the long gust of his outgoing
breath. "Now, don't go to pieces. Remember, it must be done."

One behind the other, they crawled through the narrow tunnel that they
had cut into the underbrush--found the trail.

"Let's swim across the lake," Honey suggested; "I'm losing my nerve."

"Good idea," Billy said. They plunged into the water. Fifteen minutes
later, they emerged on the other side, cool, composed, ready for

The long trip back to the camp was taken almost in silence. Once in a
while, a mechanical "That's a new bird, isn't it?" came from Billy and,
a perfunctory "Look at that color," from Pete. Frank walked ahead. He
towered above the others. He kept his eyes to the front. Ralph followed.
At intervals, he pulled himself up and peered into the sky or dropped
and tried to pierce the untranslatable distance; all this with the
quiet, furtive, prowling movements of some predatory beast. Next came
Honey, whistling under his breath and all the time whistling the same
tune. Billy and Pete, walking side by side, tailed the procession. At
times, those two caught themselves at the beginning of shuddering fits,
but always by a supreme effort they managed to calm themselves.

They came finally to the point where the jungle-trail joined the

"There isn't one in sight," said Frank.

"They may have flown home," Honey said doubtfully.

"They're in the Clubhouse," said Ralph. And he burst suddenly into a
long, wild cry of triumph. The cry was taken up in a faint shrill echo.
From the distance came shrieks--women's voices--smothered.

"By God, we've got them," said Frank again.

And then a strange thing happened. Pete Murphy crooked his elbow up to
his face and burst into hysterical weeping.

All this time, the men were moving swiftly towards the Clubhouse. As
they approached, the sound inside grew in volume from a hum of terrified
whisperings accented by drumming wings, to a pandemonium of cries and
sobs and wails.

"They'll make a rush when we open the door, remember," Ralph reminded
them. His eyes gleamed like a cat's.

"Yes, but we can handle them," said Frank. "There isn't much nerve left
in them by this time."

"I say, boys, I can't stand this," burst out Billy. "Open the door and
let them out."

Billy's words brought murmured echoes of approval from Pete and Honey.

"You've got to stand it," Frank said in a tone of command. He surveyed
his mutinous crew with a stern look of authority.

"I can't do it," Honey admitted.

"I feel sick," Pete groaned.

Just then emerged from the pandemonium within another sound, curt and
sharp-cut, the crash against the door of something heavy.

"That door won't stand much of that," Frank warned. "They'll get out
before we know it."

The look of irresolution went like a flash from Billy's face, from
Honey's, from Pete's. The look of the hunter took its place, keen,
alert, determined, cruel.

"Keep close behind me," Frank ordered.

"When I open the door, push in as quick as you can. They'll try to rush

Inside the vibrant drumming kept up. Mixed with it came screams more
sharp with terror. There came another crash.

Frank pounded on the door. "Stand back!" he called in a quiet tone of
authority as if the girls could understand. He fitted the key to the
lock, turned it, pulled the door open, leaped over the two broken chairs
on the threshold. The others followed, crowding close.

The rush that they had expected did not come.

Apparently at the first touch on the door, the girls had retreated to
the farthest corner. They stood huddled there, gathered behind Julia.
They stood close together, swaying, half-supporting each other, their
pinions drooped and trailing, their eyes staring black with horror out
of their white faces.

Julia, a little in front, stood at defiance. Her wings, as though
animated by a gentle voltage of electricity, kept lifting with a low
purring whirr. Half-way they struck the ceiling and dropped dead. The
tiny silvery-white feathers near her shoulders rose like fur on a cat's
back. One hand was clenched; the other grasped a chair. Her face was not
terrified; neither was it white. It glowed with rage, as if a fire had
been built in an alabaster vase.

All about on the floor, on chairs, over shelves lay the gauds that had
lured them to their capture. Of them all, Julia alone showed no change.
Below the scarlet draperies swathing Chiquita's voluptuous outlines
appeared the gold stockings and the high-heeled gold slippers which she
had tried on her beautiful Andalusian feet. Necklaces swung from her
throat; bracelets covered her arms; rings crowded her fingers. Lulu had
thrown about her leafy costume an evening cape of brilliant blue brocade
trimmed with ermine. On her head glittered a boudoir-cap of web lace
studded with iridescent mock jewels. Over her mail of seaweed, Clara
wore a mandarin's coat--yellow, with a decoration of tiny mirrors. Her
hair was studded with jeweled hairpins, combs; a jeweled band, a jeweled
aigrette. Peachy had put on a pink chiffon evening gown hobbled in
the skirt, one shoulder-length, shining black glove, a long chain of
fire-opals. Out of this emerged with an astonishing effect of contrast
her gleaming pearly shoulders and her, lustrous blue wings.

An instant the two armies stood staring at each other--at close terms
for the first time. Then, with one tremendous sweep of her arm, Julia
threw something over their heads out the open door. It flashed through
the sunlight like a rainbow rocket, tore the surface of the sea in a
dazzle of sparks and colors.

"There goes five hundred thousand dollars," said Honey as the Wilmington
"Blue" found its last resting-place. "Shut the door, Pete."

With another tremendous sweep of her magnificent arm, Julia lifted the
chair, swung it about her head as if it were a whip, rushed--not running
or flying, but with a movement that was both--upon the five men. Her
companions seized anything that was near. Lulu wrenched a shelf from its

The men closed in upon them.

Twenty minutes later, silence had fallen on the Clubhouse, a silence
that was broken only by panted breathing. The five men stood resting.
The five girls stood, tied to the walls, their hands pinioned in
front of them. At intervals, one or the other of them would call in
an agonized tone to Julia. And always she answered with words that
reassured and calmed.

The room looked as if it had housed a cyclone. The furniture lay in
splinters; the feminine loot lay on the floor, trampled and torn.

"I'd like to sit down," Ralph admitted. It was the first remark that any
one of the men had made. "Lucky they can't understand me. I'd hate them
to know it, but I'm as weak as a cat."

"No sitting down, yet," Frank commanded, still in his inflexible tones
of a disciplinarian. "Open the door, Pete--get some air in here!" He
knelt before a sea-chest which filled one corner of the room, unlocked
it, lifted the cover. The sunlight glittered on the contents.

"My God, I can't," said Billy.

"I feel like a murderer," said Pete.

"You've got to," Frank said in a tone, growing more peremptory with each
word. "Now."

"That's right," said Ralph. "If we don't do it now, we'll never do it."

Frank handed each man a pair of shears.

"I sharpened them myself," he said briefly.

Heads over their shoulders, the girls watched.

Did intuition shout a warning to them? As with one accord, a long wail
arose from them, swelled to despairing volume, ascended to desperate

"Now!" Frank ordered.

They had thought the girls securely tied.

Clara fought like a leopardess, scratching and biting.

Lulu struggled like a caged eagle, hysteria mounting in her all the time
until the room was filled with her moans.

Peachy beat herself against the wall like a maniac. She shrieked without
cessation. One scream stopped suddenly in the middle--Ralph had struck
her on the forehead. For the rest of the shearing session she lay over a
chair, limp and silent.

Chiquita, curiously enough, resisted not at all. She only swayed and
shrugged, a look of a strange cunning in her long, deep, thick-lashed
eyes. But of them all, she was the only one who attempted to comfort;
she talked incessantly.

Julia did not move or speak. But at the first touch of the cold steel on
her bare shoulders, she fainted in Billy's arms.

An hour later the men emerged from the Clubhouse.

"I'm all in," Honey muttered. "And I don't care who knows it. I'm going
for a swim." Head down, he staggered away from the group and zigzagged
over the beach.

"I guess I'll go back to the camp for a smoke," Frank said. "I never
realized before that I had nerves." Frank was white, and he shook at
intervals. But some strange spirit, compounded equally of a sense of
victory and of defeat, flashed in his eyes.

"I'm going off for a tramp." Pete was sunken as well as ashen; he looked
dead. "Do you suppose they'll hurt themselves pulling against those
ropes?" he asked tonelessly.

"Let them struggle for a while," Ralph advised. Like the rest of them,
Ralph was exhausted-looking and pale. But at intervals he swaggered
and glowed. With his strange, new air of triumph and his white teeth
glittering through his dark mustache, he was more than ever like some
huge predatory cat. "Serves them right! They've taken it out of us for
three months."

Billy did not speak, but he swayed as he followed Frank. He fell on
his bed when they reached the camp. He lay there all night motionless,
staring at the ceiling.

There was a tiny spot of blood on one hand.



Dawn on Angel Island.

A gigantic rose bloomed at the horizon-line; half its satin petals lay
on the iron sea, half on the granite sky. The gold-green morning star
was fading slowly. From the island came a confusion of bird-calls.

Addington emerged from the Clubhouse. Without looking about him, he
staggered down the path to the Camp. The fire was still burning. The
other men lay beside it, moveless, asleep with their clothes on. They
waked as his footsteps drew near. Livid with fatigue, their eyelids
dropping in spite of their efforts, they jerked upright.

"How are they?" Billy asked.

"The turn has come," Ralph answered briefly. As he spoke he crumpled
slowly into a heap beside the fire. "They're going to live."

The others did not speak; they waited.

"Julia did it. She had dozed off. Suddenly in the middle of the night,
she sat upright. She was as white as marble but there was a light back
of her face. And with all that wonderful hair falling down--she looked
like an angel. She called to them one by one. And they answered her,
one by one. You never heard--it was like little birds answering the
mother-bird's call. At first their voices were faint and weak. But she
kept encouraging them until they sat up--God, it was--."

Ralph could not go on for a while.

"She gave them a long talk--she was so weak she had to keep
stopping--but she went right on--and they listened. Of course I couldn't
understand a word. But I knew what she said. In effect, it was: 'We
cannot die. We must all live. We cannot leave any one of us here alone.
Promise me that you will get well!' She pledged them to it. She made
them take an oath, one after the other. Oh, they were obedient enough.
They took it."

He stopped again.

"That talk made the greatest difference. After it was all over, I gave
them some water. They were different even then. They looked at me--and
they didn't shrink or shudder. When I handed Julia the cup, she made
herself smile. God, you never saw such a smile. I nearly--" he paused,
"I all but went back to the cabin and cut my throat. But the fight's
over. They'll get well. They're sleeping like children now."

"Thank God!" Merrill groaned. "Oh, thank God!"

"I've felt like a murderer ever since----" Billy said. He stopped and
his voice leaped with a sudden querulousness. "You didn't wake me up;
you've done double guard duty during the night, Ralph."

"Oh, that's all right. You were all in--I felt that--" Ralph stammered
in a shamefaced fashion. "And I knew I could stand it."

"There's a long sleep coming to you, Ralph," Pete said. "You've hardly
closed your eyes this week. No question but you've saved their lives."


Mid-morning on Angel Island.

The sun had mounted half-way to the zenith; sky and sea and land
glittered with its luster. Like war-horses, the waves came ramping over
the smooth, shimmering sand; war-horses with bodies of jade and manes of

Pete floated inshore on a huge comber, ran up the beach a little way and
sat down. Billy followed.

"I've come out just to get the picture," Pete explained.

"Same here," said Billy.

For an instant, both men contemplated the scene with the narrowed,
critical gaze of the artist.

The flying-girls were swimming; and swimming with the same grace and
strength with which formerly they flew. And as if inevitably they must
take on the quality of the element in which they mixed, they looked like
mermaids now, just as formerly they had looked like birds. They carried
heads and shoulders high out of the water. Webs of sea-spume glittered
on the shining hair and on the white flesh. One behind the other, they
swam in rhythmic unison. Regularly the long, round, strong-looking right
arms reached out of the water, bowed forward, clutched at the wave,
and pulled them on. Simultaneously, the left arms reached back, pushed
against the wave, and shot them forward. Their feet beat the water to a

They were headed down the beach, hugging the shore. Swim as hard as they
could, Honey and Frank managed but to keep up with them. Ralph overtook
them only in their brief resting-periods. Further inshore, carried
ceaselessly a little forward and then a little back, Julia floated;
floated with an unimaginable lightness and yet, somehow, conserved her
aspect of a creature cut in marble.

"I have never seen anything so beautiful in any art, ancient or modern,"
Billy concluded. "When those strange draperies that they affect get wet,
they look like the Elgin marbles."

"If we should take them to civilization," was Pete's answer, "the Elgin
marbles would become a joke."

Billy spoke after a long silence. "It's been an experience that--if I
were--oh, but what's the use? You can't describe it. The words haven't
been invented yet. I don't mean the fact that we've discovered members
of a lost species--the missing link between bird and man. I mean what's
happened since the capture. It's left marks on me. I'll bear them until
I die. If we abandoned this island--and them--and went back to the
world, I could never be the same person. If I woke up and found it was a
dream, I could never be the same person."

"I know," Pete said, "I know. I've changed, too. We all have. Old Frank
is a god. And Honey's grown so that--. Even Ralph's a different man.
Changed--God, I should say I had. It's not only given me a new hold
on things I thought I'd lost-morality, ethics, religion even--but
it's developed something I have no word for--the fourth dimension of
religion, faith."

"It's their weakness, I think, and their dependence." Now it was less
that Billy tried to translate Pete's thought and more that he endeavored
to follow his own. "It puts it up to a man so. And their beauty and
purity and innocence and simplicity--." Billy seemed to be ransacking
his vocabulary for abstract nouns.

"And that sense you have," Pete broke in eagerly, "of molding a virgin
mind. It gives you a feeling of responsibility that's fairly terrifying
at times. But there's something else mixed up with it--the instinct of
the artist. It's as though you were trying to paint a picture on human
flesh. You know that you're going to produce beauty." Pete's face shone
with the look of creative genius. "The production of beauty excuses any
method, to my way of thinking." He spoke half to himself. "God knows,"
he added after a pause, "whatever I've done and been, I could never do
or be again. Sometimes a man knows when he's reached the zenith of his
spiritual development. I've reached mine. I think they're beginning to
trust us," he added after another long interval, in which silently they
contemplated the moving composition. Pete's tone had come back to its
everyday accent.

"No question about it," Billy rejoined. "If I do say it as shouldn't,
I think my scheme was the right one--never to separate any one of
them from the others, never to seem to try to get them alone, and in
everything to be as gentle and kind and considerate as we could."

"That look is still in their eyes," Pete said. He turned away from Billy
and his face contracted. "It goes through me like a knife----. When
that's gone----."

"It will go inevitably, Pete," Billy reassured him cheerfully. Suddenly
his own voice lowered. "One queer thing I've noticed. I wonder if you're
affected that way. I always feel as if they still had wings. What I mean
is this. If I stand beside one of them with my eyes turned away I
always get an impression that they're still there, towering above my
head--ghosts of wings. Ever notice it?"

"Oh, Lord, yes!" Pete agreed. "Often. I hate it. But that will go, too.
Here they come."

The bathers had turned; they were swimming up the beach. They passed
Julia, who joined the procession, and turned toward the land. Stretched
in a long line, they rode in on a big wave. Billy and Pete leaped
forward. Assisted by the men, the girls tottered up the sand, gathered
into a little group, talking among themselves. Their wet draperies clung
to them in long, sweeping lines; but they dried with amazing quickness.
The sun grew hotter and hotter. Their transient flash of animation died
down; their conversation gradually stopped.

Chiquita settled herself flat on the sand, the sunlight pouring like a
silver liquid into the blue-black masses of her hair, her narrow brows,
her thick eyelashes. Presently she fell asleep. Clara leaned against
a low ledge of rock and spread her coppery mane across its surface. It
dried almost immediately; she divided it into plaits and coils and wove
it into an elaborate structure. Her fingers seemed to strike sparks from
it; it coruscated. Julia lay on her side, eyes downcast, tracing with
one finger curious tangled patterns in the sand. Her hair blew out and
covered her body as with a silken, honey-colored fabric; the lines of
her figure were lost in its abundance. Peachy sat drooped over, her hand
supporting her chin and her knees supporting her elbows, her eyes fixed
on the horizon-line. Her hair dried, too, but she did not touch it. It
flowed down her back and spread into a pool of gold on the sand. She
might have been a mermaid cast up by that sea on which she gazed with
such a tragic wistfulness--and forever cut off from it.

A little distance from the rest, Honey sat with Lulu. She was shaking
the brown masses of her hair vigorously and Honey was helping her.
He was evidently trying to teach her something because, over and over
again, his lips moved to form two words, and over and over again, her
red lips parted, mimicking them. Gradually, Lulu lost all interest
in her hair. She let it drop. It floated like a furry mantle over
her shoulders. Into her little brown, pointed face came a look of
overpowering seriousness, of tremendous concentration. Occasionally
Honey would stop to listen to her; but invariably her recital sent
him into peals of laughter. Lulu did not laugh; she grew more and more
serious, more and more concentrated.

The other men talked among themselves. Occasionally they addressed
a remark to their captives. The flying-girls replied in hesitating
flutters of speech, a little breathy yes or no whenever those
monosyllables would serve, an occasional broken phrase. Superficially
they seemed calm, placid even. But if one of the men moved suddenly, an
uncontrollable panic overspread their faces.

Honey arose after a long interval, strolled over to the main group.

"I think they're coming to the conclusion that we're regular fellows,"
he declared cheerfully. "Lulu doesn't jump or shriek any more when I run
toward her."

"Oh, it's coming along all right," Frank said.

"It's surprising how quickly and how correctly they're getting the

"I'm going to begin reading aloud to them next week," Pete announced.
"That'll be a picnic."

"It's been a long fight," Ralph said contentedly. "But we've won out.
We've got them going. I knew we would." His eyes went to Peachy's face,
but once there, their look of triumph melted to tenderness.

"What are we going to read them?" Honey asked idly. He did not really
listen to Pete's answer. His eyes, sparkling with amusement, had gone
back to Lulu, who still sat seriously practising her lesson. Red
lips, little white teeth, slender pink tongue seemed to get into an
inextricable tangle over the simple monosyllables.

"Leave that to me!" Pete was saying mysteriously. "I'll have them
reading and writing by the end of another two months."

"It's curious how long it's taken them to get over that terror of us,"
said Billy. "I cannot understand it."

"Oh, they'll explain why they've been so afraid," said Frank, "as soon
as they've got enough vocabulary. We cannot know, until they tell us
how many of their conventions we have broken, how brutal we may have

"And yet," Billy went on, "I should think they'd see that we wouldn't do
anything that wasn't for their own good. Well, just as soon as I can
put it over with them, I'm going to give them a long spiel on the
gentleman's code. I don't believe they'll ever be frightened of us
again. Hello!"

Lulu had tottered over to their group, supporting herself by the ledge
of rock. She pulled herself upright, balancing precariously. She put her
sharp little teeth close, parted her lips and produced:

"K-K-K-K-K-K-Kiss-S-S-S-S-S-S Me!"

The men burst into roars of laughter. Lulu looked from one face to the
other in perplexity. In perplexity, the other women looked from her to
them and at each other.

"Sounds like the Yale yell!" Pete commented.

"But what I can't understand," Billy said, reverting to his thesis, "is
that they don't realize instantly that we wouldn't hurt them for any
thing--that that's a thing a fellow couldn't do."


Twilight on Angel Island.

The stars were beginning to shoot tiny white, five-pointed flames
through the purple sky. The fireflies were beginning to cut long arcs of
gold in the sooty dusk. The waves were coming up the low-tide beach with
a long roar and retreating with a faint hiss. Afterwards floated on the
air the music of the shingle, hundreds of pebbles pattering with liquid
footsteps down the sand. Peals of laughter, the continuous bass roar of
the men, an occasional uncertain soprano lilting of the women, came from
the group. The girls were reciting their lessons.

"Three little girls from school are we, Pert as schoolgirls well can be,
Filled to the brim with girlish glee, Three little maids from school!"
intoned Lulu, Chiquita, and Clara together.

     "Mary, Mary, quite contrary,
     How does your garden grow?
     Silver bells and cockle shells,
     And pretty maids all in a row."

said Peachy.

"The hounds of spring are on winter's traces," began Julia. With no
effort of the memory, with a faultless enunciation, a natural feeling
for rhythm and apparently with comprehension, she, recited the Atalanta

"That's enough for lessons," Honey demanded.

"Wait a moment!"

He rushed into the bushes and busied himself among the fire-flies. The
other four men, divining his purpose, joined him. They came back with
handkerchiefs tied full of tiny, wriggling, fluttering green creatures.

In a few moments, the five women sat crowned with carcanets of living

"Now read us a story," Lulu begged.

Pete drew a little book from his pocket. Discolored and swollen, the
print was big and still black.

"'Once upon a time,'" he began, "'there was a little girl who lived with
her father and her stepmother--'"

"What's 'stepmother'?" Lulu asked.

Pete explained.

"The stepmother had two daughters, and all three of these women were
cruel and proud----'"

"What's 'cruel and proud'?" Chiquita asked.

Pete explained.

"'And so between the three the little girl had a very hard time. She
worked like a slave all day long, and was never allowed to go out of the
kitchen. The stepmother and the proud sisters, used to go to balls every
night, leaving the little girl alone. Because she was always so dusty
and grimy from working over the fire, they called her Cinderella.
Now, it happened that the country was ruled by a very handsome young

"What's 'handsome young prince'?" Clara asked.

Pete explained.

"'And all the ladies of the kingdom were in love with him.'"

"What's 'in love'?" Peachy asked.

Pete closed the book.

"Ah, that's a question," he said after an instant of meditation, "that
will admit of some answer. Say, you fellers, you'd better come into


Moonlight on Angel Island.

The sea lay like a carpet of silver stretched taut from the white line
of the waves to the black seam of the sky. The land lay like a crumpled
mass of silver velvet, heaped to tinselled brightness here, hollowed to
velvety shadow there. Over both arched the mammoth silver tent of the
sky. In the cleft in the rock on the southern reef sat Julia and Billy.
Under a tree at the north sat Peachy and Ralph. Scattered in shaded
places between sat the others. The night was quiet; but on the breeze
came murmurs sometimes in the man's voice, sometimes in the woman's.
Fragmentary they were, these murmurs, and inarticulate; but their
composite was ever the same.


Sunrise on Angel Island.

In and out among the trees, wound a procession following the northern
trail. First came Lulu, white-clad, serious, pale, walking with Honey.
The others, crowned with flowers and carrying garlands, followed,
serious and silent, the women clinging with both hands to the men, who
supported their snail-like, tottering progress with one arm about
their waists. On the point of the northern reef, a cabin made of round
beach-stones fronted the ocean. It fronted the rising sun now and a
world, all ocean and sky, over which lay a rose dawnlight. Still silent,
the procession paused and grouped about the house. Frank Merrill stepped
forward and placed himself in front of Honey and Lulu.

"We are gathered here this morning," Frank said in his deep academic
voice, "to marry this man to this woman and this woman to this man. If
there is any reason why you should not enter into the married state,
pause before it is too late." His voice came to a full stop. He waited.
"If not, I pronounce you man and wife."

Silently still, the others placed their garlands and wreaths at the feet
of the wedded pair. Turning, they walked slowly back over the trail.


Midnight on Angel Island.

Julia sat alone on the stone bench at the door of the Honeymoon House.
She gazed straight ahead out on a star-lighted sea, which joined a
star-lighted sky and stretched in pulsating star-gleams to the end of
space. She gazed straight out, but apparently she saw nothing. Her eyes
were abstracted and her brow furrowed. Her shoulders drooped.

A man came bounding up the path.

"Has Ralph been here?" he asked curtly. Billy's face was fiery. His eyes

"He's been here," Julia answered immediately. "He's gone!"

"By God, I'll kill him!" Billy turned white.

Julia's brow smoothed. She smiled a little. "No, you will not kill him,"
she said with her old serene air. "You will not have to kill him. He
will never come again."

"Did he try to make love to you?"


"How did he justify himself?"

"He appealed to me to save him. I did not quite understand from what. He
said I could make a better man of him." Julia laughed a little.

"How did you know he was here?"

"I stopped at their cabin. He was not there. Peachy did not know where
he was. Of course, I guessed at once. I came here immediately."

"Did Peachy seem troubled?"

"No. She doesn't care. Pete was there, examining her drawings. They're
half in love with each other. And then again, Pete doesn't know, or
if he does know, he doesn't care, that Clara is doing her damnedest to
start a flirtation with Honey. And Lulu has walked about like a woman
in a dream for weeks. What are we all coming to? There's nothing but
flirting here!"

"It must be so," Julia said, "as long as men and women are idle."

"But how can we be anything but idle? There's nothing to do on this

"I don't know," said Julia slowly; "I don't know."

"Julia," Billy said in a pleading voice, "marry me!"

A strange expression came into Julia's eyes. Part of it was irresolution
and part of it was terror. But a poignant wistful tenderness fused both
these emotions, shot them with light.

"Not yet," she said in a terrified voice. "Not yet!"


"I don't know--why. Only that I cannot."

"Then, when will you marry me? Julia, I see all the others together and
it----. You don't know what it does to me."

"Yes, I know! It kills me too."

"Then why wait?"

"Because----." The poignant look went for an instant from Julia's eyes.
A strange brooding came in its place. "Because a little voice inside
says, 'Wait!'"

"Julia, do you love me?"

Julia did not answer. She only looked at him.

"You are sure there is nobody else?"

"I am sure. There could never be anybody else--after that first night
when I waked you from sleep."

"It is forever, then?"


Billy sighed. "I'll wait, then--until eternity shrivels up."

They sat for a long time, silent.

"Here comes somebody," Billy said suddenly. "It's one of the girls," he
added after a moment of listening. "I'll leave you, I guess."

He melted into the darkness.

A woman appeared, dragging herself along by means of the rail. It was
Lulu, a strange Lulu, a Lulu pallid and silent, but a Lulu shining-eyed.
She pulled herself over to Julia's side. "Julia!" "Julia! Oh, Julia!"

Lulu's voice was not voice. It was not speech. Liquid sound flowed from
her lips, crystallizing at the touch of the air, to words. "Julia, I
came to you first, after Honey. I wanted you to know."

"Oh, Lulu," Julia said, "not----."

Her eyes reflected the stars in Lulu's eyes. And there they stood, their
two faces throwing gleam for gleam.

"Yes," said Lulu. Suddenly she knelt sobbing on the floor, her face in
Julia's lap.


Mid-afternoon on Angel Island.

Four women sat in the Honeymoon House, sewing. Outside the world still
lay in sunshine, the land cut by the beginning of shadow, the sea
streaked with purple and green.

"Why didn't you bring the children?" Julia, asked.

Lulu answered. "Honey and Frank were going in swimming this morning,
and they said they'd take care of them. I'm glad to get Honey-Boy off my
hands for an afternoon."

"And why hasn't Peachy come?" Julia asked. "I stopped as I went by," Lulu
explained. "Oh, Julia, I wish you didn't live way off here--it takes
us an hour of crawling to pull ourselves along the path. Angela hadn't
waked up yet. It was a longer nap than usual. Peachy said she'd come
just as soon as she opened her eyes. I went in to look at her. Oh, she's
such a darling, smiling in her sleep. Oh, I do hope I have a girl-baby

"I do, too," said Clara. "Peterkin's fun, of course. But I can't do the
things for a boy that I could for a girl."

"I'd rather have boys," Chiquita said; "they're less trouble."

"Would you rather have boys or girls, Julia?" Lulu asked.

"Girls!" said Julia decisively. "A big family of girls."

"Then," Lulu began, and a question trembled in her bright eyes and on
her curved lips.

But, "Here's Peachy!" Julia exclaimed before she could go on.

Peachy came toiling up the path, pulling herself along, both hands on
the wooden rail. She tottered, but in spite of her snail-like progress,
it was evident that she hurried. A tiny bundle hung between her
shoulders. It oscillated gently with her haste.

"Let me take Angela," Julia said as Peachy struggled over the threshold.

"Wait!" Peachy panted. She sank on a couch.

There was a strange element in her look, an overpowering eagerness. This
eagerness had brimmed over into her manner; it vibrated in her trembling
voice, her fluttering hands. She sat down. She reached up and lifted the
baby from her shoulders to her lap. Angela still slept, a delicate
bud of a girl-being. But Peachy gave her audience no time to study the
sleeping face. She turned the baby over. She pulled the single light
garment off. Then she looked up at the other women.

The little naked figure lay in the golden sunlight, translucent, like an
angel carved in alabaster. But on the shoulder-blades lay shadow, deep
shadow--no, not shadow, a fluff of feathery down.

"Wings!" Peachy said. "My little girl is going to fly!"

"Wings!" the others repeated. "Wings!"

And then the room seemed to fill with tears that ended in laughter, and
laughter that ended in tears.


"They won't be home until very late tonight," announced Lulu. "The work
they're doing now is hard and irritating and fussy. Honey says that they
want to get through with it as soon as possible. He said they'd keep at
it as long as the light lasted."

"It seems as if their working days grew longer all the time," Clara said
petulantly. "They start off earlier and earlier in the morning and they
stay later and later at night. And did you know that they are planning
soon to stay a week at the New Camp--they say the walk back is so
fatiguing after a long day's work."

The others nodded.

"And then the instant they've had their dinner," Lulu continued, "off
they go to that tiresome Clubhouse--for tennis and ball and bocci. It
seems, somehow, as if I never had a chance to talk with Honey nowadays.
I should think they'd get enough of each other, working side by side
all day long, the way they do. But no! The moment they've eaten and had
their smoke, they must get together again. Why is it, I wonder? I should
think they would have said all they had to say in the daytime."

"Pete is worse than any of them," Clara went on. "After he comes back
from the Clubhouse, he wants to sit up and write for an hour or two. Oh,
I get fairly desperate sometimes, sitting there listening to the eternal
scratching of his pen. I cannot understand his point of view, to save
my life. If I talk, it irritates him. My very breathing annoys him; he
cannot have me in the same room with him. But if I leave the cabin, he
can't write a word. He wants me near, always. He says it's the knowing
I'm there that makes him feel like writing. And then Sundays, if he
isn't writing, he's painting. I don't mind his not being there in the
daytime in a way because, of course, there's always Peterkin. But at
night, when I've put Peterkin to bed I do want something different to
happen. As it is, I have to make a scene to get up any excitement. I do
it, too, without compunction. When it gets to the point that I know I
must scream or go crazy, I scream. And I do a good job in screaming,

"What would you like him to do, Clara?" Julia asked.

The petulant frown between Clara's eyebrows deepened. "I don't know,"
she said wearily. "I don't know what it is that I want to do; but I want
to do something. Peterkin is asleep and perfectly safe--and I feel like
going somewhere. Now, if I could fly, it would rest me so, to go for
a long, long journey through the air." As she concluded, some new
expression, some strange hardness of her maturity, melted; her face was
for an instant the face of the old Clara.

Julia made no comment.

It was Chiquita who took it up.

"My husband talks enough. In fact, he talks all the time. But if I tire
of his voice, I let myself fall asleep. He never notices. That is why
I've grown so big. Sometimes"--discontent dulled for an instant the
slow fire of her slumberous eyes--"sometimes my life seems one long
sleep. If it weren't for junior, I'd feel as if I weren't quite alive."

"Ralph talks a great deal," Peachy said listlessly, "by fits and starts,
and he takes me out when he comes home, if he happens to feel like
walking himself. He says, though, that it exhausts him having to help
me along. But it isn't that I want particularly. Often I want to go
out alone. I want to soar. The earth has never satisfied me. I want to
explore the heights. I want to explore them alone, and I want to explore
them when the mood seizes me. And I want to feel when I come back that
I can talk about it or keep silent as he does. But I must make my
discoveries and explorations in my own way. Ralph sometimes gives me
long talks about astronomy--he seems to think that studying about the
stars will quiet me. One little flight straight up would mean more to
me than all that talk. Ralph does not understand it in me, and I cannot
explain it to him. And yet he feels exactly that way himself--he's
always going off by himself through unexplored trails on the island. But
he cannot comprehend how I, being a woman, should have the same desire.
Do you remember when our wings first began to grow strong and our people
kept us confined, how we beat our wings against the wall--beat and beat
and beat? At times now, I feel exactly like that. Why, sometimes I envy
little Angela her wings."

The five women reclined on long, low rustic couches in the big, cleared
half-oval that was the Playground for their children. It began--this
half-oval--in high land among the trees and spread down over a beach to
the waters of a tiny cove. Between the high tapering boles of the pines
at their back the sky dropped a curtain of purple. Between the long
ledges of tawny rock in front the sea stretched a carpet of turquoise.
And between pines and sea lay first a rusty mat of pine-needles, then a
ribbon of purple stones, then a band of glittering sand. In the air the
resinous smell of the pines competed with the salty tang of the ocean.
High up, silver-winged gulls curved and dipped and called their creaking

At the water's edge four children were playing. Honey-Boy had waded out
waist-deep. A sturdy, dark, strong-bodied, tiny replica of his father,
he stood in an exact reproduction of one of Honey's poses, his arms
folded over his little pouter-pigeon chest, lips pursed, brows frowning,
dimples inhibited, gazing into the water. Just beyond, one foot on the
bottom, Peterkin pretended to swim. Peterkin had an unearthly beauty
that was half Clara's coloring--combination of tawny hair with
gray-green eyes--and half Pete's expression--the look, doubly strange,
of the Celt and the genius. Slender and beautifully formed, graceful, he
was in every possible way a contrast to virile little Billy-Boy; he was
even elegant; he had the look of a story-book prince. Far up the beach,
cuddled in a warm puddle, naked, sat a fat, redheaded baby, Frank
Merrill, junior. He watched the others intently for a while. Then
breaking into a grin which nearly bisected the face under the fiery
thatch, he began an imitative paddle with his pudgy hands and feet.

Flitting hither and yon, hovering one moment at the water's edge and
another at Junior's side, moving with a capricious will-o'-the-wisp
motion that dominated the whole picture, flew Angela.

Beautiful as the other children were, they sank to commonplaces in
contrast with Angela.

For Angela was a being of faery. Her single loose garment, serrated at
the edges, knee-length, and armless, left slits at the back for a pair
of wings to emerge. Tiny these wings were, and yet they were perfect
in form; they soared above her head, soft, fine, shining, delicate as
milkweed-down and of a white that was beginning, near the shoulders,
to deepen to a pale rose. Angela's little body was as slender as a
flower-stem. Her limbs showed but the faintest of curves, her skin but
the faintest of tints. Almost transparent in the sunlight, she had
in the shadow the coloring of the opal, pale rose-pinks and pale
violet-blues. Her hair floated free to her shoulders; and that, more
than any other detail, seemed to accent the quality of faery in her
personality. In calm it clung to her head like a pale-gold mist; in
breeze it floated away like a pale-gold nimbus. It seemed as though a
shake of her head would send it drifting off--a huge thistle-down
of gold. Her eyes reflected the tint of whatever blue they gazed on,
whether it was the frank azure of the sky or the mysterious turquoise of
the sea. And yet their look was strangely intent. When she passed
from shadow to sunshine, the light seemed to dissolve her hair and
wing-edges, as though it were gradually taking her to itself.

"Oh, yes, Peachy," Lulu said, "Angela's wings must be a comfort to you.
You must live it all over again in her."

"I do!" answered Peachy. "I do." There was tremendous conviction in her
voice, as though she were defending herself from some silent accusation.
"But it isn't the same. It isn't. It can't be. Besides, I want to fly
with her."

The ripples in the cove grew to little waves, to big waves, to combers.
The women talked and the children played. Honey-Boy and Peterkin waded
out to their shoulders, dipped, and pretended to swim back. Angela flew
out to meet a wave bigger than the others, balanced on its crest. Wings
outspread, she fluttered back, descended when the crash came in a shower
of rainbow drops. She dipped and rose, her feathers dripping molten
silver, flew on to the advancing crest.

"Oh," Lulu sighed, "I do want a little girl. I threatened if this one
was a boy to drown it." "This one" proved to be a bundle lying on the
pine-needles at her side. The bundle stirred and emitted a querulous
protest. She picked it up and it proved to be a baby, just such another
sturdy little dark creature as Honey-Boy must have been. "Your mother
wouldn't exchange you for a million girls now," Lulu addressed him
fondly. "I pray every night, though, that the next one will be a girl."

"I want a girl, too," Clara remarked. "Well, we'll see next spring."
Clara had not been happy at the prospect of her first maternity, but she
was jubilant over her second.

"It will be nice for Angela, too," Peachy said, "to have some little girl
to play with. Come, baby!" she called in a sudden access of tenderness.

Angela flew down from the tip of a billow, came fluttering and flying up
the beach. Once or twice, for no apparent reason, her wings fell dead,
sagged for a few moments; then her little pink, shell-like feet would
pad helplessly on the sand. Twice she dropped her pinions deliberately;
once to climb over a big root, once to mount a boulder that lay in her
path. "Don't walk, Angela!" Peachy called sharply at these times. "Fly!
Fly!" And obediently, Angela stopped, waited until the strength flowed
into her wings, started again. She reached the group of mothers, not by
direct flight, but a complicated method of curving, arching, dipping,
and circling. Peachy arose, balanced herself, caught her little daughter
in midair, kissed her. The women handed her from one to the other,
petting and caressing her.

Julia received her last. She sat with Angela in the curve of her arm,
one hand caressing the drooped wings. It was like holding a little wild
bird. With every breeze, Angela's wings opened. And always, hands, feet,
hair, feathers fluttered with some temperamental unrest.

The boys tiring of the waves, came scrambling in their direction.
Half-way up the beach, they too came upon the boulder in the path. It
was too high and smooth for them to climb, but they immediately
set themselves to do it. Peterkin pulled himself half-way up, only
immediately to fall back. Junior stood for an instant imitatively
reaching up with his baby hands, then abandoning the attempt waddled off
after a big butterfly. Honey-Boy slipped and slid to the ground, but he
was up in an instant and at it again.

Angela fluttered with baby-violence. Julia opened her arms. The child
leaped from her lap, started half-running, half-flying, caught a seaward
going breeze, sailed to the top of the boulder. She balanced herself
there, gazing triumphantly down on Billy-Boy who, flat on his stomach,
red in the face, his black eyes bulging out of his head, still pulled
and tugged and strained.

"Honey-Boy's tried to climb that rock every day for three months," Lulu
boasted proudly. "He'll do it some day. I never saw such persistence. If
he gets a thing into his head, I can't do anything with him."

"Angela starts to climb it occasionally," Peachy said. "But, of course,
I always stop her. I'm afraid she'll hurt her feet."

Above the rock stretched the bough of a big pine. As she contemplated
it, a look of wonder grew in Angela's eyes, of question, of uncertainty.
Suddenly it became resolution. She spread her wings, bounded into the
air, fluttered upwards, and alighted squarely on the bough.

"Oh, Angela!" Peachy called anxiously. Then, joyously, "Look at my baby.
She'll be flying as high as we did in a few years. Oh, how I love to
think of that!"

She laughed in glee--and the others laughed with her. They continued
to watch Angela's antics, their faces growing more and more gay. Julia
alone did not smile; but she watched the exhibition none the less

Three years had brought some changes to the women of Angel Island;
and for the most part they were devastating changes. They were still
wingless. They wore long trailing garments that concealed their feet.
These garments differed in color and decoration, but they were alike in
one detail-floating, wing-like draperies hung from the shoulders.

Chiquita had grown so large as to be almost unwieldy. But her tropical
coloring retained its vividness, retained its breath-taking quality of
picturesqueness, retained its alluring languor. She sat now holding a
huge fan. Indeed, since the day that Honey had piled the fans on the
beach, Chiquita had never been without one in her hand. Scarlet, the
scarlet of her lost pinions, seemed to be her color. Her gown was

Lulu had not grown big, but she had grown round. That look of the
primitive woman which had made her strange, had softened and sobered.
Her beaute troublante had gone. Her face was, the face of a happy woman.
The maternal look in her eyes was duplicated by the married look in her
figure. She was always busy. Even now, though she chattered, she sewed;
her little fingers fluttered like the wings of an imprisoned bird.
Indeed, she looked like a little sober mother-bird in her gray and
brown draperies. She was the best housewife among them. Honey lacked no
creature comfort.

Clara also had filled out; in figure, she had improved; her elfin
thinness had become slimness, delicately curved and subtly contoured.
Also her coloring had deepened; she was like a woman cast in gold.
But her expression was not pleasant. Her light, gray-green eyes had a
petulant look; her thin, red lips a petulant droop. She was restless;
something about her moved always. Either her long slender fingers
adjusted her hair or her long slender feet beat a tattoo. And ever her
figure shifted from one fluid pose to another. She wore jewels in her
elaborately arranged hair, jewels about her neck, on her wrists, on
her fingers. Her green draperies were embroidered in beads. She was, in
fact, always dressed, costumed is perhaps the most appropriate word.
She dressed Peterkin picturesquely too; she was always, studying the
illustrations in their few books for ideas. Clara was one of those women
at whom instinctively other women gaze--and gaze always with a question
in their eyes.

Peachy was at the height of her blonde bloom; all pearl and gold, all
rose and aquamarine. But something had gone out of her face--brilliance.
And something had come into it--pathos. The look of a mischievous boy
had turned to a wild gipsy look of strangeness, a look of longing mixed
with melancholy. In some respects there was more history written on her
than on any of the others. But it was tragic history. At Angela's birth
Peachy had gone insane. There had come times when for hours she shrieked
or whispered, "My wings! My wings! My wings!" The devoted care of the
other four women had saved her; she was absolutely normal now. Her
figure still carried its suggestion of a potential, young-boy-like
strength, but maternity had given a droop, exquisitely feminine, to the
shoulders. She always wore blue--something that floated and shimmered
with every move.

Julia had changed little; for in her case, neither marriage nor
maternity had laid its transmogrifying, touch upon her. Her deep
blue-gray eyes--of which the brown-gold lashes seemed like reeds
shadowing lonely lakes--had turned as strange as Peachy's; but it was
a different strangeness. Her mouth--that double sculpturesque ripple of
which the upper lip protruded an infinitesimal fraction beyond the lower
one--drooped like Clara's; but it drooped with a different expression.
She had the air of one who looks ever into the distance and broods on
what she sees there. Perhaps because of this, her voice had deepened
to a thrilling intensity. Her hair was pulled straight back to her neck
from the perfect oval of her face. It hung in a single, honey-colored
braid, and it hung to the very ground. She always wore white.

"Do you remember"--Chiquita began presently. Her lazy purring voice grew
soft with tenderness. The dreamy, unthinking Chiquita of four years
back seemed suddenly to peer through the unwieldy Chiquita of the
present--"how we used to fly--and fly--and fly--just for the love of
flying? Do you remember the long, bright day-flyings and the long, dark

"And sometimes how we used to drop like stones until we almost touched
the water," Lulu said, a sparkle in her cooing, friendly little voice.
"And the races! Oh, what fun! I can feel the rush of the air now."

"Over the water." Peachy flung her long, slim arms upward and a
delicious smile sent the tragedy scurrying from her sunlit face. "Do you
remember how wonderful it was at sunset? The sky heaving over us, shot
with gold and touched with crimson. The sea pulsing under us lined with
crimson and splashed with gold. And then the sunset ahead--that gold and
crimson hole in the sky. We used to think we could fly through it some
day and come out on another world. And sometimes we could not tell where
sea and sky joined. How we flew--on and on--farther each time--on and
on--and on. The risks we took! Sometimes I used to wonder if we'd ever
have the strength to get home. Yet I hated to turn back. I hated to turn
away from the light. I never could fly towards the east at sunset, nor
towards the west at sunrise. It hurt! I used to think, when my time came
to die, that I would fly out to sea--on and on till I dropped."

"I loved it most at noon," Chiquita said, "when the air was soft. It
smelled sweet; a mixture of earth and sea. I used to drift and float on
great seas of heat until I almost slept. That was wonderful; it was like
swimming in a perfumed air or flying in a fragrant sea."

"Oh, but the storms, Julia!" Lulu exclaimed. A wild look flared in her
face, wiped oft entirely its superficial look of domesticity. "Do you
remember the heavy, night-black cloud, the thunder that crashed through
our very bodies, the lightning that nearly blinded us, and the rain that
beat us almost to pieces?"

"Oh, Lulu!" Julia said; "I had forgotten that. You were wonderful in a
storm, How you used to shout and sing and leap through the air like a
wild thing! I used to love to watch you, and yet I was always afraid
that you would hurt yourself."

"I loved the moonlight most. I do now." The petulance went out of
Clara's eyes; dreams came into its place. "The cool softness of the air,
the brilliant sparkle of the stars! And then the magic of the moonlight!
Young child-moon, half-grown girl-moon, voluptuous woman-moon, sallow,
old-hag-moon, it was alike to me. Pete says I'm 'fey' in the moonlight.
He, says I'm Irish then."

"I loved the sunrise," said Julia. "I used to steal out, when you girls
were still sleeping, to fly by dawn. I'd go up, up, up. At first, it was
like a huge dewdrop--that morning world--then, colder and colder--it
was like a melted iceberg. But I never minded that cold and I loved the
clearness. It exhilarated me. I used to run races with the birds. I was
not happy until I had beaten the highest-flying of them all. Oh, it was
so fresh and clean then. The world seemed new-made every morning. I used
to feel that I'd caught the moment when yesterday became to-day.
Then I'd sink back through layer on layer of sunlight and warm,
perfume-laden, dew-damp breeze, down, down until I fell into my bed
again. And all the time the world grew warmer and warmer. And I loved
almost as well that instant of twilight when the world begins to fade.
I used to feel that I'd caught the moment when to-day had become
to-morrow. I'd fly as high as I could go then, too. Then I'd sink back
through layer on layer of deepening dusk, while one by one the stars
would flash out at me--down, down, down until my feet touched the water.
And all the time the air grew cooler and cooler."

"My wings! My wings!" Peachy did not shriek these words with maniacal
despair. She did not whisper them with dreary resignation. She breathed
them with the rapture of one who looks through a narrow, dark tunnel to
measureless reaches of sun-tinted cloud and sea.

"Do you remember the first time we ever saw them?" Lulu asked after
a long time. This was obviously a deliberate harking back to lighter
things. A gleam of reminiscence, both mischievous and tender, fired her
slanting eyes.

The others smiled, too. Even Peachy's face relaxed from the look of
tension that had come into it. "I often think that was the happiest
time," she sighed, "those weeks before they knew we were here. At least,
they knew and they didn't know. Ralph said that they all suspected that
something curious was going on--but that they were so afraid that the
others would joke about it, that no one of them would mention what was
happening to him. Do you remember what fun it was coming to the camp
when they were asleep? Do you remember how we used to study their faces
to find out what kind of people they were?"

"And do you remember"--Chiquita rippled a low laugh--"how we would
leap into the air if they stirred or spoke in their sleep? Once, Honey
started to wake up--and we were off over the water before he could get
his eyes open."

"Oh, but Honey told me that he heard us laugh that time," Lulu
explained. "He told the men the next day and, oh, how they joked him."

"And then," Chiquita went on, "once Billy actually did wake up. You were
bending over him, Julia. I remember we all kept as still as the dead.
And you--oh, Julia, you were wonderful--you did not even breathe. He
seemed to fade back into sleep again."

"He says now that I hypnotized him," Julia explained.

"Do you remember," Clara took it up, "that we even considered kidnapping
one of them? If we'd known what to do with him, I think we might have
tried it."

"Yes," said Chiquita. "But I think it was just as well we didn't. We
wouldn't have carried it off well. There's something about them that's
terrifying. Do you remember that time we saved Honey from the shark,
how we trembled all the time we carried him through the air. He knew it,
too--I noticed how triumphantly he smiled."

"Honey told me once"--Lulu lowered her voice--"that it was the fact that
we trembled--that we seemed so much women, in spite of being creatures
of the air--that made him determine to capture us."

"Well, there's something about them that weakens you," Chiquita said in
a puzzled tone. "It's like a spell. At first I always felt quivery and
trembly if I stood near them."

"It's power," Julia explained.

"I used even to be afraid of their voices," Chiquita went on.

"Oh, so was I," Lulu agreed. "I felt as I did when I heard thunder for
the first time. It went through me. It made me shake. I was afraid, but
I wanted to hear it again."

"Do you remember the first time we saw them walk!" Clara said. Her face
twisted with the expression of a past loathing. "How it disgusted us! It
seemed to me the most hideous motion I had ever seen--so unnatural, so
ungraceful, so repellent. It took me a long time to get used to that.
And as for their running--"

"It's curious how that feeling still lingers in us," exclaimed Peachy.
"That contempt for the thing that walks. Occasionally Angela starts to
imitate the boys--it seems as if I would fly out of my skin with horror.
I shall always feel superior to Ralph, I know."

"Do you remember the first talks we ever had after we'd got our first
glimpse of them?" asked Clara. "How astonished we were--and half
frightened and yet--in a queer way--excited and curious?

"And after we got over our fright," Lulu carried the memories along,
"and had made up our minds we didn't care whether they discovered us or
not, what fun we had with them! How we played over the entire island and
yet it took them such a long time to discover us."

"Oh, they're awfully stupid about seeing or guessing things," Peachy
said disdainfully. "My mind always leaps way ahead of Ralph's."

"Do you remember that at first we used to have regular councils," Lulu
asked, "before--before----"

"Before we agreed each to go her own way," Peachy finished it for her.

"All of us pitted against you, Julia." Chiquita sighed. "I often think
now, Julia, how you used to talk to us. How you used to beg us not to go
to the island. How you argued with us! The prophecies you made! They've
all come true. I can hear you now: 'Don't go to the island.' 'Come away
with me and we will fly back south before it is too late.' 'Come away
while you can!' 'In a little while it will be too late.' In a little
while I shall not be able to help you!"

"And how we fought you, Julia!" Clara said. "How we denied everything
you said, every one of us knowing in her heart that you were right!"

"But," Julia said, "later, I told you that I might not be able to help
myself, and you see I wasn't."

"Did they ever guess that we had quarrelled, I wonder?" Clara asked.

"Yes," Lulu answered eagerly. Honey guessed it. "Now, wasn't that clever
of him?"

"Not so very," Clara replied languidly. "I guessed that they had
quarrelled. And I had a strong suspicion," she added consciously, "that
it was about us."

"I wonder," Peachy said somberly, "what would have happened if we had
taken Julia's advice."

"Are you sorry, Peachy?" Julia asked.

"No, I'm not sorry exactly," Peachy answered slowly. "I have Angela, of
course. Are you sorry, Julia?"

"No," replied Julia.

"Julia," Peachy said, "what was it changed you? I have always wanted to
ask but I have never dared. What brought you to the island finally? What
made you give up the fight with us?"

The far-away look in Julia's eyes grew, if possible, more far-away. She
did not speak for a while. Then, "I'll tell you," she said simply. "It
is something that I have never told anybody but Billy. When you first
began to leave me to come to this island alone, I was very unhappy. And
I grew more and more unhappy. I missed flying with you. And especially
flying by night. Flying alone seemed melancholy. I came here at first,
only because I was driven by my loneliness. I said to myself that I'd
drift with the current. But that did not help any. You were all so
interested in your lovers that it made no difference whether I was with
you or not. I began to think that you no longer cared for me, that you
had out-grown me, that all my influence over you had vanished, that, if
I were out of the way, the one tie which held you to me would break and
you would go to these men. I grew more and more unhappy every instant.
That was not all. I was in love with Billy, but I did not know it. I
only knew that I was moody and strange and in desperate despair. And,
so, one day I decided to kill myself."

There was a faint movement in the group, but it was only the swish
of draperies as the four recumbent women came upright. They stared at
Julia. They did not speak. They seemed scarcely to breathe.

"One day, I flew up and up. Never before had I gone half so high. But I
flew deliberately higher and higher until I became cold and colder and
numb and frozen--until my wings stopped. And then--" She paused.

"What happened?" Clara asked breathlessly.

"I dropped. I dropped like a stone. But--but--the instant I let myself
go, something strange happened--a miracle of self-revelation. I knew
that I loved Billy, that I could not live in any world where he could
not come to me. And the instant that I realized that I loved him, I knew
also that I could not die. I tried to spread my wings but they would not
open. It was terrific. And that sense of despair, that my wings which
had always responded--would not--now--oh, that was hell. How I fought!
How I struggled! It was as though iron bands were about me. I strained.
I tore. Of course, all this was only a moment. But one thinks a million
things in a moment like that--one lives a thousand years. It seemed an
eternity. At last my wings opened and spread. They held. I floated until
I caught my breath. Then I dropped slowly. I threw myself over the bough
of a tree. I lay there."

There was an interval of intense silence.

"Did you faint?" Peachy asked in an awed voice.

"I wept."

"You wept, Julia?" Peachy said. "You!"

"I had not wept since my childhood. It was strange. It frightened me
almost as much as the fall. Oh, how fast the tears came--and in such
floods! Something melted and went away from me then. A softness came
over me. It was like a spell. I have never been the same creature since.
I cry easily now."

"Did you tell Billy?" Clara asked.

"He saw me," Julia answered.

"He saw--." It came from her four listeners as from one woman.

"That's what changed him. That's what determined him to help capture
us. He said that he was afraid I would try it again. I wouldn't have,

Nobody spoke for a long time.

"Julia! It was Chiquita who broke the silence this time. There is
something I, too, have always wanted to ask you. But I have never dared
before. What was it tempted you to go into the Clubhouse that day? At
first you tried to keep us from going in. You never seemed to care for
any of the things they gave us. You threw away the fans and the slippers
and the scarfs. And you smashed your mirror."

"Billy asked me this same question once," Julia answered. "It was that
big diamond--the Wilmington 'Blue.' I caught a glimpse of it through the
doorway as it lay all by itself on the table, flashing in the sunlight.
I had never before in my life seen any thing that I really wanted. But
this was so exquisite, so chiseled, so tiny, so perfect, There was
so much fire and color in it. It seemed like a living creature. I was
enchanted by it. When I told Billy, he laughed. He said that the
lust for diamonds was a recognized earth-disease among earth-people,
especially earth-women. He said that many women had been ruined by it.
He said that it was a common saying among men that you could catch any
woman in a trap baited with diamonds. I have never got over the sting
of that. I blush always when I think of it. Because--although I don't
exactly understand why--it was not quite true in my case. That is a
thing which always bothers me in conversation with the men. They talk
about us as if they knew all about us. You'd think they'd invented us.
Not that we're not simple enough. We're perfectly simple, but they've
never bothered to study us. They say so many things about us, for
instance, that are only half true--and yet I don't know exactly how to
confute them. None of us would presume to say such things about them.
I'm glad," she ended with a sudden fierceness, "that I threw the diamond

"Julia," and now it was Lulu who questioned, "why do you not marry
Billy when you love him so?" The seriousness of her tone, the warmth
of affection in her little brown face robbed this question of any
appearance of impertinence.

"Lulu," Julia answered simply, "I don't know why. Only that something
inside has always said, 'Wait!'"

"Well, you did well," Peachy said bitterly, "for, at least, Billy
loves you just as much as at first. I don't see him racing over to the
Clubhouse the moment his dinner is eaten. I don't see him spending his
Sundays in long exploring tramps. I don't see him making plans to go off
into the interior for a week at a time."

"But he would be just like all the others, Julia," Clara exclaimed
carefully, "if you'd married him. Keep out of it as long as you can!"

"Don't ever marry him, Julia," Chiquita warned. "Keep your life a
perpetual wooing."

"Marry him to-morrow, Julia," Lulu advised. "Oh, I cannot think what my
life would have been without Honey-Boy and Honey-Bunch."

"I shall marry Billy sometime," Julia said. "But I don't know when. When
that little inner voice stops saying, 'Wait!'"

"I wonder," Peachy questioned again, "what would have happened if--"

"It would have come out just the same way. Depend on that!" Chiquita
said philosophically. "It was our fate--the Great Doom that our people
used to talk of. And, after all, it's our own fault. Come to this island
we would and come we did! And this is the end of it--we--we sit moveless
from sun-up to sun-down, we who have soared into the clouds. But there
is a humorous element in it. And if I didn't weep, I could laugh myself
mad over it. We sit here helpless and watch these creatures who walk
desert us daily--desert us--creatures who flew--leave us here helpless
and alone."

"But in the beginning," Lulu interposed anxiously, "they did try to take
us with them. But it tired them so to carry us--for or that's--what in
effect they do."

"And there was one time just after we were married when it was all
wonderful," said Peachy. "I did not even miss the flying, for it seemed
to me that Ralph made up for the loss of my wings by his love and
service. Then, they began to build the New Camp and gradually everything
changed. You see, they love their work more than they do us. Or at least
it seems to interest them more."

"Why not?" Julia interpolated quietly. "We're the same all the time. We
don't change and grow. Their work does change and grow. It presents
new aspects every day, new questions and problems and difficulties, new
answers and solutions and adjustments. It makes them think all the time.
They love to think." She added this as one who announces a discovery,
long pondered over. "They enjoy thinking."

"Yes," Lulu agreed wonderingly, "that's true, isn't it? That never
occurred to me. They really do like thinking. How curious! I hate to

"I never think," Chiquita announced.

"I won't think," Peachy exclaimed passionately. "I feel. That's the way
to live."

"I don't have to think," Clara declared proudly. "I've something better
than thought-instinct and intuition."

Julia was silent.

"Julia is like them," Lulu said, studying Julia's absent face tenderly.
"She likes to think. It doesn't hurt, or bother, or irritate, or
tire--or make her look old. It's as easy for her as breathing. That's
why the men like to talk to her."

"Well," Clara remarked triumphantly, "I don't have to think in order to
have the men about me. I'm very glad of that."

This was true. The second year of their stay in Angel Island, the
other four women had rebuked Clara for this tendency to keep men about
her--without thinking.

"It is not necessary for us to think," said Peachy with a sudden,
spirited lift of her head from her shoulders. The movement brought back
some of her old-time vivacity and luster. Her thick, brilliant, springy
hair seemed to rise a little from her forehead. And under her draperies
that which remained of what had once been wings stirred faintly. "They
must think just as they must walk because they are earth-creatures. They
cannot exist without infinite care and labor. We don't have to think any
more than we have to walk; for we are air-creatures. And air-creatures
only fly and feel. We are superior to them."

"Peachy," Julia said again. Her voice thrilled as though some thought,
long held quiescent within her, had burst its way to expression. It rang
like a bugle. It vibrated like a violin-string. "That is the mistake
we've made all our lives; a mistake that has held us here tied to this
camp for or four our years; the idea that we are superior in some way,
more strong, more beautiful, more good than they. But think a moment!
Are we? True, we are as you say, creatures of the air. True, we were
born with wings. But didn't we have to come down to the earth to eat and
sleep, to love, to marry, and to bear our young? Our trouble is that--"

And just then, "Here they come!" Lulu cried happily.

Lulu's eyes turned away from the group of women. Her brown face had
lighted as though somebody had placed a torch beside it. The strings of
little dimples that her plumpness had brought in its wake played about
her mouth.

The trail that emerged from the jungle ran between bushes, and gradually
grew lower and lower, until it merged with a path shooting straight
across the sand to the Playground.

For a while the heads of the file of men appeared above the bushes; then
came shoulders, waists, knees; finally the entire figures. They strode
through the jungle with the walk of conquerors.

They were so absorbed in talk as not to realize that the camp was
in sight. Every woman's eye--and some subtle revivifying excitement
temporarily dispersed the discontent there--had found her mate long
before he remembered to look in her direction.

The children heard the voices and immediately raced, laughing and
shouting, to meet their fathers. Angela, beating her pinions in a very
frenzy of haste, arrived first. She fluttered away from outstretched
arms until she reached Ralph; he lifted her to his breast, carried her
snuggled there, his lips against her hair. Honey and Pete absently swung
their sons to their shoulders and went on talking. Junior, tired out by
his exertions, sat down plumply half-way. Grinning radiantly, he waited
for the procession to overtake him.

"Peachy," Julia asked in an aside, "have you ever asked Ralph what he
intends to do about Angela's wings?"

"What he intends to do?" Peachy echoed. "What do you mean? What can he
intend to do? What has he to say about them, anyway?"

"He may not intend anything," Julia answered gravely. "Still, if I were
you, I'd have a talk with him."

Time had brought its changes to the five men as to the five women; but
they were not such devastating changes.

Honey led the march, a huge wreath of uprooted blossoming plants hanging
about his neck. He was at the prime of his strength, the zenith of his
beauty and, in the semi-nudity that the climate permitted, more
than ever like a young wood-god. Health shone from his skin in a
copper-bronze that seemed to overlay the flesh like armor. Happiness
shone from his eyes in a fire-play that seemed never to die down. One
year more and middle age might lay its dulling finger upon him. But now
he positively flared with youth.

Close behind Honey came Billy Fairfax, still shock-headed, his blond
hair faded to tow, slimmer, more serious, more fine. His eyes ran ahead
of the others, found Julia's face, lighted up. His gaze lingered there
in a tender smile.

Just over Billy's shoulder, Pete appeared, a Pete as thin and nervous
as ever, the incipient black beard still prickling in tiny ink-spots
through a skin stained a deep mahogany. There was some subtle change in
Pete that was not of the flesh but of the spirit. Perhaps the look in
his face--doubly wild of a Celt and of a genius--had tamed a little. But
in its place had come a question: undoubtedly he had gained in spiritual
dignity and in humorous quality.

Ralph Addington followed Pete. And Ralph also had changed. True, he
retained his inalienable air of elegance, an elegance a little too
sartorial. And even after six years of the jungle, he maintained
his picturesqueness. Long-haired, liquid-eyed, still with a beard
symmetrically pointed and a mustache carefully cropped, he was more than
ever like a young girl's idea of an artist. And yet something different
had come into his face, The slight touch of gray in his wavy hair did
not account for it; nor the lines, netting delicately his long-lashed
eyes. The eyes themselves bore a baffled expression, half of revolt,
half of resignation; as one who has at last found the immovable
obstacle, who accepts the situation even while he rebels against it.

At the end of the line came Merrill, a doubly transformed man, looking
at the same time younger and handsomer. Bigger and even more muscular
than formerly, his eyes were wide open and sparkling, his mouth had
lost its rigidity of contour. His look of severity, of asceticism had
vanished. Nothing but his classic regularity remained and that had been
beautifully colored by the weather.

The five couples wound through the trail which led from the Playground
to the Camp, the men half-carrying their wives with one arm about their
waists and the other supporting them.

The Camp had changed. The original cabins had spread by an addition of
one or two or three to sprawling bungalow size. Not an atom of their
wooden structure showed. Blocks of green, cubes of color, only open
doorways and windows betrayed that they were dwelling-places. A tide of
tropical jungle beat in waves of green with crests of rainbow up to the
very walls. There it was met by a backwash of the vines which embowered
the cabins, by a stream of blossoms which flooded and cascaded down
their sides.

The married ones stopped at the Camp. But Billy and Julia continued up
the beach.

"How did the work go to-day, Honey?" Lulu asked in a perfunctory tone as
they moved away from the Playground.

"Fine!" Honey answered enthusiastically.

"You wait until you see Recreation Hall." He stopped to light his pipe.
"Lord, how I wish I had some real tobacco! It's going to be a corker.
We've decided to enlarge the plan by another three feet."

"Have you really?" commented Lulu. "Dear me, you've torn your shirt

"Yes," said Honey, puffing violently, "a nail. And we're going to have a
tennis court at one side not a little squeezed-up affair like this--but
a big, fine one. We're going to lay out a golf course, too. That will be
some job, Mrs. Holworthy D. Smith, and don't you forget it."

"Yes, I should think it would be," agreed Lulu. "Do you know, Honey,
Clara's an awful cat! She's dreadfully jealous of Peachy. The things
she says to her! She knows Pete's still half in love with her. Peachy
understands him on his art side as Clara can't. Clara simply hands it to
Pete if he looks at Peachy. Even when she knows that he knows, that we
all know, that she tried her best to start a flirtation with you."

"And to-day," Honey interrupted eagerly, "we doped out a scheme for a
series of canals to run right round the whole place--with gardens on the
bank. You see we can pipe the lake water and----."

"That will be great," said Lulu, but there was no enthusiasm in her
tone. "And really, Honey, Peachy's in a dreadful state of nerves. Of
course, she knows that Ralph is still crazy about Julia and always will
be, just because Julia's like a stone to him--oh, you know the kind of a
man Ralph is. The only woman you can depend on him to be faithful to is
the one that won't have him round. I don't think that bothers Peachy,
though. She adores Julia. If she could fly a little while in the
afternoon--an hour, say--I know it would cure her."

"Too bad. But, of course, we couldn't let you girls fly again. Besides,
I doubt very much if, after so many cuttings, your wings would ever grow
big enough. You don't realize it yourself, perhaps, but you're much more
healthy and normal without wings."

"I don't mind being without them so much myself"--Lulu's tone was a
little doubtful--"though I think they would help me with Honey-Boy and
Honey-Bunch. Sometimes--." She did not finish.

"And then," Honey went on decidedly, "it's not natural for women to fly.
God never intended them to."

"It is wonderful," Lulu said admiringly, "how men know exactly what God

Honey roared. "If you'd ever heard the term sarcasm, my dear, I should
think you were slipping something over on me. In point of fact, we don't
know what God intended. Nobody does. But we know better than you; the
man's life broadens us."

"Then I should think--" Lulu began. But again she did not finish.

"We're going to make a tower of rocks on the central island of the
lake," Honey went on. "We'll drag the stones from the beach--those big,
beauty round ones. When it's finished, we're going to cover it with that
vine which has the scarlet, butterfly flowers. Pete says the reflections
in the water will be pretty neat."

"Really. It sounds charming. And, Honey, Chiquita is so lazy. Little
Junior runs wild. He's nearly two and she hasn't made a strip of
clothing for him yet. It's Frank's fault, though. He never notices
anything. I really think you men ought to do something about that."

"And then," Honey went on. But he stopped. "What's the use?" he
muttered under his breath. He subsided, enveloped himself in a cloud of
smoke and listened, half-amused, half-irritated, to Lulu's pauseless,
squirrel-like chatter.

"My dear," Frank Merrill said to Chiquita after dinner, "the New Camp
is growing famously. Six months more and you will be living in your
new home. The others--Pete especially--are very much interested in
Recreation Hall. They have just worked out a new scheme for parks and
gardens. It is very interesting, though purely decorative. It offers
many absorbing problems. But, for my own part, I must confess I am more
interested in the library. It will be most gratifying to see all our
books ranged on shelves, classified and catalogued at last. It is a good
little library as amateur libraries go. The others speak again and again
of my foresight during those early months in taking care of the books.
We have many fine books--what people call solid reading--and a really
extraordinary collection of dictionaries. You see, many scholars travel
in the Orient, and they feel they must get up on all kinds of things. I
suggested to-day that we draw up a constitution for Angel Island. For
by the end of twenty years, there will be a third generation growing
up here. And then, the population will increase amazingly. Besides, it
offers many subjects for discussion in our evenings at the Clubhouse,
etc., etc., etc."

Holding the tired-out little junior in her lap, Chiquita rocked and
fanned herself and napped--and woke--and rocked and fanned herself and
napped again.

"Oh, don't bore me with any talk about the New Camp," Clara was saying
to Pete. "I'm not an atom interested in it."

"But you're going to live there sometime," Pete remonstrated, wrinkling
in perplexity his fiery, freckled face.

"Yes, but I don't feel as if I were. It's all so far away. And I never
see it. If I had anything to say about it, I might feel differently. But
I haven't. So please don't inflict it on me."

"But it's the inspiration of building it for you women," Pete said
gravely, "that makes us men work like slaves. We're only doing it for
your sake. It is the expression of our love and admiration for you."

"Oh, slush!" exclaimed Clara flippantly, borrowing from Honey's
vocabulary. "You're building it to please yourself. Besides, I don't
want to be an inspiration for anything."

"All right, then," Pete said in an aggrieved tone. "But you are an
inspiration, just the same. It is the chief vocation of women." He moved
over to the desk and took up a bunch of papers there.

"Oh, are you going to write again this evening?" Clara asked in a burst
of despair.

"Yes." Pete hesitated. "I thought I'd work for an hour or two and then
I'd go out."

Clara groaned. "If you leave me another minute of this day, I shall go
mad. I've had nothing but housework all the morning and then a little
talk with the girls, late this afternoon. I want something different

"Well, let me read the third act to you," Pete offered.

"No, I don't feel like being read to. I want some excitement."

Pete sighed, and put his manuscript down.

"All right. Let's go in swimming. But I'll have to leave you after an

"Are you going to see Peachy?" Clara demanded shrilly.

"No." Pete's tone was stern. "I'm going to the Clubhouse."

"How has everything gone to-day, Billy?" Julia asked, as they sat
looking out to sea.

"Rather well," Billy answered. "We were all in a working mood and all in
good spirits. We've done more to-day than we've done in any three days
before. At noon, while we were eating our lunch, I showed them your

"You didn't say--."

"I didn't peep. I promised, you know. I let them assume that they were
mine. They went wild over them, threw all kinds of fits. You see, Pete
has a really fine artistic sense that's going to waste in all these
minor problems of construction and drainage. I flatter myself that I,
too, have some taste. Addington and Honey are both good workmen--that
is, they work steadily under instruction. Merrill's only an inspired
plumber, of course. Pete and I have been feeling for a long time that
we wanted to do something more creative, more esthetic. This is just
the thing we needed. I'm glad you thought it out; for I was beginning
to grow stale. I sometimes wonder what will happen when the New Camp is
entirely built and there's nothing else to do."

Billy's voice had, in spite of his temperamental optimism, a dull note
of unpleasant anticipation.

"There'll be plenty to do after that." Julia smiled reassuringly. "I'm
working on a plan to lay out the entire island. That will take years and
years and years. Even then you'll need help."

"That, my beloved," Billy said, "until the children grow up, is just
what we can't get--help."

Julia was silent.

"Julia," he went on, after an interval, in which neither spoke, "won't
you marry me? I'm lonely."

The poignant look--it was almost excruciating now--came into Julia's

"Not now, Billy," she answered.

"And yet you say you love me!"

The sadness went. Julia's face became limpid as water, bright as light,
warm as flame. "I love you," she said. "I love you! I love you!" She
went on reiterating these three words. And with every iteration, the
thrill in her voice seemed to deepen. "And, Billy--."


"I'm not quite sure when--but I know I'm going to marry you some time."

"I'll wait, then," Billy promised. "As long as I know you love me, I can
wait until--the imagination of man has not conceived the limit yet."

"Well, how have you been to-day?" Ralph asked. But before Peachy could
speak, he answered himself in a falsetto voice that parodied her round,
clear accents, "I want to fly! I want to fly! I want to fly!" His
tone was not ill-tempered, however; and his look was humorously a
affectionate, as one who has asked the same question many times and
received the same answer.

"I do want to fly, Ralph," Peachy said listlessly. "Won't you let me?
Oh, please let my wings grow again?"

Ralph shook his head inflexibly. "Couldn't do it, my dear. It's not
womanly. The air is no place for a woman. The earth is her home."

"That's not argument," Peachy asserted haughtily. "That's statement. Not
that I want to argue the question. My argument is unanswerable. Why did
we have wings, if not to fly. But I don't want to quarrel--." Her voice
sank to pleading. "I'd always be here when you came back. You'd never
see me flying. It would not prevent me from doing my duty as your wife
or as Angela's mother. In fact, I could do it better because it would
make me so happy and well. After a while, I could take Angela with me.
Oh, that would be rapture!" Peachy's eyes gleamed.

Ralph shook his head. "Couldn't think of it, my dear. The clouds are no
place for my wife. Besides, I doubt if your wings would ever grow after
the clipping to which we've submitted them. Now, put something on, and
I'll carry you down on the beach."

"Tell me about the New Camp, and what you did to-day!" Peachy asked,
after an interval in which she visibly struggled for control.

"Oh, Lord, ask anything but that," Addington exclaimed with a sudden
gust of his old irritability. "I work hard enough all day. When I get
home, I want to talk about something else. It rests me not to think of

"But, Ralph," Peachy entreated, "I could help you. I know I could. I
have so many ideas about things. You know Pete says I'm a real artist.
It would interest me so much if you would only talk over the building
plans with me."

"I don't know that I am particularly interested in Pete's opinion of
your abilities," Addington rejoined coldly. "My dear little girl," he
went on, palpably striving for patience and gentleness, "there's nothing
you could do to help me. Women are too impractical. This is a man's
work, besides. By the way, after we've had our little outing, I'll leave
you with Lulu. Honey and Pete and I are going to meet at the Clubhouse
to work over some plans."

"All right," Peachy said. She added, "I guess I won't go out, after all.
I feel tired. I think I'll lie down for a while."

"Anything I can do for you, dear?" Addington asked tenderly as he left.

"Nothing, thank you." Peachy's voice was stony. Then suddenly she pulled
herself upright on the couch. "Oh--Ralph--one minute. I want to talk to
you about Angela. Her wings are growing so fast."


"Where's Peachy?" Julia asked casually the next afternoon.

"I've been wondering where she was, too," Lulu answered. "I think she
must have slept late this morning. I haven't seen her all day."

"Is Angela with the children now?" Julia went on.

"I suppose so," Lulu replied. She lifted herself from the couch. Shading
her hands, she studied the group at the water's edge. Honey-Boy and
Peterkin were digging wells in the sand. Junior making futile imitative
movements, followed close at their heels. Near the group of women,
Honey-Bunch crept across the mat of pine-needles, chasing an elusive
sunbeam. "No, she's not there."

"Now that I think of it, Angela didn't come to play with Peterkin
this morning," said Clara. "Generally she comes flying over just after

"You don't suppose Peachy's ill," asked Chiquita, "or Angela."

"Oh, no!" Lulu answered. "Ralph would have told one of us."

"Here she comes up the trail now," Chiquita exclaimed. "Angela's with

"Yes--but what's the matter?" Lulu cried.

"She's all bent over and she's staggering."

"She's crying," said Clara, after a long, intent look.

"Yes," said Lulu. "She's crying hard. And look at Angela--the darling!
She's trying to comfort her."

Peachy was coming slowly towards them; slowly because, although both
hands were on the rail, she staggered and stumbled. At intervals, she
dropped and crawled on hands and knees. At intervals, convulsions
of sobbing shook her, but it was voiceless sobbing. And those silent
cataclysms, taken with her blind groping progress, had a sinister
quality. Lulu and Julia tottered to meet her. "What is it, oh, what is
it, Peachy?" they cried.

Peachy did not reply immediately. She fought to control herself. "Go
down to the beach, baby," she said firmly to Angela. "Stay there until
mother calls you. Fly away!"

The little girl fluttered irresolutely. "Fly away, dear!" Peachy
repeated. Angela mounted a breeze and made off, whirling, circling,
dipping, and soaring, in the direction of the water. Once or twice, she
paused, dropped and, bounding from earth to air, turned her frightened
eyes back to her mother's face. But each time, Peachy waved her on.
Angela joined Honey-Boy and Peterkin. For a moment she poised in the
air; then she sank and began languidly to dig in the sand.

"I couldn't let her hear it," Peachy said. "It's about her. Ralph--."
She lost control of herself for a moment; and now her sobs had voice. "I
asked him last night about Angela and her flying. I don't exactly know
why I did. It was something you said to me yesterday, Julia, that put
it into my head. He said that when she was eighteen, he was going to cut
her wings just as he cut mine."

There came clamor from her listeners. "Cut Angela's wings!" "Why?" "What

Peachy shook her head. "I don't know yet why, although he tried all
night, to make me understand. He said that he was going to cut them for
the same reason that he cut mine. He said that it was all right for her
to fly now when she was a baby and later when she was a very young girl,
that it was 'girlish' and 'beautiful' and 'lovely' and 'charming' and
'fascinating' and--and--a lot of things. He said that he could not
possibly let her fly when she became a woman, that then it would be
'unwomanly' and 'unlovely' and 'uncharming' and 'unfascinating.' He said
that even if he were weak enough to allow it, her husband never would.
I could not understand his argument. I could not. It was as if we were
talking two languages. Besides, I could scarcely talk, I cried so. I've
cried for hours and hours and hours."

"Sit down, Peachy," Julia advised gently. "Let us all sit down." The
women sank to their couches. But they did not lounge; they continued to
sit rigidly upright. "What are you going to do, Peachy?"

"I don't know. But I'll throw myself into the ocean with Angela in my
arms before I'll consent to have her wings cut. Why, the things he
said. Lulu, he said that Angela might marry Honey-Boy, as they were the
nearest of age. He said that Honey-Boy would certainly cut her wings,
that he, no more than Honey, could endure a wife who flew. He said
that all earth-men were like that. Lulu, would you let your child
do--do--that to my child?"

Lulu's face had changed--almost horribly. Her eyes glittered between
narrowed lids. Her lips had pulled away from each other, baring her
teeth. "You tell Ralph he's mistaken about my son," she ground out.

"That's what I told him," Peachy went on in a breaking voice. "But he
said you wouldn't have anything to do or say about it. He said that
Honey-Boy would be trained in these matters by his father, not by his
mother. I said that you would fight them both. He asked me what chance
you would have against your husband and your son. He--he--he always
spoke as if Honey-Boy were more Honey's child than yours, and as though
Angela were more his child than mine. He said that he had talked this
question over with the other men when Angela's wings first began to
grow. He said that they made up their minds then that her wings must be
cut when she became a woman. I besought him not to do it--I begged, I
entreated, I pleaded. He said that nothing I could say would change him.
I said that you would all stand by me in this, and he asked me what we
five could do against them. He, called us five tottering females. Oh,
it grew dreadful. I shrieked at him, finally. As he left, he said,
'Remember your first day in the Clubhouse, my dear! That's my answer.'"
She turned to Clara. "Clara, you are going to bear a child in the
spring. It may be a girl. Would you let son of mine or any of these
women clip her wings? Will you suffer Peterkin to clip Angela's wings?"

Clara's whole aspect had fired. Flame seemed burst from her gray-green
eyes, sparks to shoot to from her tawny head. "I would strike him dead

Peachy turned to Chiquita. The color had poured into Chiquita's
face until her full brown eyes glared from a purple mask. "You, too,
Chiquita. You may bear girl-children. Oh, will you help me?"

"I'll help you," Chiquita said steadily. She added after a pause, "I
cannot believe that they'll dare, though."

"Oh, they'll dare anything," Peachy said bitterly. Earth-men are devils.
What shall we do, Julia? she asked wearily.

Julia had arisen. She stood upright. Curiously, she did not totter. And
despite her shorn pinions, she seemed more than ever to tower like some
Winged Victory of the air. Her face ace glowed with rage. As on that
fateful day at the Clubhouse, it was as though a fire had been built in
an alabaster vase. But as they looked at her, a rush of tears wiped the
flame from her eyes. She sank back again on the couch. She put her hands
over her face and sobbed. "At last," she said strangely. "At last! At
last! At last!"

"What shall we do, Julia?" Peachy asked stonily.

"Rebel!" answered Julia.

"But how?"

"Refuse to let them cut Angela's wings."

"Oh, I would not dare open the subject with Ralph," Peachy said in
a terror-stricken voice. "In the mood he's in, he'd cut her wings

"I don't mean to tell him anything about it," Julia replied. "Rebel in
secret. I mean--they overcame us once by strategy. We must beat them now
by superior strategy."

"You don't really mean anything secret, do you, Julia?" Lulu
remonstrated. "That wouldn't be quite fair, would it?"

And curiously enough, Julia answered in the exact words that Honey had
used once. "Anything's fair in love or war--and this is both. We can't
be fair. We can't trust them. We trusted them once. Once is enough for

"But how, Julia?" Peachy asked. Her voice had now a note of
querulousness in it. "How are we going to rebel?"

Julia started to speak. Then she paused. "There's something I must ask
you first. Tell me, all of you, what did you do with your wings when the
men cut them off?"

The rage faded out of the four faces. A strange reticence seemed to
blot out expression. The reticence changed to reminiscence, to a deep

Lulu spoke first. "I thought I was going to keep my wings as long as I
lived. I always thought of them as something wonderful, left over from
a happier time. I put them away, done up in silk. And at first I used
to look at them every day. But I was always sad afterwards--and--and
gradually, I stopped doing it. Honey hates to come home and find me sad.
Months went by--I only looked at them occasionally. And after a while,
I did not look at them at all. Then, one day, after Honey built the
fireplace for me, I saw that we needed something--to--to--to sweep the
hearth with. I tried all kinds of things, but nothing was right. Then,
suddenly, I remembered my wings. It had been two years since I'd looked
at them. And after that long time, I found that I didn't care so much.
And so--and so--one day I got them out and cut them into little brooms
for the hearth. Honey never said anything about it--but I knew he knew.
Somehow--." A strange expression came into the face of the unanalytic
Lulu. "I always have a feeling that Honey enjoys using my wings about
the hearth."

Julia hesitated. "What did you do, Chiquita?"

"Oh, I had all Lulu's feeling at first, of course. But it died as hers
did. You see this fan. You have often commented on how well I've kept it
all these years--I've mended it from month to month with feathers from
my own wings. The color is becoming to me--and Frank likes me to carry
a fan. He says that it makes him think of a country called Spain that he
always wanted to visit when he was a youth."

"And you, Clara?" Julia asked gently.

"Oh, I went through," Clara replied, "just what Lulu and Chiquita did.
Then, one day, I said to myself, 'What's the use of weeping over a dead
thing?' I made my wings into wall-decorations. You're right about Honey,
Lulu." For a moment there was a shade of conscious coquetry in Clara's
voice. "I know that it gives Pete a feeling of satisfaction--I don't
exactly know why (unless it's a sense of having conquered)--to see my
wings tacked up on his bedroom walls."

Peachy did not wait for Julia to put the question to her. "As soon as
I could move, after they freed us from the Clubhouse, I threw mine into
the sea. I knew I should go mad if I kept them where I could see them
every day. Just to look at them was like a sharp knife going through my
heart. One night, while Ralph was asleep, I crawled out of the house on
my hands and knees, dragging them after me. I crept down to the beach
and threw them into the water. They did not sink--they floated. I stayed
until they drifted out of sight. The moon was up. It shone on them.
Oh, the glorious blue of them--and the glitter--the--the--." But Peachy
could not go on.

"What did you do with yours, Julia?" Lulu asked at last.

"I kept them until last night," Julia answered.

"Among the ship's stuff was a beautiful carved chest. It was packed
with linen. Billy said it was some earth-girl's wedding outfit. I took
everything out of the chest and put my wings in it. Folded carefully,
they just fitted. I used to brood over them every night before I went to
bed. Oh, they were wonderful in the dark--as if the chest were full of
white fire. Many times I've waked up in the middle of the night and gone
to look at them. I don't know why, but I had to do it. After a while, it
hurt me so much that I made up my mind to lock the chest forever; for I
always wept. I could not help it."

Julia wept now. The tears poured down her cheeks. But she went on.

"After yesterday's talk, I thought this situation over for a long time.
Then I went to the chest, took out my wings, brought them downstairs

"What?" somebody whispered.

"Burned them!" Julia's deep voice swelled on the word "burned" as though
she still felt the scorching agony of that moment.

For a long moment, nobody spoke.

Julia asked their question for them. "Do you want to know why I did it?"
And without waiting, she answered, "Because I wanted to mark in some way
the end of my desire to fly. We must stop wanting to fly, we women. We
must stop wasting our energy brooding over what's past. We must stop it
at once. Not only that but--for Angela's sake and for the sake of all
girl-children who will be born on this island--we must learn to walk."

"Learn to walk!" Peachy repeated. "Julia, have you gone mad? We have
always held out against this degradation. We must continue to do
so." Again came that proud lift of her shoulders, the vibrant stir of
wing-stumps. "That would lower us to a level with men."

"But are we lowering ourselves?" Julia asked. "Are they really on a lower
level? Isn't the earth as good as the air?"

"It's better, Julia," Lulu said unexpectedly. "The earth's a fine place.
It's warm and homelike. Things grow there. There's nothing in the air."

"There are the stars," murmured Peachy.

"Yes," said Julia with a soft tenderness, "but we never reached them."

"The air-life may not have been better or finer," Peachy continued,
"but, somehow, it seemed clearer and purer. The earth's such a cluttered
place. It's so full of things. You can hardly see it for the stuff
that's on it. From above it seems beautiful, but near--."

"Yet, it is on the earth that we must live--and that Angela must live,"
Julia interpolated gently.

"But what is the use of our learning to walk?" Peachy demanded.

"To teach Angela how to walk and all the other girl-children that are
coming to us."

"But I am afraid," Peachy said anxiously, "that if Angela learned to
walk, she would forget how to fly."

"On the contrary," Julia declared, "she would fly better for knowing how
to walk, and walk better for knowing how to fly."

"I don't see it," interposed Clara emphatically. "I don't see what we
get out of walking or what Angela will get out of it. Suppose we learned
to walk? The men would stop helping us along. We'd lose the appeal of

"But what is there about what you call 'the appeal of helplessness'
that makes it worth keeping?" Julia asked, smiling affectionately into
Clara's eyes. "Why shouldn't we lose it?"

"Why, because," Clara exclaimed indignantly, "because--because--why,
because," she ended lamely. Then, with one of her unexpected bursts of
mental candor, "I'm sure I don't know why," she admitted, "except that
we have always appealed to them for that reason. Then again," she took
up her argument from another angle, "if we learn to walk, they won't
wait on us any more. They may even stop giving us things. As it is now,
they're really very generous to us."

The others smiled with varying degrees of furtiveness. Pete, as they all
knew, could always placate an incensed Clara by offering her some loot
of the homeward way: a bunch of flowers, a handful of nuts, beautifully
colored pebbles, shells with the iridescence still wet on them. She soon
tired of these toys, but she liked the excitement of the surprise.

"Generous to us!" Chiquita burst out--and this was as unexpected as
Lulu's face-about. "Well, when you come to that, they're never generous
to us. They make us pay for all they give us. They seem generous--but
they aren't really--any more than we are."

"They are far from generous," said Peachy. "They are ungenerous. They're
tyrants. They're despots. See how they took advantage of our innocence
and ignorance of earth-conditions."

"I protest." A note that they had never heard from Julia made steel of
the thrilling melody of her voice. "You must know that is not true!"
she said in an accusing voice. "Be fair to them! Tell the truth to
yourselves! If they took advantage of our innocence and ignorance, it
was we who tempted them to it in the first place. As for our innocence
and ignorance--you speak as, if they were beautiful or desirable. We
were innocent and ignorant of earth-conditions because we were too proud
to learn about them, because we always assumed that we lowered ourselves
by knowing anything about them. Our mistake was that we learned to fly
before we learned to walk."

"But, Julia, what are we going to do about Angela?" Peachy asked

"I'm coming to that presently," Julia answered. "But before--I want
to ask you a question. Do you remember the big cave in the northern
reef--the one we used to hide in?"

"Oh, I remember," Lulu said, "perfectly."

"Did you ever tell Honey about it?" Julia turned to her directly.

"No. Why, we promised never to tell, didn't we? In case we ever needed a
place of refuge--."

"Have any of you ever told about it?" Julia turned to the others. "Think
carefully! This is important."

"I never have told," Peachy said wearily. "But about Angela--."

"Have you, Chiquita?" Julia interrupted with a strange insistence.

"I have never thought of it from that day to this," Chiquita answered.

"Nor I," replied Clara. "I'm not sure that I could go to it now. Could
you, Julia?"

"Oh, yes," Julia answered eagerly, "I've--." She stopped abruptly. "But
now I want to talk to you, and I want you to listen carefully. I am
going to tell you why I think we should learn to walk. It is, in brief,
for Angela's sake and for the sake of every girl-child that is born on
this island. For a long time, you will think that I am talking about
other things. But you must be patient. I have seen this situation coming
ever since Angela's wings began to grow. I could not hurry it--but I
knew it must come. Many nights I have lain awake, planning what I should
say to you when the time came. The time has come--and I am going to say
it. It is a long, long speech that I shall deliver; and I am going to
speak very plainly. But you must not get angry--for you know how much I
love you and how much I love your children.

"I'm going back to our young girlhood, to the time when our people were
debating the Great Flight. We thought that we were different from them
all, we five, that we were more original and able and courageous. And
we were different. For when our people decided to go south to the
Snowlands, the courage of rebellion grew in us and we deserted in the
night. Do you remember the wonderful sense of freedom that came to us,
and how the further north we flew, the stronger it became? When we
found these islands, it seemed to us that they must have been created
especially for us. Here, we said, we would live always, free from
earth-ties--five incorruptible air-women.

"Then the men came. I won't go into all that. We've gone over it
hundreds and hundreds of times, just as we did this afternoon, playing
the most pathetic game we know--the do-you-remember game. But after they
came, we found that we were not free from earth-ties. For the Great Doom
overtook us and we fell in love. Then came the capture. And we lost our

She paused a moment.

"Do you remember that awful day at the Clubhouse, how Chiquita,
comforted us? I--I failed you then; I fainted; I felt myself to blame
for your betrayal. But Chiquita kept saying, 'Don't be afraid. They
won't hurt us. We are precious to them. They would rather die than lose
us. They need us more than we need them. They are bound to us by a chain
that they cannot break.' And for a long time that seemed true. What we
had to learn was that we needed them just as much as they needed us,
that we were bound to them by a chain that we could not break.

"I often think"--Julia's voice had become dreamy--"now when it is so
different, of those first few months after the capture. How kind they
were to us, how gentle, how considerate, how delicate, how chivalrous!
Do you remember that they treated us as if we were children, how, for
a long time, they pretended to believe in fairies? Do you remember the
long fairy-hunts in the moonlit jungle, the long mermaid-hunts in the
moonlit ocean? Do you remember the fairy-tales by the fire? It seemed
to me then that life was one long fairy-tale. And how quickly we learned
their language! Has it ever occurred to you that no one of them has ever
bothered to learn ours--none except Frank, and he only because he was
mentally curious? Then came the long wooing. How we argued the marriage
question--discussed and debated--each knowing that the Great Doom was on
her and could not be gain-said.

"Then came the betrothal, the marriages, and suddenly all that wonderful
starlight and firelight life ended. For a while, the men seemed to drift
away from each other. For a while, we--the 'devoted five,' as our people
called us--seemed to drift away from each other. It was as though they
took back something they had freely given each other to give to us. It
was as though we took back something we had freely given each other to
give to them.

"Then, just as suddenly, they began to drift away from us and back
to each other. Some of the high, worshiping quality in their attitude
toward us disappeared. It was as though we had become less beautiful,
less interesting, less desirable--as if possession had killed some
precious, perishable quality."

"What that quality is I do not know. We are not dumb like stones or
plants, we women. We are not dull like birds or beasts. We do not fade
in a day like flowers. We do not stop like music. We do not go out like
light. What it was that went, or when or how, I do not know. But it
was something that thrilled and enchanted them. It went--and it went

"It was as though we were toys--new toys--with a secret spring. And if
one found and pressed that spring, something unexpected and something
unbelievably wonderful would happen. They hunted for that spring
untiringly--hunted--and hunted--and hunted. At last they found it.
And after they found it, we no longer interested them. The mystery and
fascination had gone. After all, a toy is only a toy."

"Then came our great trouble--that terrible time of the illicit hunting.
Every man of them making love to some one of you. Every woman of you
making love to some one of them. That was a year of despair for me.
I could see no way out. It seemed to me that you were all drifting to
destruction and that I could not stay you. And then I began to realize
that the root of evil was only one thing idleness. Idle men! Idle women!
And as I wondered what we should do next, Nature took the matter in her
hands. She gave all you women work to do."

Julia paused. Her still gray eyes fixed on faraway things.

"Honey-Boy was born, then Peterkin, then Angela, then Honey-Bunch. And
suddenly everything was right again. But, somehow, the men seemed soon
to exhaust the mystery and fascination of fatherhood just as they
had exhausted the mystery and fascination of husbandhood. They became
restless and irritable. It seemed to me that another danger beset
us--vague, monstrous, looming--but I did not know what. You see they
have the souls of discoverers and explorers and conquerors, these
earth-men. They are creators. Their souls are filled with an eternal
unrest. Always they must attempt one thing more; ever they seek
something beyond. They would stop the sun and the moon in their courses;
they would harness the hurricane; they would chain the everlasting
stars. Sea, earth, sky are but their playgrounds; past, present, future
their servants; they lust to conquer the unexplored areas of space and
time. It came to me that what they needed was work of another kind. One
night, when I was lying awake thinking it over, the idea of the New
Camp burst on my mind. Do you remember how delighted they were when I
suggested it to them, how delighted you were, how gay and jubilant we
all were, how, for days and days, we talked of nothing else? And we were
as happy over the idea as they. For a long time, we thought that we were
going to help.

"We thought that we were going with them every day, not to work but
to sit in the nearby shade, to encourage them with our praise and
appreciation. And we did go for a month. But they had to carry us all
the way--or nearly carry us. Think of that--supporting a full-grown
woman all that weary road. I saw the feeling begin to grow in them
that we were burdens. I watched it develop. Understand me, a beautiful
burden, a beloved burden, but still a burden, a burden that it would be
good to slip off the back for the hours of the working day. I could not
blame them. For we were burdens. Then, under one pretext or another,
they began to suggest to us not to go daily to the New Camp with them.
The sun was too hot; we might fall; insects would sting us; the sudden
showers were too violent. Finally, that if we did not watch the New Camp
grow, it would be a glorious surprise to us when it was finished.

"At first, you were all touched and delighted with their gallantry--but
I--I knew what it meant."

"I tried to stem the torrent of their strange, absorption, but I could
not. It grew and grew. And now you see what has happened. It has been
months since one of us has been to the New Camp and all of you,
except Peachy and myself, have entirely lost interest in it. It is not
surprising. It is natural. I, too, would lose interest if I did not
force myself to talk with Billy about it every night of my life.
Lulu said yesterday that it seemed strange to her that, after working
together all day, they should want to get together in the Clubhouse at
night. For a long time that seemed strange to me--until I discovered
that there is a chain binding them to each other even as there is a
chain binding them to us. And the Bond of Work is stronger than the Bond
of Sex because Work is a living, growing thing."

"In the meantime, we have our work too--the five children. But it is a
little constructive work--not a great one. For in this beautiful, safe
island, there is not much that we can do besides feed them. And so,
here we sit day after day, five women who could once fly, big, strong,
full-bodied, teeming with various efficiencies and abilities--wasted. If
we had kept our wings, we could have been of incalculable assistance to
them. Or if we could walk--."

"But I won't go further into our situation. I want to consider

"You are wondering what all this has to do with the matter of Angela's
flying. And now I am going to tell you. Don't you see if they wait until
she is a woman before they cut her wings, she will be in the same case
that we are in, unable either to fly or to walk. Rather would I myself
cut her wings to-night and force her to walk. But on the other hand,
should she grow to womanhood with wings, she would be no true mate to a
wingless man unless she could also walk. No, we must see to it that she
both flies and walks. In that case, she will be a perfect mate to the
wingless man. Her strength will not be as great as his--but her facility
will be greater. She will walk well enough to keep by his side; and her
flying will supplement his powers."

"And then--oh, don't you see it--don't you see why we must
fight--fight--fight for Angela, don't you see why her wings are a sacred
trust with us? Sometime, there will be born here----Clara," she turned
her look on Clara's excited face, "it may be the baby that's coming to
you in the spring--sometime there will be born here a boy with wings.
Then more and more often they will come until there are as many winged
men as winged women. What will become of our girl-children then if their
mates fly as well as walk away from them. There is only one way out. And
there is only one duty before us--to learn to walk that we may teach our
daughters to walk--to preserve our daughter's wings that they may teach
their sons to fly."

"But, Julia," Peachy exclaimed, after an instant of dead silence.
There was a stir of wonder, flutelike in her voice, a ripple of wonder,
flamelike on her face. "Our feet are too fine, too soft. Ralph says
that mine are only toy feet, that no creature could really get along on

She kicked the loose sandals off. Tiny, slim, delicately chiseled, her
feet were of a china whiteness, except where, at the tips, the toes
showed a rose-flush or where, over the instep, the veins meandered in a
blue network.

"Of course Peachy's feet are smaller than mine," Lulu said wistfully.
"But even my workaday little pads wouldn't carry me many steps." From
under her skirts appeared a pair of capable-looking, brown feet, square,
broad but little and satin-smooth.

"Mine are quite useless," Chiquita sighed. "Oh, why did I let myself
grow so big?" There was a note of despair in her velvet voice. "It's
almost as if there were no muscles in them." She pulled aside her
scarlet draperies. In spite of her increasing size, her dusky feet had
kept their aristocratic Andalusian lines.

"And I've always done just the things that would make it impossible for
me to walk," said Clara in a discouraged tone. "I've always taken as
much care of my feet as my hands--they're like glass." This was true. In
the pale-gold of her skin, the pink nails glittered brilliantly.

"And think of your own feet, Julia," Lulu exclaimed. "They're like
alabaster. Pete says that from the artist's point of view, they're
absolutely perfect. You don't imagine for an instant that you could take
a step on them, unsupported?"

"No?" said Julia. "No?" With a swift leap of her body, she stood on the
feet in question. And as the other stared, stupefied, she walked with
the splendid, swinging gait of an Amazon once, twice, thrice around the

"Come, Angela!" Peachy called. "Come, baby!"

Angela started to spread her pinions. "Don't fly, baby," Peachy called.

Obediently, Angela dropped her wings, sank. Her feet, shell-like,
pinky-soft, padded the ground. She tried to balance, but she swayed and

"No matter, darling!" Peachy called cheerily, "Try again!"

Angela heroically pulled herself up. She made a few uncertain steps, but
she stumbled with every move.

Honey-Boy and Peterkin came running up to her side; Junior, grinning
happily, waddled behind a long way in the rear. "Angela's trying to
walk!" the boys cried. "Angela's trying to walk!" They capered with
amusement. "Oh, isn't she funny? Look at the girl trying to walk!"

The tears spurted from Angela's eyes. Her lips quivered. Her wings shot
up straight.

"Don't mind what the boys say, Angela!" Peachy called. "Put your wings
down! Keep right on walking!"

Again Angela's pinions dropped. Again she took a few steps. This time
she fell to her knees. But she pulled herself up, sped onward, fell
again, and again. She had reached the stones that bounded the sand. When
she arose this last time, her foot was, bleeding.

"Keep on walking, baby!" Peachy commanded inflexibly. But there was a
rain of tears on her check.

Angela staggered forward a rod or two; and now both feet left a trail of
blood. Then suddenly again she struggled for balance, fell headlong.

"Keep on walking, mother's heart's treasure," Peachy commanded.
She dropped to her knees and held out her arms; her face worked

Angela pulled herself up with a determined settling of her little
rose-petal mouth. Swaying, stumbling, staggering, she ran on in one
final spurt until she collapsed in her mother's arms.


"And as soon as we finish the New Camp," Honey said eagerly, "we must
make another on the rocks at the north. That will be our summer place."

"And as soon as we've finished that, let's build a house-boat for the
lake," Billy suggested.

"Then let's put up some hunting-boxes at the south," Ralph took it up.

"There's a good year's work on the New Camp," Frank reminded them.

"But after the New Camp and the Hunting-Boxes and the House-Boat--what?"
Ralph asked a little drearily.

"Plenty to do," Billy promised cheerily. "I've been working on a plan to
lay out the entire island in camps and parks. Pete, I want to bring them
over to you some night."

"Come to-night," Pete said eagerly.

"Why not bring them to the Clubhouse," Honey asked. "I'd like to see
them, too. While I'm working with my hands on one job, I like to be
working with my head on the next."

"Sure," agreed Ralph, "I'm for that. I'll join you to-night. Can you
come, Frank?"

"I had meant to write to-night," Frank said. "But of course I can put
that off."

"Has it ever occurred to you fellows," Billy asked, "that just as soon
as the boys are big enough for us to leave the women in their care, we
can build a boat and visit the other four islands?"

"Gee!" Honey said. "Now you're shouting. I never thought of that. Lord,
how I would like to get away from this place for a while. Being shut in
in any way always gets on my nerves."

Ralph drew a long breath. "I never thought of it," he admitted. "But it
gives me a new lease of life."

"I shall feel like Columbus," Pete acknowledged, "and then some. Why
it's like visiting the moon--or Mars. And God knows we'll need an other
island or two in our business--provided we stay here for two or three
generations more. We'll be a densely populated world-center before we
know it."

"I was thinking," Billy suddenly relapsed to the previous subject. "How
about the women tonight? They always hate to have us leave them when
we've been away all day,--and we've been here two days, remember."

"Oh, that's all right," Honey answered. "I'm sure Lulu'll be all right.
There's been the greatest change in her in the last few months."

"Peachy won't mind," said Ralph. "She told me the other night to go to
the Clubhouse as often as I wanted and stay as late."

"Clara says practically the same." Pete wrinkled his forehead in
perplexity. "It took my breath away. How do you account for it?"

"Oh, that's all right," Honey answered, stopping to dash the sweat from
his forehead, "I should say it was just a matter of their getting over
their foolishness. I suppose all young married women have it--that
instinct to monopolize their husbands. And when you think it over, we do
sort of give them the impression while we're courting them that they are
the whole cheese. But that isn't all. They've come to their senses on
some other matters. I think, for instance, they're beginning to get our
point of view on this flying proposition. Lulu hasn't hinted that she'd
like to fly for three months. She's never been so contented since, we
captured them. To do her justice, though, she always saw, when I pointed
it out to her, that flying was foolish, besides being dangerous."

"Well," Ralph said, "what between holding them down from the clouds and
keeping them away from the New Camp, managing them has been some job.
But I guess you're right, Honey. I think they're reconciled now to their
lot. If I do say it as shouldn't, Peachy seems like a regular woman
nowadays. She's braced up in fine style in the last two months. Her
color is much better; her spirits are high. When I get home at night,
she doesn't want to go out at all. If I say that I'm going to the
Clubhouse, she never raises a yip. In fact, she seems too tired to care.
She's always ready now to turn in when I do. For months and months, you
know, she sat up reading until all hours of the night and morning. But
now she falls asleep like a child."

"Then she's gotten over that insomnia?" Pete asked this casually and he
did not look at Ralph.

"Entirely," Ralph replied briefly, and in his turn he did not look at
Pete. "She's a perfectly healthy woman now. She gets her three squares
every day and her twelve hours every night--regular. I never saw such an
improvement in a woman."

"Well, when it comes to sleeping," Pete said, "I don't believe she's got
anything on Clara. I often find her dead to the world when I get home at
night. I jolly her about that--for she has always thought going to bed
early indicated lack of temperament. And as for teasing to be allowed
to fly, or to be taken out swimming, or to call on any of you, or to let
her tag me here--why, that's all stopped short. She keeps dozing off all
the evening. Sometimes in the midst of a sentence, she'll begin to nod.
Never saw her looking so well, though."

"Chiquita, on the contrary, isn't sleeping as much as she did," Frank
said. "She's more active, though--physically, I mean. She's rejoicing
at present over the fact that she's lost twenty-five, pounds in the last
three months. She said last night that she hadn't been so slim since she
was a girl."

"Twenty-five pounds!" exclaimed Honey. "That's a good deal to lose. How
the hell--how do you explain it!"

"Increased household activity," Frank replied vaguely. "And then
mentally, I think she's more vigorous. She's been reading a great deal
by herself. Formerly I found that reading annoyed her--even when I read
aloud, explaining carefully as I went along."

"I haven't noticed an increased activity on Julia's part," Billy said
thoughtfully. "But she's always been extraordinarily active, considering
everything. The way she gets about is marvelous. But of course she's
planned the placing of her furniture with that in view. She's as quick
as a cat. I have noticed, however, that she seems much happier. They
certainly are a changed lot of women."

"The twelve o'clock whistle has just blown," Honey announced. "Let's

The five men dropped their tools. They gathered their lunches together
and fell to a voracious feeding. At last, pipes appeared. They stretched
themselves to the smoker's ease. For a while, the silence was unbroken.
Then, here and there, somebody dropped an irrelevant remark. Nobody
answered it.

They lay in one corner of the big space which had been cleared from the
jungle chaos. On one side rippled the blue lake carving into many tiny
bays and inlets and padded with great green oases of matted lily-leaves.
On the other side rose the highest hill on the island. The cleared land
stretched to the very summit of this hill. Over it lay another chaos,
the chaos of confusion; half-completed buildings of log and stone,
rectangles and squares of dug-up land where buildings would some day
stand, half-finished roadways, ditches of muddy water, hills of round
beach-stones, piles of logs, some stripped of the bark, others still
trailing a green huddle of leaf and branch, tools everywhere. The jungle
rolled like, a tidal wave to the very boundary; in places its green
spume had fallen over the border. As the men smoked, their eyes went
back to the New Camp again and again. It was obvious that constantly
they made mental measurements, that ever in their mind's eye they saw
the completed thing.

"Well," said Ralph, reverting without warning to the subject under
discussion. His manner tacitly assumed that the others had also been
considering it mentally. "I confess I don't understand women really.
I've always thought that I did. But I see now that I never have."
Addington's rare outbursts of frankness in regard to the other sex were
the more startling because they contrasted so sharply with his normal
attitude of lordly understanding and contempt. "I've been a good manager
and I'm not saying that I haven't had my successes with them. But as
I look back upon them now, I realize I followed my intuitions, not my
reason. I've done what I've done without knowing why. I have to feel
my way still. I can't account for the change that's come over them. For
four years now they've been at us to let their wings grow again. And for
four years we've been saying no in every possible tone of voice and with
every possible inflection. I've had no idea that Peachy would ever get
over it. My God, you fellows have no idea what I've been through with
her in regard to this question of flying. Why, one night three months
ago, she had an awful attack of hysteria because I told her I'd have to
cut Angela's wings as soon as she was grown-up."

"Well, what did she expect?" Honey asked.

"That I'd let her keep them--that I'd let her fly the way Peachy did!
Or--what do you suppose she suggested?--that I cut them off now."

"Well, what was her idea in that?" Billy's tone was the acme of

"That as long as I wouldn't let her keep them after she had attained her
growth, she might as well not have them at all."

Billy laughed. "That's a woman's reasoning all right, all right. Why,
it would destroy half Angela's charm in my eyes. That little fluttering
flight of hers, half on the ground, half in the air, is so lovely, so
engaging, so endearing----. But of course letting her fly high would

"Absurd," Ralph interrupted.

"Dangerous," Honey interpolated.

"Unwomanly," Pete added.

"Immodest," Billy concluded.

"Well, thank God it's all over," Ralph went on. "But, as I say, I give
up guessing what's changed her, unless it's the principle that constant
dropping wears away the stone. Oscar Wilde had the answer. They're
sphinxes without secrets. They do anything that occurs to them and for
no particular reason. I get along with, them only by laying down the law
and holding them to it. And I reckon they've got that idea firmly fixed
in their minds now--that they're to stay where we put them."

Honey wriggled as if in discomfort. "Seems to me, Ralph, you take a
pretty cold-blooded view of the situation. I guess I don't go very far
with you. Not that I pretend to understand women. I don't. My system
with them is to give them anything they ask, within reason, of course,
to keep them busy and happy, buy them presents, soft-soap them, jolly
them along. I suppose that personally, I wouldn't have minded their
flying a little every afternoon, as long as they took the proper care.
I mean by that, not to fly too far out to sea or too high in the air
and never when we were at home, so long, in short, as they followed the
rules that we laid down for them. You fellows seem to have the idea
if we let them do that we'd lose them. But if there's one general
proposition fixed more firmly in my nut than any other, it is that you
can't lose them. But of course I intend always to stand by whatever
you-all say."

"I don't know," Billy burst in hotly, "which of you two makes me sickest
and which is the most insulting in his attitude towards women, you,
Ralph, who treat them as if they were household pets, or you, Honey, who
treat them as if they were dolls. In my opinion there is only one law to
govern a man's relation with a woman--the law of chivalry. To love her,
and cherish her, to do all the hard work of the world for her, to stand
between her and everything that is unbeautiful and unpleasant, to think
for her, to put her on a pedestal and worship her; to my mind that sums
up the whole duty of man to woman."

"They're better than goddesses on pedestals," Pete said. "They're
creatures neither of flesh nor of marble--they're ideals. They're made
of stars, sunlight, moonshine. I believe in treating them like beings of
a higher world."

"I disagree with all of you," Frank said ponderously, "I don't believe
in treating them as if they were pets or dolls, or goddesses on
pedestals or ideals. I believe in treating them like human beings, the
other half of the race. I don't see that they are any better or any
worse than we--they're about the same. Soon after we captured them, you
remember, we entered into an agreement that no one of us would ever let
his wife's wings grow without the consent of all the others. One minute
after I had given my word, I was sorry for it. But you kept your word to
me in the agreement that I forced on you before the capture; and, so,
I shall always keep mine to you. But I regret it more and more as
time goes on. You see I'm so constituted that I can't see anything but
abstract justice. And according to abstract justice we have no right
to hold these women bound to the earth. If the air is their natural
habitat, it is criminal for us to keep them out of it. They're our
equals in every sense--I mean in that they supplement us, as we
supplement them. They've got what we haven't got and we've got what they
haven't got. They can't walk, but they can fly. We can't fly, but we can
walk. It is as though they compelled us, creatures of the earth, to live
in the air all the time. Oh, it's wrong. You'll see it some day."

"I never listened to such sophistry in my life," said Ralph in disgust.
"You'll be telling us next," he added sarcastically, "that we hadn't any
right to capture them."

"We hadn't," Frank replied promptly. "On reflection, I consider that
the second greatest crime of my existence. But that's done and can't
be wiped out. They own this island just as much as we do. They'd been
coming to it for months before we saw it. They ought to have every kind
of right and freedom and privilege on it that we, have."

"I'd like to hear," Addington said in the high, thin tone of his peevish
disgust, "the evidence that justifies you in saying that. What have they
ever done on this island to put them on an equality with us? Aren't they
our inferiors from every point of view, especially physically?"

"Certainly they are," agreed Honey, not peevishly but as one who
indorses, unnecessarily, a self-evident fact. "They've lived here on
Angel Island as long as we have. But they haven't made good yet, and we
have. Why, just imagine them working on the New Camp--playing tennis,

"But we prevented all that," Frank protested. "We cut their wings.
Handicapped as they were by their small feet, they could do nothing."

"But," Honey ejaculated, "if they'd been our physical equals, they would
never have let us cut their wings."

"But we caught them with a trick," Frank said, "we put them in a
position in which they could not use their physical strength."

"Well, if they'd been our mental equals, they'd never let themselves get
caught like that."

"Well--but--but--but--" Frank sputtered. "Now you're arguing crazily.
You're going round in a circle."

"Oh, well," Honey exclaimed impatiently, "let's not argue any more. You
always go round in a circle. I hate argument. It never changes, anybody.
You never hear what the other fellow says. You always come out of it
with your convictions strengthened."

Frank made a gesture of despair. He drew a little book from his pocket
and began to read.

"There's one thing about them that certainly is to laugh," Honey said
after a silence, a glint of amusement in his big eyes, "and that is the
care they take of those useless feet of theirs. Lulu's even taken to
doing hers up every night in oil or cream. It's their particular vanity.
Now, take that, for instance. Men never have those petty vanities. I
mean real men--regular fellows."

"How about the western cowboy and his fancy boots?" Frank shot back over
his book.

"Oh, that's different," Ralph said. "Honey's right. That business of
taking care of their feet symbolizes the whole sex to me. They do the
things they do just because the others do them--like sheep jumping over
a wall. Their fad at present is pedicure. Peachy's at it just like the
rest of them. Every night when I come home, I find her sitting down
with both feet done up in one of those beautiful scarfs she's collected,
resting on a cushion. It's rather amusing, though." Ralph struggled to
suppress his smile of appreciation.

"Clara's the same." Pete smiled too. "She's cut herself out some high
sandals from a pair of my old boots. And she wears them day and night.
She says she's been careless lately about getting her feet sunburned.
And she's not going to let me see them until they're perfectly white and
transparent again. She says that small, beautiful, and useless feet were
one of the points of beauty with her people."

"Julia's got the bug, too." Billy's eyes lighted with a gleam of
tenderness. "Among the things she found in the trunk was a box of white
silk stockings and some moccasins. She's taken to wearing them lately.
It always puts a crimp in me to get a glimpse of them--as if she'd
suddenly become a normal, civilized woman."

"Now that I think of it," Frank again came out of his book. "Chiquita
asked me a little while ago for a pair of shoes. She's wearing them all
the time now to protect her feet--from the sun she says."

"It is the most curious thing," Billy said, "that they have never wanted
to walk. Not that I want them to now," he added hastily. "That's their
greatest charm in my eyes--their helplessness. It has a curious appeal.
But it is singular that they never even tried it, if only out of

"They have great contempt for walking," Honey observed. "And it has
never occurred to them, apparently, that they could enjoy themselves
so much more if they could only get about freely. Not that I want
them to--any more than you. That utter helplessness is, as you say,

"Oh, well," Ralph said contemptuously, "what can you expect of them?
I tell you it's lack of gray matter. They don't cerebrate. They don't
co-ordinate. They don't correlate. They have no initiative, no creative
faculty, no mental curiosity or reflexes or reactions. They're nothing
but an unrelated bunch of instincts, intuitions, and impulses--human
nonsense machines! Why if the positions were reversed and we'd lost
our wings, we'd have been trying to walk the first day. We'd have been
walking better than they by the end of a month."

"I like it just as it is," Pete said contentedly. "They can't fly and
they don't want to walk. We always know where to find them."

"Thank God we don't have to consider that matter," Billy concluded.
"Apparently the walking impulse isn't in them. They might some time, by
hook or crook, wheedle us into letting them fly a little. But one thing
is certain, they'll never take a step on those useless feet."

"Delicate, adorable, useless little feet of theirs," Pete said softly as
if he were reciting from an ode.

"There's something moving along the trail, boys," Frank said quietly.
"I keep getting glimpses of it through the bushes--white--blue--red and

The others stopped, petrified. They scowled, bending an intent gaze
through the brilliant noon sunshine.

"Sure I get it!" Billy answered in a low tone. "There's something

"I don't." Honey shaded his eyes.

"Nor I." Pete squinted.

"Well, I don't see anything," Ralph said impatiently. "But providing you
fellows aren't nuts, what the devil can it be?"

"It's--" Billy began. Then, "My God!" he ended.

Something white glimmered at the end of the trail. It grew larger,
bulked definitely, filled the opening.

"Julia!" Billy gasped.

"And she's--she's--." Honey could not seem to go on.

"Walking," Billy concluded for him.

"And Peachy!" Ralph exclaimed.

"And why--and--and----." It was Pete who stopped for breath this time.

"And she's walking!" Ralph concluded for himself.

"And Clara! And Lulu! And Chiquita!" they greeted each one of the women
as fast as they appeared. And in between them came again and again their
astonished "And walking!"

The five women were walking, and walking with no appearance of effort,
swiftly, lightly, joyously. Julia, at the head, moved with the frank,
free, swinging gait of an Amazon. Peachy seemed to flit along the
ground; there was in her progress something of the dipping, curving
grace of her flight. Clara glided; her effect of motionless movement was
almost obsidian. Chiquita kept the slow, languid gait, both swaying and
pulsating, of a Spanish woman. Lulu trotted with the brisk, pleasing
activity of a Morgan pony.

Their skirts had been shortened; they rippled away from slim ankles.
The swathing, wing-like draperies had disappeared; their slit sleeves
fluttered away from bare shoulders. The women did not pause. They came
on steadily, their eyes fixed on the group of men.

The faces in that group had changed in expression. Ralph's became black
and lowering. Honey looked surprised but interested; his color did not
vary; Billy turned a deep brick-red. Pete went white. Frank Merrill
alone studied the phenomenon with the cool, critical eye of scientific

The women paused at a little distance where the path dipped to coil
around a little knoll. They abandoned the path to climb this knoll; they
climbed it with surprising ease; they almost flew up the sides. They
stood there silently grouped about Julia. For an instant the two parties
gazed at each other.

Then, "What does this mean, Peachy?" Ralph asked sternly.

Julia answered for Peachy.

"It means--rebellion," she said. "It means that we have decided among
ourselves that we will not permit you to cut Angela's wings. It means
that rather than have you do that, we will leave you, taking our
children with us. If you will promise us that you will not cut Angela's
wings nor the wings of any child born to us, we in our turn will promise
to return to our homes and take our lives up with you just where we left

A confused murmur arose from the men. Ralph leaped to his feet. He made
a movement in the direction of the women, involuntary but violent.

The women shrank closer to Julia. They turned white, but they waited.
Julia did not stir.

"Go home, you--" Ralph stopped abruptly and choked something back.

"Go at once!" Billy added sternly.

"I'm ashamed of you, Clara," Pete said.

"Better go back, girls," Honey advised. He tried to make his tone
authoritative. But in spite of himself, there lingered a little pleading
in it. To make up, he unmasked the full battery of his coaxing smile,
his quizzical frown, his snapping dimples. "We can't let Angela fly
after she's grown up. It isn't natural. It isn't what a woman should be

Frank said nothing.

Julia looked at them steadily an instant.

"Come!" she said briefly to her little band. The women ran down the
knoll and disappeared up the trail.

"Well, I'll be damned," Ralph remarked.

"Well, when you come to that, I'll be damned," Honey coincided.

"Who was it said that God did not intend them to walk?" Frank asked

"So that's what all this bandaging of feet meant," Billy went on,
ignoring this thrust. "They were learning to walk all the time."

"You're on," Ralph said in a disgusted tone. "Foxy little devils!"

"Gee, it must have hurt!" Honey exclaimed. "They must have been torn to
ribbons at first. Some pluck, believe me!"

"I bet you dollars to doughnuts, Julia's at the bottom of it," remarked

"No question about that," Frank commented. "Julia thinks."

"Considerable bean, too," said Honey. "Well, we've got to put a stop to
it to-night."

"Sure!" Ralph agreed. "Read the riot act the instant we get home. By the
Lord Harry, if it's necessary I'll tie my wife up!"

"I never could do that," said Pete.

"Nor I," said Frank.

"Nor I," said Honey. "But I don't think we'll have to resort to violent
measures. We've only got to appeal to their love; I can twist Lulu right
round my finger that way."

"I guess you're right," Ralph smiled. "That always fetches them."

"I don't anticipate any real trouble from this," Billy went on as though
arguing with himself. "We've got to take it at the start, though. We
can't have Angela flying after she's grown."

"Sure," said Honey, "it'll blow over in a few days. But now that they
can walk, let's offer to teach them how to dance and play tennis and
bocci and golf. And I'll tell you what--we'll lay out some gardens for
them--make them think they're beautifying the place. We might even teach
them how to put up shelves and a few little carpentering tricks like
that. That'll hold them for a while. Oh, you'll all come round to my
tactics sooner or later! Pay them compliments! Give them presents! Jolly
them along! And say, it will be fun to have some mixed doubles. Gee,
though, they'll be something fierce now they've learned how to walk.
They'll be here half the time. They'll have so many ideas how the New
Camp ought to be built and a woman is such an obstinate cuss. Asking
questions and arguing and interfering--they delay things so. We've got
to find out something harmless that'll keep them busy."

"Oh, we never can have them here--never in the world," Ralph agreed.
"But we'll fix them to-night. How about it, old top?" he inquired
jovially of Frank.

Frank did not answer.

In point of fact they did not "fix" the women that night, owing to the
simple reason that they found the camp deserted--not a sign of woman or
child in sight or hearing.

"Well, there's one thing about it," Ralph said on their way back to the
New Camp the next morning, "you can always beat any woman's game by just
ignoring it. They can stand anything but not being noticed. Now our play
is to do nothing and say nothing. They're on this island somewhere. They
can't walk off it, and they can't swim off it, and they can't fly off
it. They may stay away for day or more or possibly two. By the end of
week they'll certainly be starved out. And they'll be longing for our
society. We want to keep right at work as if nothing had happened. Let
them go and come as they please. But we take no notice--see! We've done
that once before and we can do it again. When they come home, they'll
be a pretty tired-out, hungry, discouraged gang of girls. I bet we never
hear another word out of them on this subject."

The men worked as usual the whole morning; but they talked less. They
were visibly preoccupied. At every pause, they glanced furtively up the
trail. When noon came, it was evident that they dropped their tools with
relief. They sat with their eyes glued to the path.

"Here they come!" Billy exclaimed at last.

The men did not speak; nor until they came to the little knoll that
debouched from the trail did the women. Again Julia acted as spokesman.
"We have given you a night to think this matter over," she said briefly.
"What is your decision? Shall Angela's wings go uncut?"

"No, by God!" burst out Ralph. "No daughter of mine is going to fly. If

But with a silencing gesture, Billy interposed. "Aren't you women
happy?" he asked.

"Oh, no," Julia answered. "Of course we're not. I mean we have one kind
of happiness--the happiness that come's from being loved and having a
home and children. But there is another kind of happiness of which when
you cut our wings we were no longer capable--the happiness that comes
from a sense of absolute freedom. We can bear that for ourselves, but
not for our daughters. Angela and all the girl-children who follow her
must have the freedom that we have lost. Will you give it to them?"

"No!" Ralph yelled. And "Go home!" Honey said brutally.

The women turned.

A dead tree grew by the knoll, one slender limb stretching across its
top to the lake. Peachy ran nimbly along this limb until she came as
near to the tip as her weight would permit. She stood there an instant
balancing herself; then she walked swiftly back and forth. Finally she
jumped to the ground, landing squarely on her feet. She ran like a deer
to join the file of women.

Involuntarily the men applauded.

"Remember the time when they first came to the island," Ralph said, "how
she was proud like a lion because she managed to hold herself for an
instant on a tree-branch? Her wings were helping her then. Now it's
a real balancing act. Some stunt that! By Jove, she must have been
practising tightrope walking." In spite of his scowl, a certain
tenderness, half of past admiration, half of present pride, gleamed in
his eyes.

"You betchu they have. They've been practising running and jumping and
leaping and vaulting and God only knows what else. Well, we've only got
to keep this up two or three days longer and they'll come back." Honey
spoke in a tone which palpably he tried to make jaunty. In spite of
himself, there was a wavering note of uncertainty in it.

"Oh, we'll get them yet!" Ralph said. "How about it, old fellow?"
Ralph had never lost his old habit of turning to Frank in psychological

But Frank again kept silence.

"Betchu we find them at home to-night," Honey said as they started down
the trail an hour ahead of time. "Who'll take me. Come!"

No one took him, luckily for Honey. There was no sign of life that
night, nor the next, nor the next. And in the meantime, the women did
not manifest themselves once during the daytime at the New Camp.

"God, we've got to do something about this," Ralph said at the end of
five days. "This is getting serious. I want to see Angela. I hadn't any
idea I could miss her so much. It seems as if they'd been gone for a
month. They must have been preparing for this siege for weeks. Where the
thunder are they hiding--in the jungle somewhere, of course?"

"Oh, of course," Honey assented. "I miss the boys, too," he mourned, "I
used to have a frolic with them every morning before I left and every
night when I got home."

"And it's all so uncomfortable living alone," Ralph grumbled. He was
unshaven. The others showed in various aspects of untidiness the lack of
female standards.

"I'm so sick of my own cooking," Honey complained.

"Not so sick as we are," said Pete.

"Anybody can have my job that wants it," Honey volunteered with a touch
of surliness unusual with him.

At noon the five women appeared again at the end of the trail.

In contrast to the tired faces and dishevelled figures of the men, they
presented an exquisite feminine freshness, hair beautifully coiled,
garments spotless and unwrinkled. But although their eyes were like
stars and their cheeks like flowers, their faces were serious; a dew, as
of tears lately shed, lay over them.

"Shall Angela fly?"' Julia asked without parley.

The women turned.

"Wait a moment," Frank called in a sudden tone of authority. "I'm with
you women in this. If you'll let me join your forces, I'll fight on your

He had half-covered the distance between them before Julia stopped him
with a "Wait a moment!" as decisive as his own.

"In the first place," she said, "we don't want your help. If we don't
get this by our own efforts, we'll never value it. In the second place,
we'll never be sure of it. We don't trust you--quite. You tricked us
once. That was your fault. If you trick us again, that's our fault.
Thank you--but no, Frank."

The women disappeared down the trail while still the men stood staring.

"Well, can you beat it?" was the only comment for a moment--and that
came from Pete. In another instant, they had turned on Merrill, were
upbraiding him hotly for what they called his treason.

"You can't bully me," was his unvarying answer. "Remember, any time they
call on me, I'll fight for them."

"Well, you can do what you want with your own wife, of course," Ralph
said, falling into one of his black rages. "But I'm damned if you'll
encourage mine."

"Boys," he added later, after a day of steadily increasing rage, "I'm
tired of this funny business. Let's knock off work to-morrow and
hunt them. What gets me is their simplicity. They don't seem to have
calculated on our superior strength. It won't take us more than a
few hours to run them to earth. By God, I wish we had a pair of

"All right," said Billy. "I'm with you, Ralph. I'm tired of this."

"Let's go, to bed early to-night," said Pete, "and start at sunrise."

"Well," said Honey philosophically, "I've hunted deer, bear, panther,
buffalo, Rocky Mountain sheep, jaguar, lion, tiger, and rhinoceros--but
this is the first time I ever hunted women."

They started at sunrise--all except Frank, who refused to have anything
to do with the expedition--and they hunted all day. At sunset they
camped where they fell exhausted. They went back to the search the next
day and the next and the next and the next.

And nowhere did they find traces of their prey.

"Where are they?" Ralph said again and again in a baffled tone. "They
couldn't have flown away, could they?"

And, as often as he asked this question, his companions answered it in
the varying tones of their fatigue and their despair. "Of course they
couldn't--their wings were too short."

"Still," Frank said once. "It's now long past the half-yearly shearing
period." He added in another instant, "I don't think, though, that their
wings could more than lift them."

"Well, it's evident, wherever they are, they won't budge until we go
back to work," Billy said at the end of a week. "This is useless and

The next day they returned to the New Camp.

"Here they come," Billy called joyously that noon. "Thank God!" he added
under his breath.

Again the five women appeared at the beginning of the trail. Their
faces were white now, hollow and lined; but as ever, they bore a look
of extraordinary pristineness. And this time they brought the children.
Angela lay in her mother's arms like a wilted flower. Her wings sagged
forlornly and her feet were bandaged. But stars of a brilliant blue
flared and died and flared again in her eyes; roses of a living flame
bloomed and faded and bloomed again in her cheek. Her look went straight
to her father's face, clung there in luminous entreaty. Peterkin, more
than ever like a stray from some unreal, pixy world, surveyed the scene
with his big, wondering, gray-green eyes. Honey-Boy, having apparently
just waked, stared, owl-like, his brows pursed in comic reproduction of
his father's expression. Junior grinned his widest grin and padded the
air unceasingly with his pudgy hands. Honey-Bunch slept placidly in
Julia's arms.

Julia advanced a little from her group and dropped a single
monosyllable. "Well?" she said in an inflexible, questioning voice.

Nobody answered her. Instead Addington called in a beseeching voice:
"Angela! Angela! Come to me! Come to dad, baby!"

Angela's dead little wings suddenly flared with life; they fluttered in
a very panic. She stretched out her arms to her father. She turned her
limpid gaze in an agony of infantile entreaty up to her mother's face.
But Peachy shook her head. The baby flutter died down. Angela closed her
eyes, dropped her head on her mother's shoulder; the tears started from
under her eyelids.

"Shall Angela fly?" Julia asked. "Remember this is your last chance."

"No," Ralph said. And the word was the growl of a balked beast.

"Then," Julia said sternly, "we will leave Angel Island forever."

"You will," Ralph sneered. "You will, will you? All right. Let's see you
do it!" Suddenly he started swiftly down toward the trail. "Come, boys!"
he commanded. Honey followed--and Billy and Pete.

But, suddenly, Julia spoke. She spoke in the loud, clear tones of her
flying days and she used the language of her girlhood. It was a word of
command. And as it fell from her lips, the five women leaped from the
top of the knoll. But they did not fall into the lake. They did not
touch its surface. They flew. Flew--and yet it was not flight. It
was half-flight. It was scarcely flight at all. Compared with the
magnificent, calm, effortless sweep of their girlhood days, it was
almost a grotesque performance. Their wing-stumps beat back and forth
violently, beat in a very agony of effort. Indeed these stunted fans
could never have held them up. They supplemented their efforts by a
curious rotary movement of the legs and feet. They could not rise
very far above the surface of the water, especially as each woman was
weighted by a child; but they sustained a steady, level flight to the
other side of the lake.

The men stared for an instant, petrified. Then panic broke. "Come
back, Lulu!" Honey yelled. "Come back!" "Julia!" Billy called hoarsely,
"Julia! Julia! Julia!" He went on calling her name as if his senses had
left him. Pete's lips moved. Words came, but no voice; he stood like a
statue, whispering. Merrill remained silent; obviously he could not even
whisper; his was the silence of paralysis. Addington, on the other hand,
was all voice. "Oh, my God!" he cried. "Don't leave me, Peachy! Don't
leave me! Peachy! Angela! Peachy! Angela!" His voice ascended on the
scale of hysteric entreaty until he screeched. "Don't leave me! Don't
leave me!" He fell to his knees and held out his arms; the tears poured
down his face.

The women heard, turned, flew back. Holding themselves above the men's
heads, they fluttered and floated. Their faces were working and the
tears flowed freely, but they kept their eyes steadily fixed on Julia,
waiting for command.

Julia was ghastly. "Shall Angela fly?" she asked. And it was as though
her voice came from an enormous distance, so thin and expressionless and
far-away had it become.

"Anything!" Addington said. "Anything! Oh, my God, don't leave us!"

Julia said something. Again this word was in their own language
and again it was a word of command. But emotion had come into her
voice--joy; it thrilled through the air like a magic fluid. The women
sank slowly to earth. In another instant the two forces were in each
other's arms.

"Billy," Julia said, as hand in hand they struck into one of the paths
that led to the jungle, "will you marry me?"

Billy did not answer. He only looked at her.

"When?" he said finally. "To-morrow?"

"To-day," Julia said.

Sunset on Angel Island.

The Honeymoon House thrilled with excitement. At intervals figures
crowded to the narrow door; at intervals faces crowded in the narrow
window. Sometimes it was Lulu, swollen and purple and broken with
weeping. Sometimes it was Chiquita, pale and blurred and sagging with
tears. Often it was Peachy, whose look, white and sodden, steadily
searched the distance. Below on the sand, Clara, shriveled, pinched,
bent over, her hands writhing in and out of each other's clasp, paced
back and forth, her eye moving always on the path. Suddenly she stopped
and listened. There came first a faint disturbance of the air, then
confusion, then the pounding of feet. Angela, white-faced, frightened,
appeared, flying above the trail. "I found him," she called. Behind came
Billy, running. He flashed past Clara.

"How is she?" he panted.

"Alive," Clara said briefly.

He flew up the steps. Clara followed. Angela dropped to the sand and Jay
there, her little head in the crook of her elbow, sobbing.

Inside a murmur of relief greeted Billy. "He's come, Julia," Peachy
whispered softly.

The women withdrew from the inner room as Billy passed over the

Julia lay on the couch stately and still. One long white hand rested
on her breast. The other stretched at her side; its fingers touched
a little bundle there. Her wings--the glorious pinions of her
girlhood--towered above the pillow, silver-shining, quiescent. Her
honey-colored hair piled in a huge crown above her brow. Her eyes were
closed. Her face was like marble; but for an occasional faint movement
of the hand at her side, she might have been the sculpture on a tomb.

Her lids flickered as Billy approached, opened on eyes as dull as
stones. But as they looked up into his, they filled with light.

"My husband--" she said. Her eyes closed.

But presently they opened and with a greater dazzle of light. "Our
son--" The hand at her side moved feebly on the little bundle there.
That faint movement seemed a great effort. Her eyes closed again.

But for a third time she opened them, and now they shone with their
greatest glory. "My husband--our son--has--wings."

And then Julia's eyes closed for the last time.

*** End of this Doctrine Publishing Corporation Digital Book "Angel Island" ***

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